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114
result(s) for
"Clothing and dress Fiction."
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Zoe gets ready
Zoe wonders what kind of day she will have as she prepares to get dressed on Saturday-- the only day of the week on which she can decide for herself what to wear.
Book
Veiled superheroes
Veiled Superheroes: Islam, Feminism, and Popular Culture focuses on female Muslim superheroes in graphic narratives such as the comic Ms. Marvel, the animated television series BurkaAvenger, and the webcomic Qahera.
eBook
Polka dots for Poppy
\"Three sisters help their youngest sibling get the polka-dotted clothing that they can't find in any stores\"-- Provided by publisher.
Book
Dress Culture in Late Victorian Women's Fiction
In her immensely readable and richly documented book, Christine Bayles Kortsch asks us to shift our understanding of late Victorian literary culture by examining its inextricable relationship with the material culture of dress and sewing. Even as the Education Acts of 1870, 1880, and 1891 extended the privilege of print literacy to greater numbers of the populace, stitching samplers continued to be a way of acculturating girls in both print literacy and what Kortsch terms &dquotedress culture.&dquote Kortsch explores nineteenth-century women's education, sewing and needlework, mainstream fashion, alternative dress movements, working-class labor in the textile industry, and forms of social activism, showing how dual literacy in dress and print cultures linked women writers with their readers. Focusing on Victorian novels written between 1870 and 1900, Kortsch examines fiction by writers such as Olive Schreiner, Ella Hepworth Dixon, Margaret Oliphant, Sarah Grand, and Gertrude Dix, with attention to influential predecessors like Elizabeth Gaskell, Charlotte Brontë, and George Eliot. Periodicals, with their juxtaposition of journalism, fiction, and articles on dress and sewing are particularly fertile sites for exploring the close linkages between print and dress cultures. Informed by her examinations of costume collections in British and American museums, Kortsch's book broadens our view of New Woman fiction and its relationship both to dress culture and to contemporary women's fiction.
eBook
Zorro gets an outfit
Zorro is embarrassed at having to wear a fancy outfit to the park and Mister Bud is unable to cheer him up until a \"cool\" new dog arrives in his own fancy clothes and challenges the friends to a race.
Book
Women, Work, and Clothes in the Eighteenth-Century Novel
This groundbreaking study examines the vexed and unstable relations between the eighteenth-century novel and the material world. Rather than exploring dress's transformative potential, it charts the novel's vibrant engagement with ordinary clothes in its bid to establish new ways of articulating identity and market itself as a durable genre. In a world in which print culture and textile manufacturing traded technologies, and paper was made of rags, the novel, by contrast, resisted the rhetorical and aesthetic links between dress and expression, style and sentiment. Chloe Wigston Smith shows how fiction exploited women's work with clothing - through stealing, sex work, service, stitching, and the stage - in order to revise and reshape material culture within its pages. Her book explores a diverse group of authors, including Jane Barker, Jonathan Swift, Daniel Defoe, Eliza Haywood, Samuel Richardson, Henry Fielding, Charlotte Lennox, John Cleland, Frances Burney and Mary Robinson.
eBook
The perfect dress
What makes the perfect dress? Silk or satin, pink or blue? One thing is certain--if a Disney Princess is wearing it, it's sure to be unforgettable.
Book
Undressing Rizal's message: Clothing and gender in 'Noli me tangere'
This article explores Jose Rizal's 'Noli me tangere' as a site and source of rumination on clothing's historical significance in the Philippines in the late nineteenth century. The characters in the novel represented various social types, whose clothes contribute to our knowledge of nineteenth-century men's and women's clothing and to the role clothes played in colonial power relationships, status competition among natives, and gender politics. Clothes suggested a period of ferment when colonial divides were being blurred in part by intermarriages and upward social mobility. Through clothing, the novel also showed how female body parts were sexualized and subjected to the male gaze.
Journal Article
Lots more animals should definitely not wear clothing
\"Everyone knows that snakes and billy goats and walruses should definitely not wear clothing, but there are actually lots more animals that should definitely not wear clothing\"--Amazon.com.
Book
Turbans, Veils, and Villainy on Television: Stargate SG1 and Merlin
In this article I investigate why two shows from different television genres in two different countries resort to nearly identical costume choices to convey villainy. I argue that that the directors, writers, and costume designers for the US science fiction show Stargate SG1 and BBC's Merlin use orientalist tropes of the veil as exotic, oppressed or threatening as costumes for their non-Muslim characters because of the centuries-long association in Western culture between Muslim veiling and the Other, while differentiating between acceptable and unacceptable headgear and face coverings. I draw on Said's Orientalism, Hall's Encoding/Decoding, medievalism, and the theory of the ethnonormative viewer to make this case. The “veil” has become an iconic negative sign in the West wholly distinct from meanings given to it by veiled Muslim women themselves. I suggest that anti-veiling ideology in Western publics stems in part from negative connotations given to it in television shows like Stargate SG1 and Merlin.
Journal Article