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The Remission Phase in the Canonization of Francis Borgia (1649–1655)
This article examines a decisive yet relatively understudied stage in the canonization process of Francis Borgia, third superior general of the Society of Jesus, by focusing on the remission phase carried out between 1649 and 1655. Although Borgia had been beatified in 1624, the path toward his canonization extended over several decades, shaped by a combination of institutional, political, and procedural factors that slowed its progress. The pontificate of Innocent X marked a turning point, creating favorable conditions for renewed momentum within the Roman Curia. Following authorization by the Congregation of Rites, the remission phase formally commenced in 1649, leading to a series of witness examinations conducted in key Iberian centers—Toledo, Madrid, and Valencia—beginning in 1650. By analyzing the selection of witnesses in each location and the substance of their testimonies, the article sheds light on the strategies employed to consolidate Borgia’s reputation for sanctity and to address juridical expectations in Rome. Particular attention is given to the coordination between local ecclesiastical authorities and the central institutions of the Holy See. The study argues that the efficiency and coherence of this phase, culminating in the issuance of the remission briefs in 1655, played a crucial role in advancing the cause toward its successful conclusion in 1670.
Journal Article
Bodhisattva and Daoist: A New Study of Zhunti Daoren 準提道人in the Canonization of the Gods
Although the portrayal of Zhunti Daoren (Cundī Daoist 準提道人) in the Canonization of the Gods (Fengshen yanyi 封神演義) is relatively subdued, it has garnered considerable scholarly interest owing to the pivotal role he fulfills in advancing the narrative and the profound cultural connotations encapsulated within the character. Scholars have put forward three distinct hypotheses: “Zhunti Daoren as a Buddhist deity”, “Zhunti Daoren as a Daoist deity”, and “Zhunti Daoren as the Panchen Lama”. Based on the theory that the figures in the novels of gods and demons (Shenmo xiaoshuo 神魔小說) embody symbolic characteristics, as well as the sociocultural background of Ming–Qing times, this study uses literary image analysis to investigate these three different interpretations. A basic examination is also performed to explore the correlation between Zhunti Daoren and Jieyin Daoren (Welcoming Daoist接引道人), with the aim of illustrating the relationship between the cult of Zhunti and Pure Land Buddhism in late imperial China.
Journal Article
Building Charisma: The IPost-Mortem/I Sanctity Attributed to the Prince of Viana
This article aims to address the issue of post mortem charisma from the case of Carlos de Viana, crown prince of the kingdom of Navarre (1421–1461). Although he did not have a reputation for sanctity in life, from the moment of his death, miracles attributed to his intercession transformed devotion to ‘san’ Carlos de Viana into a mass phenomenon. The alleged sanctity of the Prince of Viana was part of a complex political process in which agents of the different peninsular states were involved in the second half of the 15th century and which led to the opening of a canonization process that would never see the light of day. But, at the same time, it is a good example of the notion of the charismatic figure, the miracle being one of the clearest manifestations of charisma, and of how it is possible to ‘build’ a charism post mortem.
Journal Article
Certain Sainthood
The doctrine of papal infallibility is a central tenet of Roman Catholicism, and yet it is frequently misunderstood by Catholics and non-Catholics alike. Much of the present-day theological discussion points to the definition of papal infallibility made at Vatican I in 1870, but the origins of the debate are much older than that. InCertain Sainthood, Donald S. Prudlo traces this history back to the Middle Ages, to a time when Rome was struggling to extend the limits of papal authority over Western Christendom. Indeed, as he shows, the very notion of papal infallibility grew out of debates over the pope's authority to canonize saints.
Prudlo's story begins in the twelfth and thirteenth centuries when Rome was increasingly focused on the fight against heresy. Toward this end the papacy enlisted the support of the young mendicant orders, specifically the Dominicans and Franciscans. As Prudlo shows, a key theme in the papacy's battle with heresy was control of canonization: heretical groups not only objected to the canonizing of specific saints, they challenged the concept of sainthood in general. In so doing they attacked the roots of papal authority. Eventually, with mendicant support, the very act of challenging a papally created saint was deemed heresy.
Certain Sainthooddraws on the insights of a new generation of scholarship that integrates both lived religion and intellectual history into the study of theology and canon law. The result is a work that will fascinate scholars and students of church history as well as a wider public interested in the evolution of one of the world's most important religious institutions.
eBook
The Construction of Ouyang Xiu's Posthumous Image in the Song Dynasty
The historical image of Ouyang Xiu constructed during the Song Dynasty evolved from a multifaceted portrayal that balanced his political and literary achievements into a singular cultural symbol. In the Northern Song Dynasty, writings by Ouyang Xiu's family and epitaphs by his colleagues crafted a balanced narrative emphasizing both his official duties and literary merits, thus constructing a dual image of him as a principled remonstrator and a literary master. In the Southern Song Dynasty, official historiography gradually eroded his complex persona as a political reformer by selectively trimming political disputes and emphasizing his literary lineage, ultimately establishing him as a cultural exemplar beyond factional strife. Throughout this evolution of historical writing, Ouyang Xiu's sharpness as a remonstrator was gradually obscured in historical texts, while his image as a literary master, revered by all, became firmly established. The reshaping of Ouyang Xiu's image in historical writings across the Northern and Southern Song dynasties not only reflects the logic of selecting scholar-official role models under the influence of official ideology but also reveals the inherent pattern whereby individual distinctiveness fades into symbolic construction in historical writing.
Journal Article