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"Church and state United States Fiction."
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When she woke : a novel
A stigmatized woman struggles to navigate in an America of the not-too-distant future. She unknowingly embarks on a path of self-discovery that forces her to question the values she holds true, and the righteousness of a country that politicizes faith.
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The Selected Papers of Elizabeth Cady Stanton and Susan B. Anthony
The \"hush\" of the title comes suddenly, when first Elizabeth Cady Stanton dies on October 26, 1902, and three years later Susan B. Anthony dies on March 13, 1906. It is sudden because Stanton, despite near blindness and immobility, wrote so intently right to the end that editors had supplies of her articles on hand to publish several months after her death. It is sudden because Anthony, at the age of eighty-five, set off for one more transcontinental trip, telling a friend on the Pacific Coast, \"it will be just as well if I come to the end on the cars, or anywhere, as to be at home.\"
Volume VI of this extraordinary series of selected papers is inescapably about endings, death, and silence. But death happens here to women still in the fight.An Awful Hushis about reformers trained \"in the school of anti-slavery\" trying to practice their craft in the age of Jim Crow and a new American Empire. It recounts new challenges to \"an aristocracy of sex,\" whether among the bishops of the Episcopal church, the voters of California, or the trustees of the University of Rochester. And it sends last messages about woman suffrage. As Stanton wrote to Theodore Roosevelt on the day before she died, \"Surely there is no greater monopoly than that of all men, in denying to all women a voice in the laws they are compelled to obey.\"
With the publication of Volume VI, this series is now complete.
eBook
The Shamrock and the Cross
In The Shamrock and the Cross: Irish American Novelists Shape American Catholicism, Eileen P. Sullivan traces changes in nineteenth-century American Catholic culture through a study of Catholic popular literature. Analyzing more than thirty novels spanning the period from the 1830s to the 1870s, Sullivan elucidates the ways in which Irish immigration, which transformed the American Catholic population and its institutions, also changed what it meant to be a Catholic in America. In the 1830s and 1840s, most Catholic fiction was written by American-born converts from Protestant denominations; after 1850, most was written by Irish immigrants or their children, who created characters and plots that mirrored immigrants’ lives. The post-1850 novelists portrayed Catholics as a community of people bound together by shared ethnicity, ritual, and loyalty to their priests rather than by shared theological or moral beliefs. Their novels focused on poor and working-class characters; the reasons they left their homeland; how they fared in the American job market; and where they stood on issues such as slavery, abolition, and women’s rights. In developing their plots, these later novelists took positions on capitalism and on race and gender, providing the first alternative to the reigning domestic ideal of women. Far more conscious of American anti-Catholicism than the earlier Catholic novelists, they stressed the dangers of assimilation and the importance of separate institutions supporting a separate culture. Given the influence of the Irish in church institutions, the type of Catholicism they favored became the gold standard for all American Catholics, shaping their consciousness until well into the next century.
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Inquisitor's Diary
A zealous advocate of the Mexican Inquisition forms an unusual bond with a captured heretic and questions his faith.
eBook
Marks of the beast : the left behind novels and the struggle for evangelical identity
The Left Behind series by Tim LaHaye and Jerry B. Jenkins has become a popular culture phenomenon, selling an astonishing 40 million copies to date. These novels, written by two well-known evangelical Christians, depict the experiences of those left behind in the aftermath of the Rapture, when Christ removes true believers, leaving everyone else to suffer seven years of Tribulation under Satan's proxy, Antichrist.
In Marks of the Beast , Shuck uncovers the reasons behind the books' unprecedented appeal, assessing why the novels have achieved a status within the evangelical community even greater than Hal Lindsey's 1970 blockbuster The Late Great Planet Earth . It also explores what we can learn from them about evangelical Christianity in America.
Shuck finds that, ironically, the series not only reflects contemporary trends within conservative evangelicalism but also encourages readers—especially evangelicals—to embrace solutions that enact, rather than engage, their fears. Most strikingly, he shows how the ultimate vision put forth by the series' authors inadvertently undermines itself as the series unfolds.
eBook
Catholicism and American Borders in the Gothic Literary Imagination
In Catholicism and American Borders in the Gothic Literary Imagination, Farrell O'Gorman presents the first study of the recurrent role of Catholicism in a Gothic tradition that is essential to the literature of the United States. In this tradition, Catholicism is depicted as threatening to break down borders separating American citizens-or some representative American-from a larger world beyond. While earlier studies of Catholicism in the American literary imagination have tended to highlight the faith's historical association with Europe, O'Gorman stresses how that imagination often responds to a Catholicism associated with Latin America and the Caribbean. On a deeper level, O'Gorman demonstrates how the Gothic tradition he traces here builds on and ultimately transforms the persistent image in modern Anglophone literature of Catholicism as \"a religion without a country; indeed, a religion inimical to nationhood.\" O'Gorman focuses on the work of J. Hector St. John de Crèvecœur, Herman Melville, Kate Chopin, William Faulkner, Flannery O'Connor, Walker Percy, Cormac McCarthy, and selected contemporary writers including Toni Morrison. These authors, representing historical periods from the early republic to the present day, have distinct experiences of borders within and around their nation and hemisphere, itself an ever-emergent \"America.\" As O'Gorman carefully documents, they also have distinct experiences of Catholicism and distinct ways of imagining the faith, often shaped at least in part within the Church itself. In their narratives, Catholicism plays a complicated and profound role that ultimately challenges longstanding notions of American exceptionalism and individual autonomy. This analysis contributes not only to discourse regarding Gothic literature and nationalism but also to a broader ongoing dialogue regarding religion, secularism, and American literature.
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Revisiting Rajneeshpuram: Oregon's Largest Utopian Community as Western History
Between 1981 and 1985, the intentional community of Rajneeshpuram near Antelope, Oregon, hosted up to 15,000 followers of Bhagwan Shree Rajneesh, a spiritual leader from Pune, India. In this essay, Carl Abbott examines the rise and fall of Rajneeshpuram within the context of western history, which “centers on the processes of migration, settlement, displacement, and rearrangement.” Drawing parallels to earlier religious closed communities, such nineteenth century Mormon settlements, Abbott describes how Rajneeshees fit into the “overarching storylines of frontier utopias and the…narrative of settler colonialism.” Unlike Mormon communities, however, Abbott concludes that Rajneeshpuram ultimately failed because its leaders were not willing to compromise community goals when faced with larger state regulatory systems.
Journal Article
Healing the Nation
Exploring the surprising presence of Christian Science in American literature at the turn of the 20th century, L. Ashley Squires reveals the rich and complex connections between religion and literature in American culture. Mary Baker Eddy's Church of Christ, Scientist was one of the fastest growing and most controversial religious movements in the United States, and it is no accident that its influence touched the lives and work of many American writers, including Frances Hodgson Burnett, Willa Cather, Theodore Dreiser, Upton Sinclair, and Mark Twain. Squires focuses on personal stories of sickness and healing-whether supportive or deeply critical of Christian Science's recommendations --penned in a moment when the struggle between religion and science framed debates about how the United States was to become a modern nation. As outsized personalities and outlandish rhetoric took to the stage, Squires examines how the poorly understood Christian Science movement contributed to popular narratives about how to heal the nation and advance the cause of human progress.
eBook
Flannery O'Connor, Hermit Novelist
\"Lord, I'm glad I'm a hermit novelist,\" Flannery O'Connor wrote to a friend in 1957. Sequestered by ill health, O'Connor spent the final thirteen years of her life on her isolated family farm in rural Georgia. During this productive time she developed a fascination with fourth-century Christians who retreated to the desert for spiritual replenishment and whose isolation, suffering, and faith mirrored her own. In Flannery O'Connor, Hermit Novelist, Richard Giannone explores O'Connor's identification with these early Christian monastics and the ways in which she infused her fiction with their teachings. Surveying the influences of the desert fathers on O'Connor's protagonists, Giannone shows how her characters are moved toward a radical simplicity of ascetic discipline as a means of confronting both internal and worldly evils while being drawn closer to God. Artfully bridging literary analysis, O'Connor's biography, and monastic writings, Giannone's study explores O'Connor's advocacy of self-denial and self-scrutiny as vital spiritual weapons that might be brought to bear against the antagonistic forces she found rampant in modern American life.
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