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195 result(s) for "Clouds Fiction."
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Stormy : a storm cloud's story
Stormy the storm cloud tells how clouds are formed and how she and storm cloud friends join together to produce rain, thunder, and lightning.
Cloud country
A little cloud moves through the sky among the other clouds, wishing to be big enough to make a real cloud shape before realizing that she is capable of making something different.
Geoengineering from the standpoint of uncertainty and related risks: science or science fiction?
In this opinion/comment we discuss the issues related to proposed geoengineering solutions to climate change. We argue, that while scientifically based, these proposals lack the rigorousness appropriate to the seriousness of the problem.
Techno-Orientalism
What will the future look like? To judge from many speculative fiction films and books, fromBlade RunnertoCloud Atlas, the future will be full of cities that resemble Tokyo, Hong Kong, and Shanghai, and it will be populated mainly by cold, unfeeling citizens who act like robots.Techno-Orientalisminvestigates the phenomenon of imagining Asia and Asians in hypo- or hyper-technological terms in literary, cinematic, and new media representations, while critically examining the stereotype of Asians as both technologically advanced and intellectually primitive, in dire need of Western consciousness-raising. The collection's fourteen original essays trace the discourse of techno-orientalism across a wide array of media, from radio serials to cyberpunk novels, from Sax Rohmer's Dr. Fu Manchu toFirefly. Applying a variety of theoretical, historical, and interpretive approaches, the contributors consider techno-orientalism a truly global phenomenon. In part, they tackle the key question of how these stereotypes serve to both express and assuage Western anxieties about Asia's growing cultural influence and economic dominance. Yet the book also examines artists who have appropriated techno-orientalist tropes in order to critique racist and imperialist attitudes. Techno-Orientalismis the first collection to define and critically analyze a phenomenon that pervades both science fiction and real-world news coverage of Asia. With essays on subjects ranging from wartime rhetoric of race and technology to science fiction by contemporary Asian American writers to the cultural implications of Korean gamers, this volume offers innovative perspectives and broadens conventional discussions in Asian American Cultural studies.
Little cloud
A little cloud becomes all sorts of things--sheep, an airplane, trees, a hat--before joining other clouds and raining.
LibraryThing for Libraries: How Tag Moderation and Size Limitations Affect Tag Clouds
The aim of this study is to analyse differences between tags on LibraryThing’s web page and tag clouds in their “LibraryThing for Libraries” service, and assess if, and how, the LibraryThing tag moderation and limitations to the size of the tag cloud in the library catalogue affect the description of the information resource. An e-mail survey was conducted with personnel at LibraryThing, and the results were compared against tags for twenty different fiction books, collected from two different library catalogues with disparate tag cloud sizes, and LibraryThing’s web page. The data were analysed using a modified version of Golder and Huberman’s tag categories (2006). The results show that while LibraryThing claims to only remove the inherently personal tags, several other types of tags are found to have been discarded as well. Occasionally a certain type of tag is included in one book, and excluded in another. The comparison between the two tag cloud sizes suggests that the larger tag clouds provide a more pronounced picture regarding the contents of the book but at the cost of an increase in the number of tags with synonymous or redundant information.
The cloud spinner
When the king orders a boy to make him a huge wardrobe out of the clouds in the sky, the boy warns him that it is more than he needs but the king does not listen.
‘Creative Ferment’: abortion and reproductive agency in Bessie Head’s Personal Choices trilogy
Using original archival research from Amazwi South African Museum of Literature, this article examines representations of abortion in three novels by Bessie Head: When Rain Clouds Gather (1968), Maru (1971) and A Question of Power (1973). I argue that Bessie Head documents both changing attitudes to terminations of pregnancy and dramatic environmental, medical, and sociopolitical developments during southern Africa’s liberation struggles. Furthermore, her fictional writing queers materialism and its traditionally gender-dichotomous origins, presenting an understanding of development which exceeds temporal or national boundaries. Her treatment of human reproduction in both tangible and figurative terms disrupts teleological definitions of exile: separation and loss, rendered through literal and metaphorical abortions, are seen as inherently vital processes for gaining agency in post/colonial southern Africa. Instead of using discourse from contemporary debates about freedom and choice, which are often polarised, I use the term ‘reproductive agency’ to refer to a continuum of ethical presentness, rooted in considering women’s desires. My literary analysis explicitly concentrates on Head’s biological imagery of growth and separation and how this ruptures repronormative discourse underpinning colonial expansion in southern Africa. I refer to Head’s ethical outlook as a critical form of humanism. My understanding of critical humanism differs from humanism proper in that it relies on queer associations: both queerness as strangeness, and queerness as resistance to categorisation (much like Head’s critiques of essentialist national identities). Adapting new materialist theories with postcolonial scholarship, I coin the term ‘queer vitality’ to argue that abortion involves both tragedy and desire, and that southern African feminist fiction functions as postcolonial theory when the concept of reproductive agency is understood to encompass both individual and collective desires. In Head’s words, in her creative worlds, abortion does not signal the ending of a life, but rather a plethora of new possibilities.