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"Coetzee, J. M., 1940-"
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The Wounded Animal
2008,2009
In 1997, the Nobel Prize-winning novelist J. M. Coetzee, invited to Princeton University to lecture on the moral status of animals, read a work of fiction about an eminent novelist, Elizabeth Costello, invited to lecture on the moral status of animals at an American college. Coetzee's lectures were published in 1999 asThe Lives of Animals, and reappeared in 2003 as part of his novelElizabeth Costello; and both lectures and novel have attracted the critical attention of a number of influential philosophers--including Peter Singer, Cora Diamond, Stanley Cavell, and John McDowell.
InThe Wounded Animal, Stephen Mulhall closely examines Coetzee's writings about Costello, and the ways in which philosophers have responded to them, focusing in particular on their powerful presentation of both literature and philosophy as seeking, and failing, to represent reality--in part because of reality's resistance to such projects of understanding, but also because of philosophy's unwillingness to learn from literature how best to acknowledge that resistance. In so doing, Mulhall is led to consider the relations among reason, language, and the imagination, as well as more specific ethical issues concerning the moral status of animals, the meaning of mortality, the nature of evil, and the demands of religion. The ancient quarrel between philosophy and literature here displays undiminished vigor and renewed significance.
J.M. Coetzee and the life of writing : face-to-face with time
by
Attwell, David, author
in
Coetzee, J. M., 1940-
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Coetzee, J. M., 1940- Authorship.
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Coetzee, J. M., 1940- Criticism and interpretation.
2015
\"J.M. Coetzee is one of the most intriguing of authors in all of world literature. Now, in J.M. Coetzee and the Life of Writing, David Attwell illuminates the extraordinary creative processes behind Coetzee's novels from Dusklands to The Childhood of Jesus. Using Coetzee's manuscripts, notebooks and research papers - recently deposited at the Ransom Center of the University of Texas at Austin - Attwell produces a fascinating story of the creative trajectory and the life out of which the fiction was engendered. He shows convincingly that all of Coetzee's work is autobiographical, the memoirs being continuous with the fictions, and that his writing proceeds with self-conscious and never-ending reflection. This is a moving and readable account which is bound to change the way Coetzee is read, by the critics and general reader alike.\"--Provided by publisher.
Postcolonial narrative and the work of mourning : J.M. Coetzee, Wilson Harris, and Toni Morrison
2004
Sam Durrant’s powerfully original book compares the ways in which the novels of J. M. Coetzee, Wilson Harris, and Toni Morrison memorialize the traumatic histories of racial oppression that continue to haunt our postcolonial era. The works examined bear witness to the colonization of the New World, U.S. slavery, and South African apartheid, histories founded on a violent denial of the humanity of the other that had traumatic consequences for both perpetrators and victims. Working at the borders of psychoanalysis and deconstruction, and drawing inspiration from recent work on the Holocaust, Durrant rethinks Freud’s opposition between mourning and melancholia at the level of the collective and rearticulates the postcolonial project as an inconsolable labor of remembrance.
Imagining Justice
2009,2014
Drawing on critical and theoretical material by thinkers as diverse as Jacques Derrida, Frantz Fanon, Mahatma Ghandi, and Julia Kristeva, Julie McGonegal supplements indigenous models and approaches with those produced within Euro American discourse. In the process, she develops an understanding of forgiveness and reconciliation based on the interventive power of literature. Through insightful readings of four novels, McGonegal demonstrates the ways in which literature can create the conditions that make processes of postcolonial reconciliation possible.
Encountering 'Disgrace'
Ever since it was first published in 1999, Nobel laureate J. M. Coetzee's novel Disgrace has provoked controversy. Set in post-apartheid South Africa, it follows Prof. David Lurie as he encounters disgrace through his sexual exploitation of a student and
J. M. Coetzee and ethics
by
Leist, Anton
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Singer, Peter
in
Coetzee, J. M., 1940
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Coetzee, J. M., 1940- -- Criticism and interpretation
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Coetzee, J. M., 1940- -- Ethics
2010
In 2003, South African writer J. M. Coetzee was awarded the Nobel Prize in Literature for his riveting portrayals of racial repression, sexual politics, the guises of reason, and the hypocrisy of human beings toward animals and nature. Coetzee was credited with being \"a scrupulous doubter, ruthless in his criticism of the cruel rationalism and cosmetic morality of western civilization.\" The film of his novel Disgrace, starring John Malkovich, brought his challenging ideas to a new audience. Anton Leist and Peter Singer have assembled an outstanding group of contributors who probe deeply into Coetzee's extensive and extraordinary corpus. They explore his approach to ethical theory and philosophy and pay particular attention to his representation of the human-animal relationship. They also confront Coetzee's depiction of the elementary conditions of life, the origins of morality, the recognition of value in others, the sexual dynamics between men and women, the normality of suppression, and the possibility of equality in postcolonial society. With its wide-ranging consideration of philosophical issues, especially in relation to fiction, this volume stands alone in its extraordinary exchange of ethical and literary inquiry.