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"CHRISTIAN ART"
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St. Jacob's Antwerp Art and Counter Reformation in Rubens's Parish Church
St. Jacob's is the only church to survive intact from Antwerp's Counter Reformation (1585-1794). Jeffrey Muller wreathes together the testimony of masterpieces and archives in Rubens's parish church to reconstruct art's integral role in religion and the transformation of society.
eBook
Saint George Between Empires
This volume examines Saint George's intertwined traditions in
the competing states of the eastern Mediterranean and
Transcaucasia, demonstrating how rival conceptions of this
well-known saint became central to Crusader, Eastern Christian, and
Islamic medieval visual cultures.
Saint George Between Empires links the visual cultures
of Byzantium, North Africa, the Levant, Syria, and the Caucasus
during the Crusader era to redraw our picture of interfaith
relations and artistic networks. Heather Badamo recovers and
recontextualizes a vast body of images and literature-from
etiquette manuals and romances to miracle accounts and
chronicles-to describe the history of Saint George during a period
of religious and political fragmentation, between his \"rise\" to
cross-cultural prominence in the eleventh century and his
\"globalization\" in the fifteenth. In Badamo's analysis, George
emerges as an exemplar of cross-cultural encounter and global
translation.
Featuring important new research on monuments and artworks that
are no longer available to scholars as a result of the occupation
of Syria and parts of Iraq, Saint George Between Empires
will be welcomed by scholars of Byzantine, medieval, Islamic, and
Eastern Christian art and cultural studies.
eBook
Art and the religious image in El Greco's Italy
Art and the Religious Image in El Greco's Italy is the first book-length examination of the early career of one of the early modern period's most notoriously misunderstood figures. Born around 1541, Domenikos Theotokopoulos began his career as an icon painter on the island of Crete. He is best known, under the name \"El Greco,\" for the works he created while in Spain, paintings that have provoked both rapt admiration and scornful disapproval since his death in 1614. But the nearly ten years he spent in Venice and Rome, from 1567 to 1576, have remained underexplored until now. Andrew Casper's examination of this period allows us to gain a proper understanding of El Greco's entire career and reveals much about the tumultuous environment for religious painting after the Council of Trent. Art and the Religious Image in El Greco's Italy is a new book in the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation. Thanks to the AHPI grant, this book will be available in popular e-book formats.
eBook
Spirits in transcultural skies : auspicious and protective spirits in artefacts and architecture between East and West
The volume investigates the visualization of both ritual and decorative aspects of auspiciousness and protection in the form of celestial characters in art and architecture. In doing so, it covers more than two and a half millennia and a broad geographical area, documenting a practice found in nearly every corner of the world. Its transcultural approach aims at gaining insights into cultural dynamics and consistent networks and defining new historical mindmaps; it examines reciprocal effects and aspects of interwovenness in art and architecture with a view to reconceptualizing their established realms. The collection opens a window on a phenomenon in the history of art and architecture that has never before been considered from this perspective. The book focuses on a transcultural iconography of aerial spirits, goddesses and gods in art history, pursuing a methodologically innovative approach in order to redefine and develop the practice of identification and classification of motifs as a means to understanding meaning, and attempting to challenge the categories defined by academic disciplines.
Book
Baroque Seville
Baroque art flourished in seventeenth-century Seville during a tumultuous period of economic decline, social conflict, and natural disasters. This volume explores the patronage that fueled this frenzy of religious artistic and architectural activity and the lasting effects it had on the city and its citizens. Amanda Wunder investigates the great public projects of sacred artwork that were originally conceived as medios divinos—divine solutions to the problems that plagued Seville. These commissions included new polychromed wooden sculptures and richly embroidered clothing for venerable old images, gilded altarpieces and monumental paintings for church interiors, elaborate ephemeral decorations and festival books by which to remember them, and the gut renovation or rebuilding of major churches that had stood for hundreds of years. Meant to revive the city spiritually, these works also had a profound real-world impact. Participation in the production of sacred artworks elevated the social standing of the artists who made them and the devout benefactors who commissioned them, and encouraged laypeople to rally around pious causes. Using a diverse range of textual and visual sources, Wunder provides a compelling look at the complex visual world of seventeenth-century Seville and the artistic collaborations that involved all levels of society in the attempt at its revitalization. Vibrantly detailed and thoroughly researched, Baroque Seville is a fascinating account of Seville's hard-won transformation into one of the foremost centers of Baroque art in Spain during a period of crisis.
eBook
Toledo Cathedral : building histories in medieval castile
Medieval Toledo is famous as a center of Arabic learning and as a home to sizable Jewish, Muslim, and Christian communities. Yet its cathedral—one of the largest, richest, and best preserved in all of Europe—is little known outside Spain. In Toledo Cathedral, Tom Nickson provides the first in-depth analysis of the cathedral's art and architecture. Focusing on the early thirteenth to the late fourteenth centuries, he examines over two hundred years of change and consolidation, tracing the growth of the cathedral in the city as well as the evolution of sacred places within the cathedral itself. He goes on to consider this substantial monument in terms of its location in Toledo, Spain's most cosmopolitan city in the medieval period. Nickson also addresses the importance and symbolic significance of Toledo's cathedral to the city and the art and architecture of the medieval Iberian Peninsula, showing how it fits in with broader narratives of change in the arts, culture, and ideology of the late medieval period in Spain and in Mediterranean Europe as a whole.
eBook