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"Calvino, Italo-Criticism and interpretation"
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Under the Radiant Sun and the Crescent Moon
Although Italo Calvino (1923-1985) is one of the most widely read and translated Italian novelists of the century, a comprehensive analytical work in English of his writings has been unavailable until now. In this new study Angela Jeannet offers a rich and vibrant critical portrait that integrates Calvino the creative writer with Calvino the critical thinker, two roles that the novelist himself saw as intimately connected. Under the Radiant Sun and the Crescent Moon examines the cultural and literary matrix of Calvino's complex fictional universe, focusing on his passion for storytelling and the various stages in the evolution of his work. Calvino lived in a culture undergoing profound transformations. Jeannet traces the important creative influences and events in his life and their significance for his writing, from his cultivated bourgeois upbringing and reading of the Modernists to his confrontation with post-war industrialism, the consumer culture of the 1960s, and beyond.
Throughout the study Jeannet brings to light Calvino's views on the function of storytelling in literature and society and his strong connections to the Italian poetic tradition. She also explores aspects of Calvino's work that deserve more attention, including the critically neglected Marcovaldo stories and the metaphorical role of the feminine in his fictional world.
eBook
Italo Calvino and the Compass of Literature
Looking at five of Italo Calvino's often neglected early novels:The Young People of Po,The Cloven Viscount,The Baron in the Trees,The Non-Existent Knight, andThe Watcher, Eugenio Bolongaro argues that these works, written between 1948 and 1963, contain a sustained meditation on the role of the intellectual and on the irreducible ethical and political dimension of literature. This meditation provides an insight into a crucial moment in Calvino's development as a writer, and allows Bolongaro to lay the groundwork for a more 'political' reading of Calvino's later work.
Italo Calvino and the Compass of Literaturefirmly situates Calvino within his historical context - the cultural revival of post-World War II Italy - by relating these early novels to Calvino's political and critical writings which played an important role in the cultural debates of the time. This approach provides a key to understanding Calvino's work in a new light, ably demonstrating that Calvino's full literary significance cannot be understood in isolation from the politics and cultural movements of the period. One of the few book-length English-language works on Calvino's early writings,Italo Calvino and the Compass of Literaturwill prove to be an indispensable tool to Italianists and literary studies scholars.
eBook
Italo Calvino's Architecture of Lightness
This study recovers Italo Calvino's central place in a lost history of interdisciplinary thought, politics, and literary philosophy in the 1960s. Drawing on his letters, essays, critical reviews, and fiction, as well as a wide range of works--primarily urban planning and design theory and history--circulating among his primary interlocutors, this book takes as its point of departure a sweeping reinterpretation of Invisible Cities. Passages from Calvino's most famous novel routinely appear as aphorisms in calendars, posters, and the popular literature of inspiration and self-help, reducing the novel to vague abstractions and totalizing wisdom about thinking outside the box. The shadow of postmodern studies has had a similarly diminishing effect on this text, rendering up an accomplished but ultimately apolitical novelistic experimentation in endless deconstructive deferrals, the shiny surfaces of play, and the ultimately rigged game of self-referentiality. In contrast, this study draws on an archive of untranslated Italian- and French-language materials on urban planning, architecture, and utopian architecture to argue that Calvino's novel in fact introduces readers to the material history of urban renewal in Italy, France, and the U.S. in the 1960s, as well as the multidisciplinary core of cultural life in that decade: the complex and continuous interplay among novelists and architects, scientists and artists, literary historians and visual studies scholars. His last love poem for the dying city was in fact profoundly engaged, deeply committed to the ethical dimensions of both architecture and lived experience in the spaces of modernity as well as the resistant practices of reading and utopian imagining that his urban studies in turn inspired.
eBook
Space as Storyteller
Walter Benjamin's Arcades Projectsuggests that space can become a storyteller: if so, plenty of fleeting stories can be read in the space of modernity, where repetition and the unexpected cross-pollinate. In Space as Storyteller, Laura Chiesa explores several stories across a wide range of time that narrate spatial jumps, from Benjamin's tangential take on the cityscape, the experimentalism of Futurist theatricality, the multiple and potential atlases narrated by Italo Calvino and Georges Perec, and the posturban thought and practice of Bernard Tschumi and Rem Koolhaas/OMA.Space as Storytellerdiverts attention from isolated disciplines and historical or geographical contexts toward transdisciplinary encounters that mobilize the potential to invent new spaces of comparison, a potential the author describes as \"architecturability.\"
eBook
Difficult Games
Examining Calvino's literary experiments as a young artist in search of his narrative voice, Ricci explores the psychological and existential motivations intrinsically linked to the writer's need for textual and systemic patterning. I racconti contains some of Calvino's least-read works, yet these early stories address issues, present scenarios and generate a growing variation of themes that form the heart of Calvino's narrative discourse. Ricci points out that melancholy permeates Calvino's works—even at his most playful. He suggests that if Calvino's highest merit was his sense of wonder and his urge to transform and defeat obscurantism with all the joy he could muster, one must remember that his work expressed, often painfully, the limits of human rationalism. I racconti can thus be read as a catalogue of the anxieties of both the young author and postwar Italian society.
eBook
Painting with Words, Writing with Pictures
Ricci's book ranges widely over Calvino's oeuvre to illustrate the accuracy of the idea articulated by Calvino himself that a visual image lies at the origin of all his narrative. The book's main theme is the difficult interface between word and image that Calvino struggled with throughout his career, the act of perception that rendered visible that which was invisible and transformed what was seen into what is read. Ricci holds that Calvino's narrative has an 'imagocentric' program and that his literary strategy is 'ekphrastic' i.e. it is characterized by literary description of visual representation, real or imaginary. The book is interdisciplinary in nature and will interest not only scholars of literature but also those who work with the visual arts and with information technology.
eBook