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11 result(s) for "Clash (Musical group)"
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The Clash : the only band that mattered
\"In The Clash: The Only Band That Matters, respected music critic Sean Egan examines The Clash's career and art through the prism of the uniquely interesting and fractious UK politics of the Seventies and Eighties, without which they simply would not have existed. Tackling subjects such as The Clash's self-conscious tussles with their record label, the accusations of sell-out that dogged their footsteps, their rivalry with the similarly leaning but less purist Jam, the paradoxical quality of their achieving multi-platinum success and even whether their denunciations of Thatcherism were proven wrong, Egan has come up with new insights into a much discussed group\"--Provided by publisher.
Working for the clampdown
This volume brings together a range of writers from different academic disciplines and different locations to provide an engaging and accessible critical exploration of one of the most revered and reviled bands in the history of popular music. The essays collated here locate The Clash in their own explosive cultural moment of punk's year zero and examine how the group speaks from beyond the grave to the uncanny parallels of other moments of social and political crisis. In addition, the collection considers the impact of the band in a range of different geopolitical contexts, with various contributors exploring what the band meant in settings as diverse as Italy, England, Northern Ireland, Australia and the United States. The diverse essays gathered inWorking for the clampdown cast a critical light on both the cultural legacy and contemporary resonance of one of the most influential bands ever to have graced a stage.The diverse essays gathered inWorking for the clampdown cast a critical light on both the cultural legacy and contemporary resonance of one of the most influential bands ever to have graced a stage.
Punk Rock Warlord
This collection explores the relevance of Joe Strummer within the continuing legacies of both punk rock and progressive politics. It is aimed at those interested in The Clash, punk culture, and the intersections between pop music and politics, on both sides of the Atlantic. Contributors represent a wide range of disciplines and their work examines all phases of Strummer's career, from his early days as 'Woody' the busker to the whirlwind years as front man for The Clash, to the 'wilderness years' and final days with the Mescaleros. Punk Rock Warlord offers an engaging survey of its subject, while at the same time challenging some of the historical narratives that have been constructed around Strummer the Punk Icon.
The Clash on The Clash : interviews and encounters
\"The Clash thought they could change the world. They never did, but they created some of the greatest rock music of all time in the attempt. Clash interviews were mesmerizing. Infused with the messianic punk spirit, the Clash engaged with the press like no rock group before or since, treating interviews almost as addresses to the nation. Their pronouncements were welcomed but were hardly uncritically reported. The Clash's back pages are voluminous, crackle with controversy, and constitute a snapshot of a uniquely thoughtful and fractious period in modern history. Included in this compendium are the Clash's encounters with the most brilliant rock writers of their time, including Lester Bangs, Nick Kent, Mikal Gilmore, Chris Salewicz, Charles Shaar Murray, Mick Farren, and Lenny Kaye. Whether interviewed by punk fanzines like Sniffin' Glue and 48 Thrills, pious UK weeklies like New Musical Express, Melody Maker, Sounds, and Record Mirror, or US periodicals like Creem, Trouser Press, and Rolling Stone, the Clash consistently created copy that lived up to their sobriquet The Only Band That Matters.\"--Publisher's description.
This month in music history : a compilation of music-related events that occured in December
This month in history - December: music. Taylor Swift is born; The Clash release their breakthrough album, London Calling; Ludwig van Beethoven is baptized; Tchaikovsky's The Nutcracker is first performed; Gangam Style gets 1 billion YouTube views.
Punk Rock Warlord: The Life and Work of Joe Strummer
Punk Rock Warlord explores the relevance of Joe Strummer within the continuing legacies of both punk rock and progressive politics. It is aimed at scholars and general readers interested in the Clash, punk culture, and the intersections between pop music and politics, on both sides of the Atlantic. Contributors to the collection represent a wide range of disciplines, including history, sociology, musicology, and literature; their work examines all phases of Strummer’s career, from his early days as “Woody” the busker to the whirlwind years as front man for the Clash, to the “wilderness years” and Strummer’s final days with the Mescaleros. PunkRockWarlord offers an engaging survey of its subject, while at the same time challenging some of the historical narratives that have been constructed around Strummer the Punk Icon. The chapters in Punk Rock Warlord address issues including John Graham Mellor’s self-fashioning as “Joe Strummer, rock revolutionary”; critical and media constructions of punk; and the singer’s complicated and changing relationship to feminism and anti-racist politics. These diverse chapters nevertheless cohere around the claim that Strummer’s look, style, and musical repertoire are so rooted in both English and American cultures that he cannot finally be extricated from either.
We are the Clash : Reagan, Thatcher, and the last stand of a band that mattered
\"The Clash was a paradox of revolutionary conviction, musical ambition, and commercial drive. [This book] is a gripping tale of the band's struggle to reinvent itself as George Orwell's 1984 loomed. This bold campaign crashed headlong into a wall of internal contradictions and rising right-wing power. While the world teetered on edge of the nuclear abyss, British miners waged a life-or-death strike, and tens of thousands died from US guns in Central America, Clash cofounders Joe Strummer, Paul Simonon, and Bernard Rhodes waged a desperate last stand after ejecting guitarist Mick Jones and drummer Topper Headon. The band shattered just as its controversial final album, Cut the Crap, was emerging\"--Back cover.
Box set clashes with punk heroes' legacy
[...]Sound System,\" the lavish new 12-disc (11 CDs and a DVD) box set just issued by the current configuration of that label, arrives accompanied by a certain amount of irony, because it not only carries the imprimatur of the surviving members of the band, but two of them, Mick Jones and Paul Simonon, were actively involved in putting it together.