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result(s) for
"Calvino, Italo Critique et interprétation."
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Under the Radiant Sun and the Crescent Moon
by
Jeannet, Angela M
in
BIOGRAPHY & AUTOBIOGRAPHY
,
BIOGRAPHY & AUTOBIOGRAPHY / Literary
,
Calvino, Italo
2000
Although Italo Calvino (1923-1985) is one of the most widely read and translated Italian novelists of the century, a comprehensive analytical work in English of his writings has been unavailable until now. In this new study Angela Jeannet offers a rich and vibrant critical portrait that integrates Calvino the creative writer with Calvino the critical thinker, two roles that the novelist himself saw as intimately connected. Under the Radiant Sun and the Crescent Moon examines the cultural and literary matrix of Calvino's complex fictional universe, focusing on his passion for storytelling and the various stages in the evolution of his work. Calvino lived in a culture undergoing profound transformations. Jeannet traces the important creative influences and events in his life and their significance for his writing, from his cultivated bourgeois upbringing and reading of the Modernists to his confrontation with post-war industrialism, the consumer culture of the 1960s, and beyond.
Throughout the study Jeannet brings to light Calvino's views on the function of storytelling in literature and society and his strong connections to the Italian poetic tradition. She also explores aspects of Calvino's work that deserve more attention, including the critically neglected Marcovaldo stories and the metaphorical role of the feminine in his fictional world.
Italo Calvino and the Compass of Literature
by
Bolongaro, Eugenio
in
Calvino, Italo
,
Calvino, Italo-Criticism and interpretation
,
Criticism and interpretation
2003,2014
Looking at five of Italo Calvino's often neglected early novels:The Young People of Po,The Cloven Viscount,The Baron in the Trees,The Non-Existent Knight, andThe Watcher, Eugenio Bolongaro argues that these works, written between 1948 and 1963, contain a sustained meditation on the role of the intellectual and on the irreducible ethical and political dimension of literature. This meditation provides an insight into a crucial moment in Calvino's development as a writer, and allows Bolongaro to lay the groundwork for a more 'political' reading of Calvino's later work.
Italo Calvino and the Compass of Literaturefirmly situates Calvino within his historical context - the cultural revival of post-World War II Italy - by relating these early novels to Calvino's political and critical writings which played an important role in the cultural debates of the time. This approach provides a key to understanding Calvino's work in a new light, ably demonstrating that Calvino's full literary significance cannot be understood in isolation from the politics and cultural movements of the period. One of the few book-length English-language works on Calvino's early writings,Italo Calvino and the Compass of Literaturwill prove to be an indispensable tool to Italianists and literary studies scholars.
Difficult Games
No detailed description available for \"Difficult Games\".
Space as Storyteller
2016
Walter Benjamin's Arcades Projectsuggests that space can become a storyteller: if so, plenty of fleeting stories can be read in the space of modernity, where repetition and the unexpected cross-pollinate. In Space as Storyteller, Laura Chiesa explores several stories across a wide range of time that narrate spatial jumps, from Benjamin's tangential take on the cityscape, the experimentalism of Futurist theatricality, the multiple and potential atlases narrated by Italo Calvino and Georges Perec, and the posturban thought and practice of Bernard Tschumi and Rem Koolhaas/OMA.Space as Storytellerdiverts attention from isolated disciplines and historical or geographical contexts toward transdisciplinary encounters that mobilize the potential to invent new spaces of comparison, a potential the author describes as \"architecturability.\"
Italo Calvino
by
MARTIN McLAUGHLIN
in
Calvino, Italo, 1923-1985 -- Criticism and interpretation
,
Calvino, Italo-Criticism and interpretation
,
European Studies
1998
This first study in English of the complete writings of Italo Calvino (1923-85) offers new interpretations of Calvino's main works, taking into account some important unpublished material, and analyses Calvino's intertextual links with major writers of world literature.
Kafka’s Italian Progeny
by
Ziolkowski, Saskia Elizabeth
in
20th century
,
comparative literature
,
Criticism and interpretation
2019,2020
While many scholars of world literature view national literary traditions as resolved and stable, Kafka’s Italian Progeny takes the fluid identity of the modern Italian tradition as an opportunity to reconsider its dimensions and influencers. Exploring a distinct but unexamined Kafkan tradition in modern Italian literature, it brings Italian literary works into larger debates and reorients the critical view of the Italian literary landscape. The book calls attention to the way Kafkan themes, narrative strategies, and formal experimentation appear in a range of Italian authors. Offering new perspectives on familiar figures, such as Italo Calvino, Italo Svevo, and Elena Ferrante, it also sheds light on some lesser-known authors, including Tommaso Landolfi, Paola Capriolo, and Lalla Romano.
Using diverse approaches to explore thematic, generic, historical, and cultural connections between Kafka’s works and those of Italian authors, the author argues for a new view of Italian literature that includes talking animals, parental bonds, modernist realism, literary detective novels, and lyrical microfiction. Whereas Kafka has been mobilized in discourses on minor and world literature, Kafka’s Italian Progeny investigates the particular nature of the Italian reception of Kafka to reveal the richness and variety of modern Italian literature.
Painting with Words, Writing with Pictures
by
Ricci, Franco
in
Calvino, Italo
,
Calvino, Italo-Criticism and interpretation
,
Criticism and interpretation
2002,2000,2001
Ricci's book ranges widely over Calvino's oeuvre to illustrate the accuracy of the idea articulated by Calvino himself that a visual image lies at the origin of all his narrative. The book's main theme is the difficult interface between word and image that Calvino struggled with throughout his career, the act of perception that rendered visible that which was invisible and transformed what was seen into what is read. Ricci holds that Calvino's narrative has an 'imagocentric' program and that his literary strategy is 'ekphrastic' i.e. it is characterized by literary description of visual representation, real or imaginary. The book is interdisciplinary in nature and will interest not only scholars of literature but also those who work with the visual arts and with information technology.