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"Classical drama (Comedy) History and criticism."
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When a Young Man Falls in Love
When A Young Man Falls in Love examines the plays of New Comedy to reveal how the sexual relationships between the male and female protagonists are essentially exploitative. It poses important questions about the dramatic portrayal of women in the Greek and Roman worlds.
eBook
Conscience on Stage
This study outlines and reiterates the relationship of theatre to casuistry, the Jesuit contributions to Spanish literary theory and practice, and the importance of casuistry for the study of early modern subjectivity.
eBook
Aristophanes and the Poetics of Competition
Athenian comic drama was written for performance at festivals honouring the god Dionysos. Through dramatic action and open discourse, poets sought to engage their rivals and impress the audience, all in an effort to obtain victory in the competitions. This book uses that competitive performance context as an interpretive framework within which to understand the thematic interests shaping the plots and poetic quality of Aristophanes' plays in particular, and of Old Comedy in general. Studying five individual plays from the Aristophanic corpus as well as fragments of other comic poets, it reveals the competitive poetics distinctive to each. It also traces thematic connections with other poetic traditions, especially epic, lyric, and tragedy, and thereby seeks to place competitive poetics within broader trends in Greek literature.
eBook
The Stagecraft and Performance of Roman Comedy
A comprehensive survey of Roman theatrical production, this book examines all aspects of Roman performance practice, and provides fresh insights on the comedies of Plautus and Terence. Following an introductory chapter on the experience of Roman comedy from the perspective of Roman actors and the Roman audience, addressing among other things the economic concerns of putting on a play in the Roman republic, subsequent chapters provide detailed studies of troupe size and the implications for role assignment, masks, stage action, music, and improvisation in the plays of Plautus and Terence. Marshall argues that Roman comedy was raw comedy, much more rough-and-ready than its Hellenistic precursors, but still fully conscious of its literary past. The consequences of this lead to fresh conclusions concerning the dramatic structure of Roman comedy, and a clearer understanding of the relationship between the plays-as-text and the role of improvisation during performance.
eBook
Slaves, masters, and the art of authority in plautine comedy
What pleasures did Plautus’ heroic tricksters provide their original audience? How should we understand the compelling mix of rebellion and social conservatism that Plautus offers? Through a close reading of four plays representing the full range of his work (Menaechmi, Casina, Persa, and Captivi), Kathleen McCarthy develops an innovative model of Plautine comedy and its social effects. She concentrates on how the plays are shaped by the interaction of two comic modes: the socially conservative mode of naturalism and the potentially subversive mode of farce. It is precisely this balance of the naturalistic and the farcical that allows everyone in the audience--especially those well placed in the social hierarchy--to identify both with and against the rebel, to feel both the thrill of being a clever underdog and the complacency of being a securely ensconced authority figure.
eBook
A companion to Terence
\"A Companion to Terence offers the first comprehensive collection of essays on Terence in English. It includes a detailed study of Terence's plays, situating them in their socio-historical context and exploring their reception from the Classical through late antiquity, the Middle Ages, the Renaissance, to present day literature and performance. Each chapter discusses key issues in Terence, including Terence's relationship with his Greco-Roman models, his language and style, the question of performance and dramatic technique, and the socio-political background that shapes the themes, characters, structures, and cultural-political concerns. A Companion to Terence is a useful research tool for the growing number of scholars, students and critics of Terence and Roman comedy\"--
eBook