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result(s) for
"Catastrophical, The, in literature"
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The Cultural Life of Catastrophes and Crises
by
Veel, Kristin
,
Meiner, Carsten
in
Catastrophes
,
Catastrophical, The, in art
,
Catastrophical, The, in literature
2012
Catastrophes and crises are exceptions. They are disruptions of order. In various ways and to different degrees, they change and subvert what we regard as normal. They may occur on a personal level in the form of traumatic or stressful situations, on a social level in the form of unstable political, financial or religious situations, or on a global level in the form of environmental states of emergency. The main assumption in this book is that, in contrast to the directness of any given catastrophe and its obvious physical, economical and psychological consequences our understanding of catastrophes and crises is shaped by our cultural imagination. No matter in which eruptive and traumatizing form we encounter them, our collective repertoire of symbolic forms, historical sensibilities, modes of representation, and patterns of imagination determine how we identify, analyze and deal with catastrophes and crises.This book presents a series of articles investigating how we address and interpret catastrophes and crises in film, literature, art and theory, ranging from Voltaire's eighteenth-century Europe, haunted by revolutions and earthquakes, to the 1994 genocide in Rwanda to the bleak, prophetic landscapes of Cormac McCarthy.
Brill's Companion to Insurgency and Terrorism in the Ancient Mediterranean
2016,2015
Brill's Companion to Insurgency and Terrorism in the Ancient Mediterranean provides readers with current research on these forms of conflict and response in the Ancient Near East, Persia, Greece, Egypt, and Rome from the second millennium BCE to the third century CE.
Nelly Sachs
by
Martin, Elaine
in
Criticism and interpretation
,
Deutsch-jüdische Studien
,
German-Jewish Studies
2011
Nelly Sachs. The Poetics of Silence and the Limits of Representation examines the poetry of the Nobel Prize-winning German Jewish poet Nelly Sachs. It firstly shifts established patterns of reception by analysing the author's reception in East and West Germany after the war and the role she came to play in the Federal Republic as a representative 'Poet of Reconciliation'. The study then situates Sachs' work within the framework of the debate surrounding the representation of the Holocaust by means of a thorough exposition of the aporia at the heart of Theodor Adorno's writings on post-Holocaust art. It demonstrates by close reading how Sachs' work is itself marked by this aporetic struggle and exposes in particular the aesthetic means by which Sachs renders this aporetic tension legible in her poetry through her use of, for example, prosopopoeia, her recasting of traditional metaphors and her reversal of biblical archetypes. The primary question addressed is whether Sachs' poetry, in spite of the fact that it thematises the impossibility of adequate representation, has representational value, or whether her work is bereft of concrete, representational meaning as a result of the often fragmented nature of her writing. In particular, the author confronts those critics who see in Sachs' work elements of consolation, reconciliation, or redemption in a transcendental realm, in favour of a reading that regards her work as permeated with the concrete events of the Holocaust and irreconcilably opposed to any notion of a religious sense-making and redemptive paradigm.
Figures of a Changing World: Metaphor and the Emergence of Modern Culture
2015,2020,2014
Figures of a Changing World offers a dramatic new account of cultural change, an account based on the distinction between two familiar rhetorical figures, metonymy and metaphor. The book treats metonymy as the basic organizing trope of traditional culture and metaphor as the basic organizing trope of modern culture. On the one hand, metonymies present themselves as analogies that articulate or reaffirm preexisting states of affairs. They are guarantors of facticity, a term that can be translated or defined as fact-like-ness. On the other hand, metaphors challenge the similarity they claim to establish, in order to feature departures from preexisting states of affairs. On the basis of this distinction, the author argues that metaphor and metonymy can be used as instruments both for the large-scale interpretation of tensions in cultural change and for the micro-interpretation of tensions within particular texts. In addressing the functioning of the two terms, the author draws upon and critiques the work of Friedrich Nietzsche, Roman Jakobson, Christian Metz, Paul Ricoeur, Umberto Eco, Edmund Leach, and Paul de Man.
The Heavenly Book Motif in Judeo-Christian Apocalypses 200 B.C.E.-200 C.E
2012,2011
The first full-length analysis of the heavenly book motif in English, this study highlights a vital element of early Jewish and Christian apocalyptic literature. Through multiple intertextual readings, it demonstrates that for the ancients heavenly writing had life or death consequences.
A Short Treatise on the Metaphysics of Tsunamis
by
Dupuy, Jean-Pierre
,
DeBevoise, Malcolm B
in
Disasters
,
Disasters -- Psychological aspects
,
Disasters -- Psychological aspects. fast (OCoLC)fst00894796
2015,2009
In 1755 the city of Lisbon was destroyed by a terrible earthquake. Almost 250 years later, an earthquake beneath the Indian Ocean unleashed a tsunami whose devastating effects were felt over a vast area. In each case, a natural catastrophe came to be interpreted as a consequence of human evil. Between these two events, two indisputably moral catastrophes occurred: Auschwitz and the bombing of Hiroshima and Nagasaki. And yet the nuclear holocaust survivors likened the horror they had suffered to a natural disaster-a tsunami.Jean-Pierre Dupuy asks whether, from Lisbon to Sumatra, mankind has really learned nothing about evil. When moral crimes are unbearably great, he argues, our ability to judge evil is gravely impaired, and the temptation to regard human atrocity as an attack on the natural order of the world becomes irresistible. This impulse also suggests a kind of metaphysical ruse that makes it possible to convert evil into fate, only a fate that human beings may choose to avoid. Postponing an apocalyptic future will depend on embracing this paradox and regarding the future itself in a radically new way.The American edition of Dupuy's classic essay, first published in 2005, also includes a postscript on the 2011 nuclear accident that occurred in Japan, again as the result of a tsunami.
Of Mutability
2011,2010
Jo Shapcott's award-winning first three collections, gathered in Her Book: Poems 1988-1998 , revealed her to be a writer of ingenuous, politically acute and provocative poetry, and rightly earned her a reputation as one of the most original and daring voices of her generation.
Time, Change and Freedom
1995,2005
Written in an engaging dialogue style, Smith and Oaklander cover metaphysical topics from a student's perspective and introduce key concepts through a process of explanation, reformulation and critique.