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Including analyses of both canonical and lesser-known Victorian authors,Architectural Identitiesconnects the physical construction of the home with the symbolic construction of middle-class identities.

In July 1868 the Daily Telegraph congratulated itself on providing the arena for a controversy marked by `good sense, liveliness, practical wisdom, and hearty humanity.' The controversy was over the choice -: 'Marriage or Celibacy?' - faced by middle-class youth trying to reconcile economic facts with moral values, social customs - and love. The arena was the correspondence page of a newspaper just establishing itself as the most successful London daily through its appeal to the middle-class reader. Public attention was first caught by a court report of a failed attempt to entrap a Belgian girl into prostitution. This induced blistering editorial comment and angry letters to the paper deploring ineffectual controls over the 'Great Social Evil.' The next development was unusual for the Victorian press: readers began to write extensive and richly varied comment on the root of the problem - young people did not have in possession or expectation enough money or the right qualifications for marriage. TheTelegraphinitiated a new form of popular journalism by filling its correspondence columns for almost a month with readers' letters under the heading 'Marriage or Celibacy?', which they supplemented with lengthy leading articles. John Robson places in contemporary context the central issues facing Victorian youth: What is a proper marriage? How to balance income and expenditure? What are the ideal qualities of young women and men? 'Emigration or starvation?' In examining these debates, he looks closely into methods of argument, connecting rhetorical techniques with public persuasion. The letters being a special kind of discourse, he shows how in the debates rhetorical and logical arguments are specifically designed to persuade the Telegraph's readers. Marriage or Celibacy?contributes to our knowledge of Victorian manners and mores, particularly among the lower middle-class, and is a telling episode to the history of popular journalism.

Through a detailed description of the life and activities of the middle-class married woman of London between 1875 and 1900, this study reveals how housewives unwittingly became engines for change as the new century neared. In marked contrast to the stereotypical depictions of Victorian women in literature and on television, Draznin reveals a woman seldom seen: the stay-at-home housewife whose activities were not much different than those of her counterparts today. By exploring her daily activities, how she cleaned her home, disciplined her children, managed her servants, stretched a limited budget, and began to indulge herself, one discovers the human dimension of women who lived more than a century ago. While most studies of this period consider values, aspirations, and attitudes, this book concentrates on actions, what these women did all day, to provide readers with a new perspective on Victorian life. Late-Victorian London was a surprisingly modern city with a public face of well-lit streets, an excellent underground railway system, and extended municipal services. In the home, gas stoves were replacing coal ranges and household appliances were becoming more common. Having both money to spend and a strong incentive to buy the new laborsaving devices, ready-to-wear clothing, and other manufactured products, the middle-class matron's resistance to change gave way to a rising consumer culture. Despite her nearly exclusive preoccupation with home and family, these urban women became agents for the modernization of Britain.