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"Characters"
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Anime’s Media Mix
by
Marc Steinberg
in
Animated films
,
Animated films -- Japan -- History and criticism
,
Animated television programs
2012
In Anime’s Media Mix, Marc Steinberg convincingly shows that anime is far more than a style of Japanese animation. Engaging with film, animation, and media studies, as well as analyses of consumer culture and theories of capitalism, Steinberg offers the first sustained study of the Japanese mode of convergence that informs global media practices to this day.
Japanese kanji made easy : learn 1000 kanji and kana the fun and easy way
Learning the fundamental kanji characters used to write Japanese can be challenging, but this book is designed to speed up learning by presenting the 1,000 most common characters using a mnemonic approach. In a fun and accessible way to learn Japanese, each kanji is associated with memorable visual and verbal clues. For example, the Japanese character for person is superimposed over a sketch of a smiling man. The visual clue is a person standing on two legs. By seeing the distinctive shape of the kanji, learners create a mental image of its meaning. As well, each character is presented as part of a group of characters which share similar traits. These groups use common root symbols known as radicals; they are also categorized by themes such as colors, numbers, animals, or body parts. Pronunciations, meanings and common vocabulary compounds are provided for each character in the group. Mnemonic clues are also given for the basic 92 hiragana and katakana phonetic symbols. A free audio CD helps you learn pronunciation for all of the characters and vocabulary in this book. The short introduction explains the basic history and structure of the kanji.
The one vs. the many
2003,2009
Does a novel focus on one life or many? Alex Woloch uses this simple question to develop a powerful new theory of the realist novel, based on how narratives distribute limited attention among a crowded field of characters. His argument has important implications for both literary studies and narrative theory.
Characterization has long been a troubled and neglected problem within literary theory. Through close readings of such novels asPride and Prejudice,Great Expectations, andLe Père Goriot, Woloch demonstrates that the representation of any character takes place within a shifting field of narrative attention and obscurity. Each individual--whether the central figure or a radically subordinated one--emerges as a character only through his or her distinct and contingent space within the narrative as a whole. The \"character-space,\" as Woloch defines it, marks the dramatic interaction between an implied person and his or her delimited position within a narrative structure. The organization of, and clashes between, many character-spaces within a single narrative totality is essential to the novel's very achievement and concerns, striking at issues central to narrative poetics, the aesthetics of realism, and the dynamics of literary representation.
Woloch's discussion of character-space allows for a different history of the novel and a new definition of characterization itself. By making the implied person indispensable to our understanding of literary form, this book offers a forward-looking avenue for contemporary narrative theory.
Out of Character
2014,2020
\"Characters\" are those fictive beings in novels whose coherent patterns of behavior make them credible as people. \"Character\" is also used to refer to the capacity—or incapacity—of individuals to sustain core principles. When characters are inconsistent, they risk coming across as dangerous or immoral, not to mention unconvincing. But what is behind our culture's esteem for unwavering consistency? Out of Character examines literary characters who defy our culture's models of personal integrity. It argues that modernist writers Henry James, Gertrude Stein, and T. S. Eliot drew inspiration from vitalism as a way of reinventing the means of depicting people in fiction and poetry. Rather than regarding a rigid character as something that inoculates us against the shifting tides of circumstance, these writers insist on the ethical necessity of forming improvisational, dynamic social relationships. Charting the literary impact of William James, Charles Darwin, Friedrich Nietzsche, and, in particular, Henri Bergson, this book contends that vitalist understandings of psychology, affect, and perception led to new situational and relational definitions of selfhood. As Moses demonstrates, the modernists stirred by these vital life lessons give us a sense of what psychic life looks like at its most intricate, complex, and unpredictable.
Favorite first friends!
by
Nestor, C. J., author
in
Pokâemon (Fictitious characters) Juvenile fiction.
,
Pokâemon (Fictitious characters) Fiction.
,
Pokâemon (Fictitious characters)
2018
Pikachu meets other Pokâemon a trainer can choose as their first partner, including Bulbasaur, Charmander, Chikorita, Mudkip, and Litten.
Comic Book Women
by
Brunet, Peyton
,
Robbins, Trina
,
Davis, Blair
in
20th century
,
comic book history
,
comic books
2022
The history of comics has centered almost exclusively on men.
Comics historians largely describe the medium as one built by men
telling tales about male protagonists, neglecting the many ways in
which women fought for legitimacy on the page and in publishers'
studios. Despite this male-dominated focus, women played vital
roles in the early history of comics. The story of how comic books
were born and how they evolved changes dramatically when women like
June Tarpé Mills and Lily Renée are placed at the center rather
than at the margins of this history, and when characters such as
the Black Cat, Patsy Walker, and Señorita Rio are analyzed.
Comic Book Women offers a feminist history of the
golden age of comics, revising our understanding of how numerous
genres emerged and upending narratives of how male auteurs built
their careers. Considering issues of race, gender, and sexuality,
the authors examine crime, horror, jungle, romance, science
fiction, superhero, and Western comics to unpack the cultural and
industrial consequences of how women were represented across a wide
range of titles by publishers like DC, Timely, Fiction House, and
others. This revisionist history reclaims the forgotten work done
by women in the comics industry and reinserts female creators and
characters into the canon of comics history.
Learn to draw your favorite Disney Pixar characters : featuring Woody, Buzz Lightyear, Lightning McQueen, Mater, and other favorite characters
by
Pixar (Firm)
,
Disney Storybook Artists, illustrator
in
Cartoon characters Juvenile literature.
,
Disney characters Juvenile literature.
,
Drawing Technique Juvenile literature.
2015
Presents step-by-step instructions for drawing various Disney characters, such as Woody, Buzz Lightyear, Nemo, and Lightning McQueen.
Shakespeare's Mad Men
This book is about a mad king and a mad duke. With original and iconoclastic readings, Richard van Oort pioneers the reading of Shakespeare as an ethical thinker of the \"originary scene,\" the scene in which humans became conscious of themselves as symbol-using moral and narrative beings. Taking King Lear and Measure for Measure as case studies, van Oort shows how the minimal concept of an anthropological scene of origin—the \"originary hypothesis\"—provides the basis for a new understanding of every aspect of the plays, from the psychology of the characters to the ethical and dialogical conflicts upon which the drama is based. The result is a gripping commentary on the plays. Why does Lear abdicate and go mad? Why does Edgar torture his father with non-recognition? Why does Lucio accuse the Duke in Measure for Measure of madness and lechery, and why does Isabella remain silent at the end? In approaching these and other questions from the perspective of the originary hypothesis, van Oort helps us to see the ethical predicament of the plays, and, in the process, makes Shakespeare new again.