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"Coetzee, J M (1940- )"
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The Wounded Animal
In 1997, the Nobel Prize-winning novelist J. M. Coetzee, invited to Princeton University to lecture on the moral status of animals, read a work of fiction about an eminent novelist, Elizabeth Costello, invited to lecture on the moral status of animals at an American college. Coetzee's lectures were published in 1999 asThe Lives of Animals, and reappeared in 2003 as part of his novelElizabeth Costello; and both lectures and novel have attracted the critical attention of a number of influential philosophers--including Peter Singer, Cora Diamond, Stanley Cavell, and John McDowell.
InThe Wounded Animal, Stephen Mulhall closely examines Coetzee's writings about Costello, and the ways in which philosophers have responded to them, focusing in particular on their powerful presentation of both literature and philosophy as seeking, and failing, to represent reality--in part because of reality's resistance to such projects of understanding, but also because of philosophy's unwillingness to learn from literature how best to acknowledge that resistance. In so doing, Mulhall is led to consider the relations among reason, language, and the imagination, as well as more specific ethical issues concerning the moral status of animals, the meaning of mortality, the nature of evil, and the demands of religion. The ancient quarrel between philosophy and literature here displays undiminished vigor and renewed significance.
eBook
J.M. Coetzee and the life of writing : face-to-face with time
\"J.M. Coetzee is one of the most intriguing of authors in all of world literature. Now, in J.M. Coetzee and the Life of Writing, David Attwell illuminates the extraordinary creative processes behind Coetzee's novels from Dusklands to The Childhood of Jesus. Using Coetzee's manuscripts, notebooks and research papers - recently deposited at the Ransom Center of the University of Texas at Austin - Attwell produces a fascinating story of the creative trajectory and the life out of which the fiction was engendered. He shows convincingly that all of Coetzee's work is autobiographical, the memoirs being continuous with the fictions, and that his writing proceeds with self-conscious and never-ending reflection. This is a moving and readable account which is bound to change the way Coetzee is read, by the critics and general reader alike.\"--Provided by publisher.
BOOK
Postcolonial narrative and the work of mourning : J.M. Coetzee, Wilson Harris, and Toni Morrison
Sam Durrant’s powerfully original book compares the ways in which the novels of J. M. Coetzee, Wilson Harris, and Toni Morrison memorialize the traumatic histories of racial oppression that continue to haunt our postcolonial era. The works examined bear witness to the colonization of the New World, U.S. slavery, and South African apartheid, histories founded on a violent denial of the humanity of the other that had traumatic consequences for both perpetrators and victims. Working at the borders of psychoanalysis and deconstruction, and drawing inspiration from recent work on the Holocaust, Durrant rethinks Freud’s opposition between mourning and melancholia at the level of the collective and rearticulates the postcolonial project as an inconsolable labor of remembrance.
eBook
Apocalyptic Futures:Marked Bodies and the Violence of the Text in Kafka, Conrad, and Coetzee
The primary argument that Russell Samolsky makes in this book is that certain modern literary texts have apocalyptic futures. His contention, however, is not, as many eminent thinkers have claimed, that great writers have clairvoyant powers; rather he examines the ways in which a text might be written so as to incorporate an apocalyptic event into the orbit of its future reception. He is thus concerned with the way in which apocalyptic works might be said to solicit their future receptions. In analyzing this dialectic between an apocalyptic book and a future catastrophic event, Apocalyptic Futures also sets out to articulate a new theory and textual practice of the relation between literary reception and embodiment. Deploying the double register of marksto display the means by which a text both codes as well as targets mutilated bodies, his specific focus is on the way in which these bodies are incorporated into the field of texts by Franz Kafka, Joseph Conrad and J.M. Coetzee. Situating In the Penal Colonyin relation to the Holocaust, Heart of Darkness to the Rwandan genocide and Waiting for the Barbarians to the revelations of torture in apartheid South Africa and contemporary Iraq, he argues for the ethical and political importance of reading these literary works' apocalyptic futuresnow in our own urgent and perilous situation. To this end, he draws on contemporary messianic discourse to establish the ethical and political resistance of the marked body to its apocalyptic incorporation. In this regard, what is finally at stake in his analysis is his hope of finding the possibility of a hidden countervailing redemptive force at work in these and other texts.
eBook
Imagining Justice
Drawing on critical and theoretical material by thinkers as diverse as Jacques Derrida, Frantz Fanon, Mahatma Ghandi, and Julia Kristeva, Julie McGonegal supplements indigenous models and approaches with those produced within Euro American discourse. In the process, she develops an understanding of forgiveness and reconciliation based on the interventive power of literature. Through insightful readings of four novels, McGonegal demonstrates the ways in which literature can create the conditions that make processes of postcolonial reconciliation possible.
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