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"Canadian poetry (English) 20th century History and criticism."
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The home place : essays on Robert Kroetsch's poetry
Robert Kroetsch, one of Canada's most important writers, was a fierce regionalist with a porous yet resilient sense of \"home.\" Although his criticism and fiction have received extensive attention, his poetry remains underexplored. This exuberantly polyvocal text by dennis cooley - who knew Kroetsch and worked with him for decades - seeks to correct this imbalance. This work offers a dazzling, playful, and intellectually complex conversation that draws together personal recollections, Kroetsch's archival materials, and the international body of Kroetsch scholarship. For literary scholars and anyone who appreciates Canadian literature, The Home Place will represent the standard critical evaluation of Kroetsch's poetry for years to come.
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In the Belly of a Laughing God
How can humour and irony in writing both create and destroy boundaries? In the Belly of a Laughing God examines how eight contemporary Native women poets in Canada and the United States – Joy Harjo, Louise Halfe, Kimberly Blaeser, Marilyn Dumont, Diane Glancy, Jeannette Armstrong, Wendy Rose, and Marie Annharte Baker – employ humour and irony to address the intricacies of race, gender, and nationality. While recognizing that humour and irony are often employed as methods of resistance, this careful analysis also acknowledges the ways that they can be used to assert or restore order.
Using the framework of humour and irony, five themes emerge from the words of these poets: religious transformations; generic transformations; history, memory, and the nation; photography and representational visibility; and land and the significance of 'home.' Through the double-voice discourse of irony and the textual surprises of humour, these poets challenge hegemonic renderings of themselves and their cultures, even as they enforce their own cultural norms.
eBook
We Are What We Mourn
In We Are What We Mourn Priscila Uppal examines why and how the work of mourning has drastically changed in the latter half of the twentieth century, focusing on the strong pattern in contemporary English-Canadian elegy that emphasizes connection rather than separation between the living and the dead. Uppal offers a penetrating reading of Canadian elegies that radically challenges English and American elegy traditions as well as long-standing psychological models for successful mourning. She sets up useful categories for elegy study - parental elegies, elegies for places, and elegies for cultural losses and displacements - and suggests where elegy and mourning studies might be headed post 9/11.
eBook
Time in Time
Edgar Allan Poe, arguing that brevity and intensity were the essence of poetry, declared there was no such thing as a long poem. It can also be said there is no difference between a short and a long poem except duration: a measure of time. Time in Time examines what the difference really is, and investigates the interplay of short and long forms in contemporary poetry. Moving beyond the opposition of lyric and experimental schools, Time in Time constructs a history of recent North American efforts to bring about a more open poetic form. Contributors explore ways in which the work of Louis Zukofsky, William Carlos Williams, Jackson Mac Low, George Oppen, Hannah Weiner, A.R. Ammons, Marjorie Perloff, Erín Moure, Ron Silliman, and Kenneth Goldsmith reconceives, reframes, and sometimes interknits the possibilities of short and long poems. In doing so, the collection offers insight into the affiliative networks and inter-generational lines of avant-gardism on the continent. Attuned to the surprising reversals and unstable categories of the period, Time in Time illuminates the ongoing encounter of literary creativity with the limits and possibilities of form. Contributors include Adam Dickinson (Brock University), Kerry Doyle (York University), Rachel Blau DuPlessis (Temple University), Steve McCaffery (SUNY Buffalo), Erín Moure (Montreal), Michael O'Driscoll (University of Alberta) Jennifer Russo (City University of New York Graduate Center), and J. Mark Smith (Grant MacEwan University).
eBook
The Home Place
Dazzling, playful, and intellectually complex examination of personal recollections and archival materials about Kroetsch's poetry.
eBook
Speculative Fictions
Herb Wyile provides a comparative analysis of the historical concerns and textual strategies of twenty novels published since the appearance of Rudy Wiebe's groundbreaking The Temptations of Big Bear in 1973. Drawing on the work of theorists and critics such as Hayden White, Mikhail Bakhtin, Fredric Jameson, Linda Hutcheon, and Michel De Certeau, Speculative Fictions examines the nature of these novels' engagement with Canadian history, historiography, and the writing of historical fiction.
eBook
Australian Fiction as Archival Salvage
Australian Fiction as Archival Salvage examines developments in the Australian postcolonial historical novel from 1989 to the present, including seminal experiments in the genre by Kate Grenville, Mudrooroo, Kim Scott, Peter Carey, Rohan Wilson and others.
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Home Ground and Foreign Territory
Home Ground and Foreign Territoryis an original collection of essays on early Canadian literature in English. Aiming to be both provocative and scholarly, it encompasses a variety of (sometimes opposing) perspectives, subjects, and methods, with the aim of reassessing the field, unearthing neglected texts, and proposing new approaches to canonical authors. Renowned experts in early Canadian literary studies, including D.M.R. Bentley, Mary Jane Edwards, and Carole Gerson, join emerging scholars in a collection distinguished by its clarity of argument and breadth of reference. Together, the essays offer bold and informative contributions to the study of this dynamic literature.
Home Ground and Foreign Territoryreaches out far beyond the scope of early Canadian literature. Its multi-disciplinary approach innovates literal studies and appeals to literature specialists and general readership alike.
eBook
Canada & Its Americas
The chapters in this volume, a groundbreaking work in the burgeoning field of hemispheric American studies, expand the horizons of Canadian and Québécois literatures, suggest alternative approaches to models centred on the United States, and analyze the risks and benefits of hemispheric approaches to Canada and Quebec. Revealing the connections among a broad range of Canadian, Québécois, American, Caribbean, Latin American, and diasporic literatures, the contributors critique the neglect of Canadian works in Hemispheric studies and show how such writing can be successfully integrated into an emerging area of literary inquiry. An important development in understanding the diversity of literatures throughout the western hemisphere, Canada and Its Americas reveals exciting new ways for thinking about transnationalism, regionalism, border cultures, and the literatures they produce.
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Writing in Our Time
Process poetics is about radical poetry — poetry that challenges dominant world views, values, and aesthetic practices with its use of unconventional punctuation, interrupted syntax, variable subject positions, repetition, fragmentation, and disjunction.
To trace the aesthetically and politically radical poetries in English Canada since the 1960s, Pauline Butling and Susan Rudy begin with the \"upstart\" poets published in Vancouver's TISH: A Poetry Newsletter, and follow the trajectory of process poetics in its national and international manifestations through the 1980s and '90s.
The poetics explored include the works of Nicole Brossard, Daphne Martlatt, bpNichol, George Bowering, Roy Kiyooka, and Frank Davey in the 1960s and '70s. For the 1980-2000 period, the authors include essays on Jeff Derksen, Clare Harris, Erin Mour, and Lisa Robertson. They also look at books by older authors published after 1979, including Robin Blaser, Robert Kroetsch, and Fred Wah.
A historiography of the radical poets, and a roster of the little magazines, small press publishers, literary festivals, and other such sites that have sustained poetic experimentation, provide context.
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