Explore the vast range of titles available.

I asked him why he didn't consider turning pro? He quickly replied, \"I couldn't hit it far enough.\" I haven't played for four or five years. As you get older, you know, you get through 14 or 15 holes, you're tired, and I think anybody who has been playing low handicap golf never quite corrects his judgment of what clubs to use. You can remember when you used to hit 'em, like I'd go into a 160-yard hole using a 7-iron. When I stopped playing I couldn't get it out of my head that I used a 7-iron.\" I think it's the memories of the groups we played with at Pine Lakes,\" he said. \"We have a picture on the wall of the group we played with there about 12 years ago. That was a wonderful group of guys.\"

Headquarters, and First Battalion moved by the same train from Granada to Managua which bore [Mena] and his personal staff. Upon receipt of orders to clear the railroad of all troops occupying menacing positions, Regimental Headquarters and First Battalion left Camp Weitzel, Managua, at 2.25 P.M., Wednesday, October 2nd, plans having been made for the cooperation of Major Butler and the Third Battalion to arrive from the southeast in an attack, if necessary, on Coyotepe and the Barranca.

Some recent scholarship insists that the four poems W.B. Yeats wrote touching the biography of Major Robert Gregory are classic representations of elegy. Yet, throughout these four “elegies” — “The Shepherd and the Goatherd,” “In Memory of Major Robert Gregory,” “An Irish Airman Foresees his Death,” and the unpublished “Reprisals” — one can detect veiled (as well as shockingly naked) criticisms of Gregory. This paper explores the complicated, often thorny relationship between Yeats and Gregory and seeks to challenge the notion that Yeats ever cared to glorify Gregory in any of the four poems. “An Irish Airman Foresees his Death,” in particular, which is commonly read as a kind of ars poetica tribute to Gregory, is in fact an anti-war poem written by one of the era's most outspoken disparagers of anti-war poetry.