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"Carr, Marina, 1964- Criticism and interpretation."
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Resisting Neoliberalism and Patriarchy: Marina Carr's On Raftery's Hill and Lola Arias's \La escuálida familia\
If we look at a possibly speculative dystopic world in which all that remains is a single family invested in self-destruction through violence and incest, can we see a critique of the patriarchal narratives that have perpetuated discrimination and abuse in turn of the current century society? Maybe, maybe not. Maybe what we've got is just a story of one dysfunctional family at the end of time. But take two such contemporaneous plays from the dawn of the millennium that each recreate that same horrifying premise, one from Ireland, one from Argentina, and the viability of such a premise deepens. Here, the author explains how the structure of \"modern\" ethical content and postmodern form infuse the plays of the study.
Journal Article
Marina Carr UNMOTHERLY FEELINGS
Irish playwright Marina Carr, who shares the troubling and pickax humor of her male counterparts, is discussed. Curiously, the writer who led Carr to the discovery of her more dramatic voice was not an Irishman, but an American from the South--Tennessee Williams.
Magazine Article