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Nowa rola przedmiotu w choreografiach współczesnych: Witalistyczna materialność w twórczości Aleksandry Borys
Artykuł stanowi próbę poszerzenia polskiego dyskursu teatrologicznego o analizę współczesnych praktyk choreograficznych skoncentrowanych na zagadnieniu wykorzystania przedmiotu w przedstawieniach tanecznych i eksplorujących nowe sposoby rozumienia materialności. Rozważania oparte są na założeniu, że twórcy nowej choreografii postrzegają materię jako aktywny czynnik, który na różne sposoby może być włączany w proces twórczy. Autor przedstawia i interpretuje dwa projekty artystyczne Aleksandry Borys: instalację Air Mapping oraz choreografięDancing the Dance. Prace te zestawia z teorią realizmu agencyjnego Karen Barad. Stara się wykazać, że materia w twórczości Borys może być postrzegana przez pryzmat jej procesualnego charakteru, a nie jako niezmienna podstawa rzeczywistości.
Journal Article
SOBRE COREOGRAFIA EM ROTEIRO/About Choreography in Script
If, traditionally, choreography defines organised movements of human bodies in space-time, recently the concept has undergone updates: as a system of relations foregrounding motion, but not necessarily human, encompassing migratory social behaviour, information flows, migrational dynamics etc.; as a system of rules that organize compositional elements, among which movement but in a non-hierarchical manner. (2011, p. 2) Dentro desse conceito expandido de coreografia, compreendemos a colocação do diretor de videodança inglês, David Hinton, muito conhecido por ter dirigido os filmes Dead Dreams of a Monochrome Men (1990) e Strange Fish (1994), do grupo inglês DV8 Physical Theatre. Acesso em 26.02.2014 2 André Lepecki, em seu livro Exhausting dance: performance and the politics of movement, argumenta que a negação do movimento feita por alguns coreógrafos dos anos 90, como Jérôme Bel, Vera Mantero e Xavier Leroy, deriva de uma crítica à modernidade. Ph.D. dissertation, Laban Centre for Movement and Dance, London, 1992.
Journal Article
School of ball choreography by KNUKiM in modern scientific discourse
The purpose of the article is to identify the main approaches to understanding the activities of the school of ballroom choreography of the Kyiv National University of Culture and Arts (KNUKiM) in modern research. Research methodology. Methods of analysis and synthesis are applied; historical for consideration of scientific publications in chronological order; method of theoretical generalization for formulating conclusions, etc. Scientific novelty. The scientific novelty is to identify the degree of research of the phenomenon of \"school of ballroom choreography KNUKiM\" and the main approaches to understanding its activities. Conclusions. The analysis of the scientific discourse on the school of ballroom choreography of KNUKiM proved the importance not only of narrow choreographic optics but also the legitimacy of the application of culturological approaches, given the scale of the phenomenon of this school. In fact, only T. Pavliuk and A. Pidlypska consider the \"school of ballroom choreography of KNUKiM\", and not some aspects of its activities, without calling the phenomenon \"school\". Most of the authors, resorting to demonstrating the importance of scientific and methodological achievements of ballroom dance teachers KNUKiM, as well as graduates of the Department of Ballroom Choreography, prove the legitimacy of the definition of \"scientific and pedagogical school\". Despite numerous mentions of the Department of Ballroom Choreography KNUKiM and its representatives, it should be noted that researchers have not paid due attention to the preconditions and characteristics of the formation of art and pedagogical school of ballroom choreography KNUKiM, clarifying the main directions of the Department of Ballroom Choreography its role in the cultural and artistic life of Ukraine, the identification of the personal contribution of school representatives, the development of periodization of school activities, etc. The relevance of such a study is undeniable, and its results can be used in further theoretical developments on the activities of art, pedagogical, scientific schools in the process of cultural creation, choreographic art in Ukraine, etc.
Journal Article
Acts of Memory: Performance in Black Artmaking
[...]studying Black movement and its patterns is a practice and performance that is in conversation with agency and fugitivity. Ataraxy 1s serene or calm; the other is eudaimonia, meaning freedom from bodily pain. Since for Epicurus, the absence of pain or distress was the highest form of pleasure, this conception of eudaimonia was not merely negative.\" The writings of Black Atlantic thinkers address the movement of Black bodies as being in response to a lack of freedom and their presence as being seen as an absence from having a voice or influence on pursuing a good life. The art of choreography or quilting is piecing together to form a whole.
Journal Article
An extensive review of computational dance automation techniques and applications
Dance is an art and when technology meets this kind of art, it is a novel attempt in itself. Many researchers have attempted to automate several aspects of dance, right from dance notation to choreography; from dance capturing to dance generation. We define and illustrate the concept of ‘Dance Automation’ in this paper. Furthermore, we have encountered several applications of dance automation like e-learning, heritage preservation, medical therapy, etc. Despite decades of continuous attempts by many researchers in various styles of dance all round the world, we found a review paper that portrays the research status in this area of ‘dance and computers’ dating to 1990 (Leonardo 1990 Computers and dance: A bibliography, pp. 87–90). Hence, we decided to compose a comprehensive review article that showcases several aspects of dance automation and document contributions of researchers in marrying creativity with logic. This paper is an attempt to review research work reported in the literature, categorize and group significant research work completed in a span of 1967–2020 in the field of automating dance. We have explicitly identified six major categories corresponding to the use of computers in dance automation, namely, dance representation, dance capturing, dance semantics, dance generation, dance processing approaches and applications of dance automation systems. We classified several research papers under these categories according to their research approach and functionality. With the help of proposed categories and subcategories, one can easily determine the state of research and the new avenues left for exploration in the field of dance automation.
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