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8 result(s) for "Church of England Correspondence. -- England -- Clergy"
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John Donne's Performances
Ever since their rediscovery in the 1920s, John Donne's writings have been praised for their energy, vigour and drama - yet so far, no attempt has been made to approach and define systematically these major characteristics of his work. Drawing on J. L. Austin's speech act theory, Margret Fetzer's comparative reading of Donne's poetry and prose eschews questions of personal or religious sincerity and instead recreates an image of John Donne as a man of many performances. No matter if engaged in the writing of a sermon or a piece of erotic poetry, Donne placed enormous trust in what words could do. Questions as to how saying something may actually bring about that very thing, or how playing the part of someone else affects an actor's identity, are central to Donne's oeuvre - and moreover highly relevant in the cultural and theological contexts of the early modern period in general. In treating both canonical and lesser known Donne texts, John Donne's Performances hopes to make a significant contribution not only to Donne criticism and research into early modern culture: by using concepts of performance and performativity as its major theoretical backdrop, it aims to establish an interdisciplinary link with the field of performance studies.
John Henry Newman
John Henry Newman was one of the most eminent of Victorians and an intellectual pioneer for an age of doubt and unsettlement. His teaching transformed the Victorian Church of England, yet many still want to know more of Newman's personal life. Newman's printed correspondence runs to 32 volumes, and John Henry Newman: A Portrait in Letters offers a way through the maze. Roderick Strange has chosen letters that illustrate not only the well-known aspects of Newman's personality, but also those in which elements that may be less familiar are on display. There are letters to family and friends, and also terse letters laced with anger and sarcasm. The portrait has not been airbrushed. This selection of letters presents a rounded picture, one in which readers will meet Newman as he really was and enjoy the pleasure of his company. As Newman himself noted, 'the truelife of a man is in his letters'.
CHRISTIAN ECCLESIOLOGY AND THE COMPOSITION OF LEVIATHAN: A NEWLY DISCOVERED LETTER TO THOMAS HOBBES
This communication presents a newly discovered letter to Thomas Hobbes. It offers conclusive evidence that the letter was written by Hobbes's friend, the scientist and Anglican clergyman Robert Payne, and strong evidence that the letter was in fact received by Hobbes in late 1649. The discovered letter was part of a running controversy over questions of church government in which Hobbes and Payne engaged during the composition of Leviathan. In it Payne tries unsuccessfully to soften Hobbes's strident Erastianism, and to defend the beleaguered Church of England from his criticisms. The letter thus sheds light on the political and religious context in which Leviathan was composed. Moreover, the letter offers an indirect but intriguing glimpse at underlying assumptions of Hobbes's religious thought.