Explore the vast range of titles available.

Addressing the subject of clothing in relation to such fundamental issues as national identity, social distinction, gender, the body, religion and politics, Clothing Culture, 1350-1650 provides a springboard into one of the most fascinating yet least understood aspects of social and cultural history. Nowhere in medieval and early modern European society was its hierarchical and social divisions more obviously reflected than in the sphere of clothing. Indeed, one of the few constant themes of writers, chroniclers, diarists and commentators from Chaucer to Pepys was the subject of fashion and clothes. Whether it was lauding the magnificence of court, warning against the vanity of fashion, describing the latest modes, or decrying the habit of the lower orders to ape the dress of their social superiors, people throughout history have been fascinated by the symbolism, power and messages that clothes can project. Yet despite this contemporary interest, clothing as a subject of historical enquiry has been a largely neglected field of academic study. Whilst it has been discussed in relation to various disciplines, it has not in many cases found a place as a central topic of analysis in its own right. The essays presented in this volume form part of a growing recent trend to put fashion and clothing back into the centre ground of historical research. From Russia to Rome, Ireland to France, this volume contains a wealth of examples of the numerous ways clothing was shaped by, and helped to shape, medieval and early modern European society. Furthermore, it demonstrates how the study of clothing can illuminate other facets of life and why it deserves to be treated as a central, rather than peripheral, facet of European history. Catherine Richardson is lecturer in English and History, and Fellow of the Shakespeare Institute at the University of Birmingham. Contents: Introduction, Catherine Richardson; Section 1 Fabrics of Nation: The cultural significance of costume books in 16th century Europe, Ulrike Ilg; A question of nation: foreign cloth on the English subject, Roze Hentschell; Tomb effigies and archaic dress in 16th century Ireland, Elizabeth Wincott Heckett; The formation of Russian women's costume at the time before the reforms of Peter the Great, Oksana Sekatcheva. Section 2 Marking Distinctions: Clothing courtesans: fabrics, signals, and experiences, Tessa Storey; Clothing the naked in Late Medieval East Kent, Sheila Sweetinburgh; Dress, nudity and Calvinist culture in 16th century France, Graeme Murdock; Social fabric in Thynne's Debate Between Pride and Lowliness, Claire Bartram. Section 3 Material Movements: Clothing distributions and social relations c.1350-1500, Joanna Crawford; Fashion, finance, foreign politics and the wardrobe of Henry VIII, Maria Hayward; Reworked material: discourses of clothing culture in Early 16th century Greenwich, Elisabeth Salter. Section 4 Discourse, Body, Gender: 'This one poore blacke gowne lined with white': the clothing of the 16th century English book, Helen Smith; 'Havying nothing upon hym saving onely his sherte': event, narrative and material culture in Early Modern England, Catherine Richardson; Rips and slits: the torn garment and the Medieval self, Andrea Denny-Brown; Speaking to reveal: the body and acts of 'exposure' in Early Modern popular discourse, Elizabeth Hallam. Bibliography; Index.

In this highly illustrated book, David Hinton looks at what possessions meant to people at every level of society in Britain in the middle ages, from elaborate gold jewellery to clay pots, and provides a fascinating window into the society of the middle ages. Gold and Gilt, Pots and Pins is about things worn and used in Britain throughout the M.