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2 result(s) for "Close encounters of the third kind (Motion picture) History and criticism."
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Close encounters of the third kind : the ultimate visual history /
Celebrate the fortieth anniversary of Steven Spielberg's sci-fi classic Close Encounters of the Third Kind with this fully authorized behind-the-scenes book exploring the creation, production, and legacy of this iconic film. Created in conjunction with Sony Pictures and Amblin Entertainment, Close Encounters of the Third Kind: The Visual History details the complete creative journey behind the making of the film and examines its cultural impact. Featuring rare and never-before-seen imagery from the archives, the book brings together a stunning collection of on-set photography, concept art, storyboards, and more to create a visual narrative of the film's journey to the big screen. It also features a wealth of insightful commentary from every key player involved in the film, from the acclaimed director himself to the film's stars and the key department heads who brought Spielberg's vision to life. Special inserts and interactive elements include script pages, call lists, concept sketches, and more. Comprehensive, compelling, and filled with unseen treasures, Close Encounters of the Third Kind: The Ultimate Visual History is a fitting tribute to one of history's most iconic films.
Alien Chic
Alien Chic provides a cultural history of the alien since the 1950s, asking ourselves why our attitudes to aliens have shifted from fear to affection, and what this can tell us about how we now see ourselves and others. Neil Badmington explores our relationship with aliens, inscribed in films such as The War of the Worlds , Mars Attacks! , Mission to Mars and Independence Day ; and how thinkers such as Descartes, Barthes, Freud, Lyotard and Derrida have conceptualised what it means to be human (and post-human). Alien Chic examines the the concept of posthumanism in an age when the lines between what is human and what is non-human are increasingly blurred by advances in science and technology, for example genetic cloning and engineering, and the development of AI and cyborgs. Questioning whether our current embracing of all things 'alien' - in the form of extraterrestrial gadgets or abduction narratives, for instance - stems from a desire to reaffirm ourselves as 'human', this is an original and thought-provoking contribution to the study of posthumanism. Neil Badmington is Lecturer in Cultural Criticism and English Literature at the Centre for Critical and Cultural Theory, Cardiff University. He is the editor of Posthumanism (Palgrave, 2000) Introduction: They All Laughed 1. Reading the Red Planet; or, Little Green Men at Work 2. It Lives!; or, the Persistence of Humanism 3. I Want to Be Leaving; or, Tracking Alien Abduction 4. Alien Objects, Human Subjects 5. A Crisis of Versus: Rereading the Alien Conclusion: From Difference to Differance (With an 'a')