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349 result(s) for "Chinese Americans Fiction."
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Spider love song and other stories
These seventeen stories present the challenges facing characters whose inner and outer lives often do not align, whose spirits attempt flight despite dashed hopes and lean circumstances. Marginalized by race, age, and sexuality, they endeavor to create new worlds that honor their identities and their Chinese heritage.
Eat Everything Before You Die
In this vibrant and original novel, Christopher Columbus Wong, orphan son of a Chinatown bachelor community, is trying to invent a family for himself while all around him American popular culture is reinventing itself with sex, drugs, and rock n roll. Christopher finds himself on a wild journey with his gay older brother, Peter, a pan-Pacific TV chef; the defrocked, deranged, and eroding ex-director of a Chinatown settlement house, Reverend Ted Candlewick; the sharp-eyed, conspiring matriarch Auntie Mary, the bridge between the conflicting values that make up this cultural stew; and Uncle Lincoln, a bachelor, short order cook, and, quite possibly, Christopher and Peter s father. Further complicating Christopher s voyage are his ex-wives: Winnie, a Hong Kong immigrant looking for a green card, and Melba, an American orphan of the counterculture. Set against the backdrop of America s wars in Asia and the assimilation of that experience the refugees, the stereotypes, the food Eat Everything Before You Die is an ironic commentary on the identities the children of Chinese American immigrants concoct from their questionable histories, cultural practices, and survival strategies. Chan s riotous story will appeal to general readers, particularly those interested in the Asian American experience, and will be of strong, enduring interest to students and scholars in Asian American Studies.
In the year of the boar and Jackie Robinson
In 1947, a Chinese child comes to Brooklyn where she becomes Americanized at school, in her apartment building, and by her love for baseball.
Eat Everything Before You Die
In this vibrant and original novel, Christopher Columbus Wong, orphan son of a Chinatown bachelor community, is trying to invent a family for himself while all around him American popular culture is reinventing itself with sex, drugs, and rock ’n’ roll. Christopher finds himself on a wild journey with his gay older brother, Peter, a pan-Pacific TV chef; the defrocked, deranged, and eroding ex-director of a Chinatown settlement house, Reverend Ted Candlewick; the sharp-eyed, conspiring matriarch Auntie Mary, the bridge between the conflicting values that make up this cultural stew; and Uncle Lincoln, a bachelor, short order cook, and, quite possibly, Christopher and Peter’s father. Further complicating Christopher’s voyage are his ex-wives: Winnie, a Hong Kong immigrant looking for a green card, and Melba, an American orphan of the counterculture.Set against the backdrop of America’s wars in Asia and the assimilation of that experience—the refugees, the stereotypes, the food—Eat Everything Before You Die is an ironic commentary on the identities the children of Chinese American immigrants concoct from their questionable histories, cultural practices, and survival strategies.Chan’s riotous story will appeal to general readers, particularly those interested in the Asian American experience, and will be of strong, enduring interest to students and scholars in Asian American Studies.
Mr. Charley's chopsticks
When a special chopstick is missing from the dinner table, Wu Lin tries to find it before anyone discovers it is missing.
Kinfolk
A tale of four Chinese-American siblings in New York, and their bewildering return to their roots
Real Americans
On the precipice of Y2K, unpaid intern Lily Chen is attempting to live the American dream in New York City. But her scientist parents imagined so much more for her when they fled Mao's cultural revolution, hoping for a better life. Despite the glamour of her media job, Lily can barely make rent - until she falls into the arms of Matthew. This young financier can give her a fairy tale life of luxury, and for the first time her dreams appear within reach. High school student Nick Chen and his best friend Timothy are plotting to break free. College promises escape from an isolated and close-knit island in Washington State, space from his strict and secretive mum Lily, and the chance to finally fit in. But when Nick sets out to find his long-lost father, a world of questions opens, and it is one unexpected member of the Chen family who holds the key to it all.
Perfect worlds
Perfect Worlds offers an extensive historical analysis of utopian narratives in the Chinese and Euro-American traditions. This comparative study discusses finally the rise of dystopian writing – a negative expression of the utopian impulse – in Europe and America (Zamyatin, Huxley, Orwell, Bradbury, Atwood) as well as in China (Lao She, Wang Shuo, and others). The author observes that the utopian imagination thrives in a context of secularization. It appears that in the twentieth century the distinction between utopia and dystopia is blurred as a result of the increasing autonomy of the reader. Fokkema argues that in modern times utopianism in China and in the West has developed in opposite directions, each appropriating attitudes from the other culture which originally were considered alien. Perfect Worlds biedt een uitgebreide historische analyse van utopische verhalen in de Chinese en Euro-Amerikaanse traditie. Verschillende hoofdstukken gaan onder meer in op de kritiek van Thomas More op Plato, de Europese oriëntalistische speurtocht naar utopieën in China, Dostoevsky’s reactie op Chernyshevsky’s What Is to Be Done, Wells’s Modern Utopia en zijn interview met Stalin, Chinese schrijvers die hun Confucianistische utopie construeren, en sporen van het Daoisme in het gedachtengoed van Mao Zedong en zijn politiek van de Grote Sprong Voorwaarts en de Culturele Revolutie. Deze vergelijkende studie bespreekt tenslotte de opkomst van dystopische fictie – een negatieve representatie van de utopische impuls – in Europa en Amerika (Zamyatin, Huxley, Orwell, Bradbury, Atwood) alsook in China (Lao She, Wang Shuo en anderen). De auteur constateert dat de utopische verbeelding tot bloei komt in een context van secularisering. In de twintigste eeuw heeft de toenemende autonomie van de lezer tot gevolg dat het onderscheid tussen eutopie en dystopie vervaagt. Tenslotte betoogt Fokkema dat in de moderne tijd de utopie in China en in het Westen een tegengestelde ontwikkeling heeft doorgemaakt, waarbij elk van de twee culturen zich elementen van de andere cultuur heeft eigen gemaakt die oorspronkelijk als vreemd werden beschouwd.