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"Chartism History."
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Victorian Labour History
In Victorian Labour History: Experience, Identity and the Politics of Representation, John Host addresses liberal, Marxist and postmodernist historiography on Victorian working people to question the special status of historical knowledge. The central focus of this study is a debate about mid-Victorian social stability, a condition conventionally equated with popular acceptance of the social order. Host does not join the debate but takes it as his object of analysis, deconstructing the notion of stability and the analyses that purport to explain it. In particular, he takes issue with historical evidence, noting the different possibilities for meaning that it allows and the speculative character of the narratives to which it is adduced.
Host examines an extensive range of archival material to illustrate the ambiguity of the historical field, the rhetorical strategies through which the illusion of its unity is created, and the ultimately fictive quality of historical narrative. He then explores the political contingency of the works he addresses and the political consequences of representing them as true.
eBook
Chartism
Chartism, the mass movement for democratic rights, dominated British domestic politics in the late 1830s and 1840s. It mobilised over three million supporters at its height. Few modern European social movements, certainly in Britain, have captured the attention of posterity to quite the extent it has done. Encompassing moments of great drama, it is one of the very rare points in British history where it is legitimate to speculate how close the country came to revolution. It is also pivotal to debates around continuity and change in Victorian Britain, gender, language and identity. Chartism: A New History is the only book to offer in-depth coverage of the entire chronological spread (1838-58) of this pivotal movement and to consider its rich and varied history in full. Based throughout on original research (including newly discovered material) this is a vivid and compelling narrative of a movement which mobilised three million people at its height. The author deftly intertwines analysis and narrative, interspersing his chapters with short ‘Chartist Lives’, relating the intimate and personal to the realm of the social and political. This book will become essential reading for anyone with an interest in early Victorian Britain, specialists, students and general readers alike.
eBook
The Rise of Professional Society
The Rise of Professional Society lays out a stimulating and controversial framework for the study of British society, challenging accepted paradigms based on class analysis. Perkins argues that the non-capitalist \"professional class\" represents a new principle of social organization based on trained expertise and meritocracy, a \"forgotten middle class\" conveniently overlooked by classical social theorists.
'A true magnum opus. No social historian can afford not to read it.' – Asa Briggs 'Accessible to the general reader, indispensable to the scholar and a solid achievement of synthesis and clarity.' – The Observer
eBook
Chartism
Chartism is an essential introduction to the movement, and examines the controversial debates surrounding the topic. As well as providing a concise period background, the author includes discussion of:
the Chartists' economic, legislative and political goals
patterns of regional and local support
reasons for the Chartist decline
the success of Chartism in the light of its goals and its influence over the Poor Law, Corn Laws, trade unions and factory reform
the languages of Chartism - songs, gesture and propaganda.
eBook
Protest and the politics of space and place, 1789-1848
This book is a wide-ranging survey of the rise of mass movements for democracy and workers’ rights in northern England. It is a provocative narrative of the closing down of public space and dispossession from place. The book offers historical parallels for contemporary debates about protests in public space and democracy and anti-globalisation movements. In response to fears of revolution from 1789 to 1848, the British government and local authorities prohibited mass working-class political meetings and societies. Protesters faced the privatisation of public space. The ‘Peterloo Massacre’ of 1819 marked a turning point. Radicals, trade unions and the Chartists fought back by challenging their exclusion from public spaces, creating their own sites and eventually constructing their own buildings or emigrating to America. This book also uncovers new evidence of protest in rural areas of northern England, including rural Luddism. It will appeal to academic and local historians, as well as geographers and scholars of social movements in the UK, France and North America.
eBook
Chartist drama
The first collection of its kind, Chartist Drama makes available four plays written or performed by members of the Chartist movement of the 1840s. Emerging from the lively counter-culture of this protest campaign for democratic rights, these plays challenged cultural as well as political hierarchies by adapting such recognisable genres as melodrama, history plays, and tragedy for performance in radically new settings. A communal, public, and embodied art form, drama was linked for the Chartists with other kinds of political performance: the oratory of the mass platform, festival-like outdoor meetings, and the elaborate street theatre of protest marches. Plays that Chartists wrote or staged advanced new interpretations of British history and criticised aspects of the contemporary world. And Chartist drama intervened in fierce strategic arguments within the movement. Most notably, poet-activist John Watkins’s John Frost, which dramatises the gripping events of the Newport rising of 1839, in which twenty-two Chartists lost their lives, defends the rebellion and the Chartist recourse to violence as a means for the movement to achieve its aims. The volume’s appendices document over one hundred Chartist dramatic performances, staged by activists in local Chartist associations or at professional benefits at some of London’s largest working-class theatres. Gregory Vargo’s introduction and notes elucidate the previously unexplored world of Chartist dramatic culture, a context that promises to reshape what we know about early Victorian popular politics and theatre.
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Reform acts : Chartism, social agency, and the Victorian novel, 1832-1867
How Victorian novels imagined the idea of social agency. Reform Acts offers a new approach to prominent questions raised in recent studies of the novel. By examining social agency from a historical rather than theoretical perspective, Chris R. Vanden Bossche investigates how particular assumptions involving agency came into being. Through readings of both canonical and noncanonical Victorian literature, he demonstrates that the Victorian tension between reform and revolution framed conceptions of agency in ways that persist in our own time. Vanden Bossche argues that Victorian novels sought to imagine new forms of social agency evolving from Chartism, the dominant working-class movement of the time. Novelists envisioned alternative forms of social agency by employing contemporary discourses from Chartism's focus on suffrage as well as the means through which it sought to obtain it, such as moral versus physical force, land reform, and the cooperative movement. Each of the three parts of Reform Acts begins with a chapter that analyzes contemporary conversations and debates about social agency in the press and in political debate. Succeeding chapters examine how novels envision ways of effecting social change, for example, class alliance in Barnaby Rudge; landed estates as well as finely graded hierarchy and politicians in Coningsby and Sybil; and reforming trade unionism in Mary Barton and North and South. By including novels written from a range of political perspectives, Vanden Bossche discovers patterns in Victorian thinking that are easily recognized in today's assumptions about social hierarchy.
eBook