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L'Arabe du futur : une jeunesse au Moyen-Orient
In striking, virtuoso graphic style that captures both the immediacy of childhood and the fervor of political idealism, Riad Sattouf recounts his nomadic childhood growing up in rural France, Gaddafi's Libya, and Assad's Syria--but always under the roof of his father, a Syrian Pan-Arabist who drags his family along in his pursuit of grandiose dreams for the Arab nation. Riad, delicate and wide-eyed, follows in the trail of his mismatched parents; his mother, a bookish French student, is as modest as his father is flamboyant. Venturing first to the Great Socialist People's Libyan Arab State and then joining the family tribe in Homs, Syria, they hold fast to the vision of the paradise that always lies just around the corner. And hold they do, though food is scarce, children kill dogs for sport, and with locks banned, the Sattoufs come home one day to discover another family occupying their apartment. The ultimate outsider, Riad, with his flowing blond hair, is called the ultimate insult... Jewish. And in no time at all, his father has come up with yet another grand plan, moving from building a new people to building his own great palace --Amazon.
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The Arab of the future. 4 : a graphic memoir : a childhood in the Middle East (1987-1992)
\"In the fourth volume of The Arab of the Future, little Riad has grown into a teenager. In the previous books, his childhood was complicated by the pull of his two cultures -- French and Syrian -- and his parents' deteriorating relationship. Now his father, Adbel-Razak, has left to take a job in Saudi Arabia, and after making a pilgrimage to Mecca, turns increasingly towards religion. But after following him from place to place and living for years under the harsh conditions of his impoverished village, Riad's mother Clementine has had enough. Refusing to live in a country where women have no rights, she returns with her children to live in France with her own mother... until Abdel-Razak shows up unexpectedly to drag the family on yet another journey. As the series builds to a climax, we see Riad struggle with problems both universal (bullies at school) and specific (his mother's sudden illness, the judgment of his religious relatives). And as Abdel-Razak returns again to the same fantastical dreams he pursued in previous books, we see him become more and more unhinged, until ultimately he crosses the line from idealism to fanaticism, leading to a dramatic breaking point. Full of the same gripping storytelling and lush visual style for which Sattouf's previous works have won numerous awards, The Arab of the Future 4 continues the saga of the Sattouf family and their peripatetic life in France and the Middle East.\" -- Provided by publisher.
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The Arab of the Future. 3 : a graphic memoir : a childhood in the Middle East, (1985-1987)
In the third installment of the acclaimed series, the Sattouf family begins to implode under the pressure of Hafez al-Assad's regime and the suffocation of their rural Syrian village.
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Der Araber von morgen : eine Kindheit im Nahen Osten (1978-1984)
Arabischer Frühling, Umsturz in Libyen und Krieg in Syrien. Als Reaktion darauf greift der 36-jährige französische Zeichner und Filmemacher Riad Sattouf zum Stift und erzählt von seiner Kindheit in der arabischen Welt: ein blondgelockter Junge, Sohn einer Französin und eines Syrers, wächst in Libyen und Syrien auf.
Poppies of Iraq
\"Poppies of Iraq is Brigitte Findakly's nuanced tender chronicle of her relationship with her homeland Iraq, co-written and drawn by her husband, the acclaimed cartoonist Lewis Trondheim. In spare and elegant detail, they share memories of her middle class childhood touching on cultural practices, the education system, Saddam Hussein's state control, and her family's history as Orthodox Christians in the Arab world. Poppies of Iraq is intimate and wide-ranging; the story of how one can become separated from one's homeland and still feel intimately connected yet ultimately estranged. Signs of an oppressive regime permeate a seemingly normal life: magazines arrive edited by customs; the color red is banned after the execution of General Kassim; Baathist militiamen are publicly hanged and school kids are bussed past them to bear witness. As conditions in Mosul worsen over her childhood, Brigitte's father is always hopeful that life in Iraq will return to being secular and prosperous. The family eventually feels compelled to move to Paris, however, where Brigitte finds herself not quite belonging to either culture. Trondheim brings to life Findakly's memories to create a poignant family portrait that covers loss, tragedy, love, and the loneliness of exile.\"-- Provided by publisher.
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