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American literature and Irish culture, 1910–55: The politics of enchantment discusses how and why American modernist writers turned to Ireland at various stages during their careers. By placing events such as the Celtic Revival and the Easter Rising at the centre of the discussion, it shows how Irishness became a cultural determinant in the work of American modernists. It is the first study to extend the analysis of Irish influence on American literature beyond racial, ethnic or national frameworks.Through close readings and archival research, American literature and Irish culture, 1910–55 provides a balanced and structured approach to the study of the complexities of American modernist writers’ responses to Ireland. Offering new readings of familiar literary figures – including Fitzgerald, Moore, O’Neill, Steinbeck and Stevens – it makes for essential reading for students and academics working on twentieth-century American and Irish literature and culture, and transatlantic studies.

Claire Kilroy attended the \"First Intensive Seminar Week on Irish Studies\" that Dr Pilar Villar Argáiz organised at the University of Granada (from 15th to 18th of December 2015), where the writer gave a talk about her latest novel, The Devil I Know. The aim of this interview was both to understand how the post-Celtic Tiger social context motivated not only the content of this novel but also its formal features, and to map the correlation between these two aspects. Kilroy also speaks about the political and cultural background of her book, her literary heritage, the creative process behind the composition of this novel, its characterisation devices and narrative structure, and her next writing projects. Key Words. Celtic Tiger Period, Contemporary Irish Literature, Claire Kilroy, Irish Fiction, Post-Celtic Tiger Literature. Claire Kilroy acudió al \"Primer Seminario Intensivo sobre Estudios Irlandeses\" organizado por la Dra. Pilar Villar Argáiz en la Universidad de Granada (del 15 al 18 de Diciembre de 2015), en el que la escritora irlandesa habló de su última novela, The Devil I Know. El objetivo de esta entrevista se centra en comprender el contenido de la novela así como sus características formales, todo ello originado por el contexto social de Irlanda tras el periodo conocido como Tigre Celta. Se buscará por tanto trazar la correlación entre ambos aspectos en la novela. Kilroy también habla aquí sobre el trasfondo cultural y político de su novela, sobre su herencia literaria, sobre el proceso creativo detrás de esta obra, sus mecanismos de caracterización y de estructura narrativa, y sobre sus próximos proyectos. Palabras clave. Periodo del Tigre Celta, literatura irlandesa contemporánea, Claire Kilroy, ficción irlandesa, literatura post-Tigre Celta.

This book discusses how and why American modernist writers turned to Ireland at various stages during their careers. By placing events such as the Celtic Revival and the Easter Rising at the centre of the discussion, it shows how Irishness became a cultural determinant in the work of American modernists.