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Chow chop suey
Chinese food first became popular in America under the shadow of violence against Chinese aliens, a despised racial minority ineligible for United States citizenship. The founding of late-nineteenth-century chop suey restaurants that pitched an altered version of Cantonese cuisine to white patrons despite a virulently anti-Chinese climate is one of several pivotal events in Anne Mendelsons thoughtful history of American Chinese food. Chow Chop Suey uses cooking to trace different stages of the Chinese communitys footing in the larger white society.Mendelson begins with the arrival of men from the poorest district of Canton Province during the Gold Rush. She describes the formation of American Chinatowns and examines the curious racial dynamic underlying the purposeful invention of hybridized Chinese American food, historically prepared by Cantonese-descended cooks for whites incapable of grasping Chinese culinary principles. Mendelson then follows the eventual abolition of anti-Chinese immigration laws and the many demographic changes that transformed the face of Chinese cooking in America during and after the Cold War. Mendelson concludes with the post-1965 arrival of Chinese immigrants from Taiwan, Southeast Asia, and many regions of mainland China. As she shows, they have immeasurably enriched Chinese cooking in America but tend to form comparatively self-sufficient enclaves in which they, unlike their predecessors, are not dependent on cooking for a white clientele.
eBook
Coolies and cane : race, labor, and sugar in the age of emancipation
2007 Winner of the Merle Curti Intellectual History Award of the Organization of American Historians, 2006 Winner of the History/Social Science Book Award of the Association of Asian American Studies
How did thousands of Chinese migrants end up working alongside African Americans in Louisiana after the Civil War? With the stories of these workers, Coolies and Cane advances an interpretation of emancipation that moves beyond U.S. borders and the black-white racial dynamic. Tracing American ideas of Asian labor to the sugar plantations of the Caribbean, Moon-Ho Jung argues that the racial formation of \"coolies\" in American culture and law played a pivotal role in reconstructing concepts of race, nation, and citizenship in the United States.
Jung examines how coolies appeared in major U.S. political debates on race, labor, and immigration between the 1830s and 1880s. He finds that racial notions of coolies were articulated in many, often contradictory, ways. They could mark the progress of freedom; they could also symbolize the barbarism of slavery. Welcomed and rejected as neither black nor white, coolies emerged recurrently as both the salvation of the fracturing and reuniting nation and the scourge of American civilization.
Based on extensive archival research, this study makes sense of these contradictions to reveal how American impulses to recruit and exclude coolies enabled and justified a series of historical transitions: from slave-trade laws to racially coded immigration laws, from a slaveholding nation to a \"nation of immigrants, \" and from a continental empire of manifest destiny to a liberating empire across the seas.
Combining political, cultural, and social history, Coolies and Cane is a compelling study of race, Reconstruction, and Asian American history.
eBook
Tapestry of Light
In Tapestry of Light Huang offers an account of the psychic, intellectual, and cultural aftermath of the Cultural Revolution found in the works of prominent Chinese intellectuals, writers, artists and filmmakers.
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Kingdom of characters : the language revolution that made China modern
\"After a meteoric rise, China today is one of the world's most powerful nations. Just a century ago, it was a crumbling empire, with literacy reserved for the elite few. In Kingdom of Characters, Jing Tsu argues that China's greatest and most daunting challenge was a linguistic one. Just as important as China's technological and industrial advances and political maneuvers was the century-long fight to make the Chinese language-with its many dialects and complex character-based script-accessible to the modern world of global trade and digital technology. Kingdom of Characters follows the bold and cunning innovators who adapted the Chinese language to a world defined by the West and its alphabet: the exiled reformer who risked a death sentence to advocate for Mandarin as a national language, the Chinese Muslim poet who laid the groundwork for Chairman Mao's phonetic writing system, the imprisoned computer engineer who devised input codes for Chinese characters on the lid of a tea cup, among others. Without the advances they enabled, China might never have become the dominating force we know today. The revolution of the Chinese script is just as breathtaking as China's transformation into a capitalist juggernaut, in large part because those linguistic innovations literally enabled China's reinvention. With larger-than-life characters and an unexpected perspective on the major events of China's tumultuous twentieth century, Tsu reveals how language is both a technology to be perfected and a subtle yet potent power to be exercised and expanded\"-- Provided by publisher.
BOOK
The Coolie Speaks
Introducing radical counter-visions of race and slavery, and probing the legal and philosophical questions raised by indenture,The Coolie Speaksoffers the first critical reading of a massive testimony case from Cuba in 1874. From this case, Yun traces the emergence of a \"coolie narrative\" that forms a counterpart to the \"slave narrative.\" The written and oral testimonies of nearly 3,000 Chinese laborers in Cuba, who toiled alongside African slaves, offer a rare glimpse into the nature of bondage and the tortuous transition to freedom. Trapped in one of the last standing systems of slavery in the Americas, the Chinese described their hopes and struggles, and their unrelenting quest for freedom.
Yun argues that the testimonies from this case suggest radical critiques of the \"contract\" institution, the basis for free modern society. The example of Cuba, she suggests, constitutes the early experiment and forerunner of new contract slavery, in which the contract itself, taken to its extreme, was wielded as a most potent form of enslavement and complicity. Yun further considers the communal biography of a next-generation Afro-Chinese Cuban author and raises timely theoretical questions regarding race, diaspora, transnationalism, and globalization.
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The Monster That Is History
In ancient China a monster called Taowu was known for both its vicious nature and its power to see the past and the future. Over the centuries Taowu underwent many incarnations until it became identifiable with history itself. Since the seventeenth century, fictive accounts of history have accommodated themselves to the monstrous nature of Taowu. Moving effortlessly across the entire twentieth-century literary landscape, David Der-wei Wang delineates the many meanings of Chinese violence and its literary manifestations. Taking into account the campaigns of violence and brutality that have rocked generations of Chinese—often in the name of enlightenment, rationality, and utopian plenitude—this book places its arguments along two related axes: history and representation, modernity and monstrosity. Wang considers modern Chinese history as a complex of geopolitical, ethnic, gendered, and personal articulations of bygone and ongoing events. His discussion ranges from the politics of decapitation to the poetics of suicide, and from the typology of hunger and starvation to the technology of crime and punishment.
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