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The essays collected in offer close analysis of an array of cultural representations of the Canada–US border, in both site-specificity and in the ways in which they reveal and conceal cultural similarities and differences. Contributors focus on a range of regional sites along the border and examine a rich variety of expressive forms, including poetry, fiction, drama, visual art, television, and cinema produced on both sides of the 49th parallel. The field of border studies has hitherto neglected the Canada–US border as a site of cultural interest, tending to examine only its role in transnational policy, economic cycles, and legal and political frameworks. Border studies has long been rooted in the US–Mexico divide; shifting the locus of that discussion north to the 49th parallel, the contributors ask what added complications a site-specific analysis of culture at the Canada–US border can bring to the conversation. In so doing, this collection responds to the demands of Hemispheric American Studies to broaden considerations of the significance of American culture to the Americas as a whole—bringing Canadian Studies into dialogue with the dominantly US-centric critical theory in questions of citizenship, globalization, Indigenous mobilization, hemispheric exchange, and transnationalism.

The eloquence and scope of the contributors' writing illustrates how historical study of Canadian-American relations in the West calls into question the parameters of the nation-state.Contributors to this volume, which grew out of a conference commemorating the 1846 Oregon Treaty, see the boundary between Canada and the United States as both a dividing line and a regional backbone - people on each side have key experiences and attitudes in common.

In Borderlands, W.H. New poetically and metaphorically considers the image of 'the border' in Canada and how it affects the way Canadians look at themselves and their society.

The Fence and the Bridge is about the development of the Canada-US border-security relationship as an outgrowth of the much lengthier Canada-US relationship. It suggests that this relationship has been both highly reflexive and hegemonic over time, and that such realities are embodied in the metaphorical images and texts that describe the Canada-US border over its history.Nicol argues that prominent security motifs, such as themes of free trade, illegal immigration, cross-border crime, terrorism, and territorial sovereignty are not new, nor are they limited to the post-9/11 era. They have developed and evolved at different times and become part of a larger quilt, whose patches are stitched together to create a new fabric and design.Each of the security motifs that now characterize Canada-US border perceptions and relations has a precedent in border-management strategies and border relations in earlier periods. In some cases, these have deep historical roots that date back not just years or decades but centuries. They are part of an evolving North American geopolitical logic that inscribes how borders are perceived, how they function, and what they mean.

The border between Canada and the United States separates political sovereignties, but not the shared themes of cultural, social, and economic history that have unfolded since the 18th century. Transnationalism brings together original works that focus on the shared histories of the United States and Canada that have over two centuries created a distinct North American identity and sensibility.

Between 1920 and 1933 the issue of prohibition proved to be the greatest challenge to Canada-U.S. relations. When the United States adopted national prohibition in 1920-ironically, just as Canada was abandoning its own national and provincial experiments with prohibition-U.S. tourists and dollars promptly headed north and Canadian liquor went south. Despite repeated efforts, Americans were unable to secure Canadian assistance in enforcing American prohibition laws until 1930. Bootleggers and Bordersexplores the important but surprisingly overlooked Canada-U.S. relationship in the Pacific Northwest during Prohibition. Stephen T. Moore maintains that the reason Prohibition created such an intractable problem lies not with the relationship between Ottawa and Washington DC but with everyday operations experienced at the border level, where foreign relations are conducted according to different methods and rules and are informed by different assumptions, identities, and cultural values. Through an exploration of border relations in the Pacific Northwest,Bootleggers and Bordersoffers insight into not only the Canada-U.S. relationship but also the subtle but important differences in the tactics Canadians and Americans employed when confronted with similar problems. Ultimately, British Columbia's method of addressing temperance provided the United States with a model that would become central to its abandonment and replacement of Prohibition.

This book studies the official and unofficial thought in Canada and the United States about the problem of fighting a war in North America, especially from the British withdrawal up to the consummation of alliance in 1939.

For almost two centuries North America has been a major destination for international migrants, but from the late nineteenth century onward, governments began to regulate borders, set immigration quotas, and define categories of citizenship. To develop a more dimensional approach to migration studies, the contributors to this volume focus on people born in the United States and Canada who migrated to the other country, as well as Japanese, Chinese, German, and Mexican migrants who came to the United States and Canada. These case studies explore how people and ideas transcend geopolitical boundaries. By including local, national, and transnational perspectives, the editors emphasize the value of tracking connections over large spaces and political boundaries. Entangling Migration History ultimately contends that crucial issues in the United States and Canada, such as labor and economic growth and ideas about the racial or religious makeup of the nation, are shaped by the two countries' connections to each other and the surrounding world.

First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company. Peter Andreas is Assistant Professor of Political Science at Brown University. Thomas J. Biersteker is Henry R. Luce Professor of Transnational Organizations, and the Director of the Watson Institute for International Studies at Brown University.