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21 result(s) for "Christianity and literature-Spain"
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Exorcism and Its Texts
Exorcism and demonic possession appear as recurrent motifs in early modern Spanish and English literatures. InExorcism and Its Texts, Hilaire Kallendorf demonstrates how this 'infection' was represented in some thirty works of literature by fifteen different authors, ranging from canonical classics like Shakespeare, Cervantes, Ben Jonson, and Lope de Vega, to obscure works by anonymous writers. From comic and tragic drama to picaresque narrative and eight other genres, possession worked as a paradigm through which authors could convey extraordinary experience, including not only demonic possession but also madness or even murder. The devil was thought to be able to enter the bodily organs and infect memory, imagination, and reason. Some came to believe that possession was tied to enthusiasm, poetic frenzy, prophecy, and genius. Authors often drew upon sensational details of actual exorcisms. In some cases, such as in Shakespeare, curing the body (and the body politic) meant affirming cultural authority; in others, as with Zamora, it clearly meant subverting it. Drawing on the disciplines of literary theory and history,Exorcism and its Textsis the first comprehensive study of this compelling topic.
Making Modern Spain
In this elegantly written study, Alfante explores the work of select nineteenth-century writers, intellectuals, journalists, politicians, and clergy who responded to cultural and spiritual shifts caused by the movement toward secularization in Spain. Focusing on the social experience, this book probes the tensions between traditionalism and liberalism that influenced public opinion of the clergy, sacred buildings, and religious orders. The writings of Cecilia Böhl de Faber (Fernán Caballero), Gustavo Adolfo Bécquer, Benito Pérez Galdós, and José María de Pereda addressed conflicts between modernizing forces and the Catholic Church about the place of religion and its signifiers in Spanish society. Foregrounding expropriation (government confiscation of civil and ecclesiastical property) and exclaustration (the expulsion of religious communities), and drawing on archival research, the history of disentailment, cultural theory, memory studies, and sociology, Alfante demonstrates how Spain’s liberalizing movement profoundly influenced class mobility and faith among the populace.
Infectious ideas : contagion in premodern Islamic and Christian thought in the Western Mediterranean
Infectious Ideas is a comparative analysis of how Muslim and Christian scholars explained the transmission of disease in the premodern Mediterranean world. How did religious communities respond to and make sense of epidemic disease? To answer this, historian Justin K. Stearns looks at how Muslim and Christian communities conceived of contagion, focusing especially on the Iberian Peninsula in the aftermath of the Black Death. What Stearns discovers calls into question recent scholarship on Muslim and Christian reactions to the plague and leprosy. Stearns shows that rather than universally reject the concept of contagion, as most scholars have affirmed, Muslim scholars engaged in creative and rational attempts to understand it. He explores how Christian scholars used the metaphor of contagion to define proper and safe interactions with heretics, Jews, and Muslims, and how contagion itself denoted phenomena as distinct as the evil eye and the effects of corrupted air. Stearns argues that at the heart of the work of both Muslims and Christians, although their approaches differed, was a desire to protect the physical and spiritual health of their respective communities. Based on Stearns's analysis of Muslim and Christian legal, theological, historical, and medical texts in Arabic, Medieval Castilian, and Latin, Infectious Ideas is the first book to offer a comparative discussion of concepts of contagion in the premodern Mediterranean world.
The Hebrew Bible as Weapon of Faith in Late Medieval Iberia: Irony, Satire, and Scriptural Allusion in Profiat Duran's \Al Tehi ka-Avotekha\
»Vielmehr bietet [der Kommentar] auf höchstem Niveau eine substantielle Auseinandersetzung mit den Hintergründen, den Zusammenhängen, der Theorie und der Praxis des Grundgesetzes. Besseres lässt sich von einem Verfassungskommentar nicht sagen.“ Herbert Günther Staaatsanzeiger für das Land Hessen 2018 (50), 1494–1495 The 4th edition of the first volume of this work provides an update of the commentary on the preamble and articles 1 to 19 in case law and literature. The structure of the book has been retained and its content supplemented by more recent developments, such as the implications of Europeanisation and digitalisation as well as the Corona pandemic. As of the 4th edition, Frauke Brosius-Gersdorf has taken over the editorship of the commentary. Die 4. Auflage bringt zunächst die Kommentierung der Präambel und der Art. 1 bis 19 auf den aktuellen Stand von Judikatur und Literatur. Die grundlegende Struktur des Kommentares wurde beibehalten und um neuere Entwicklungen wie die Implikationen der Europäisierung und Digitalisierung sowie der Corona-Pandemie ergänzt.Die Herausgeberschaft des Kommentares hat ab der 4. Auflage Frauke Brosius-Gersdorf übernommen. Auch im Autorenkreis sind personelle Veränderungen zu verzeichnen: Mit Ausnahme von Frauke Brosius-Gersdorf, Alexander Thiele und Ferdinand Wollenschläger, die bereits an der 3. Auflage mitgewirkt haben, liegen die Kommentierungen in den Händen neuer Autorinnen und Autoren.Der Kommentar erscheint in drei Bänden und wird nur geschlossen abgegeben.Der Grundgesetz-Kommentar ist Bestandteil des Moduls Verfassungsrecht PREMIUM, das bei beck-online.de erhältlich ist.
The Converso Perspective in El aucto de los desposorios de José
El aucto de los desposorios de José is one of several plays of the Golden Age based on the Old Testament story of Joseph. It is unique, however, because its primary source material is not the Bible, but rather a late-classical Hellenistic Jewish novel entitled Joseph and Aseneth . This essay analyzes the play's adaptation of its source material to a sixteenth-century context. I argue that Desposorios subverts the prevailing emphasis on blood purity in Spain by converting a Jewish story into a dramatization of Christian conversion. Through the process of adaptation, the anonymous playwright inscribes a converso perspective on the story, characterized by a sense of equality, a socially critical attitude, and ambiguous communication. The overall effect is an appropriation of Christian values in order to make the argument for the full acceptance of New Christians into Spanish society. This subversive element to the play makes it worthy of more scholarly attention than it has previously received.
Conversion and Diversion in Iberian Cutting Poems
Dangler explores the origins and purposes of medieval Iberian cutting poems. She cites that the shift between medieval and early modern cutting poems demonstrates that writing and art are connected to the shape of society since the poetry laid bare and encouraged distinct ways to deal with difference.
A Spanish Converso's Quest for Justice: The Life and Dream Fiction of Antonio Enríquez Gómez
Antonio Enríquez Gómez was a seventeenth-century Spanish converso (convert), or New Christian, author whose peripatetic life and multiple identities well represent the perilous and sad reality of Spaniards of Jewish descent compelled to live as Christians. This article will present historical background of the converso experience in Spain as a means of contextualizing the subsequent description of Enríquez Gomez's life during the 1600s both in and out of Spain. Analysis of three narratives written in the form of dreams while the author was living as an exile in France will argue that his criticism of invented inquisitions and those individuals who work for them is not an apology for Judaism. Rather, the author's resistance to fictionalized inquisitions is a call to reform certain practices of the Spanish Inquisition, so that Old Christians (those without Jewish or Muslim lineage) and converts alike can live in a society less judgmental of ancestry and more apt to judge people based on the virtue of their actions.