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"Cold War Influence."
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The Literary Cold War 1945 to Vietnam
This is a ground-breaking study of the psychological and cultural impact of the Cold War on the imaginations of citizens in the UK and US. The Literary Cold War examines writers working at the hazy borders between aesthetic project and political allegory, with specific attention being paid to Vladimir Nabokov and Graham Greene as Cold War writers. The book looks at the special relationship as a form of paranoid plotline governing key Anglo-American texts from Storm Jameson through John Dos Passos to Sylvia Plath and Ted Hughes, as well as examining the figure of the non-aligned neutral observer.
eBook
French foreign policy since 1945
When Charles de Gaulle declared that “it is because we are no longer a great power that we need a grand policy,\" he neatly summarized France’s predicament on the world scene. In this compact and engaging history, author Frédéric Bozo deftly recounts France’s efforts to reconcile its proud history and global ambitions with a realistic appraisal of its capabilities, from the aftermath of World War II to the present. He provides insightful analysis of the nation’s triumphs and setbacks through the years of decolonization, Cold War maneuvering, and European unification, as well as the more contemporary challenges posed by an increasingly multipolar and interconnected world.
eBook
European cinema after the wall
Since the fall of the Berlin Wall in 1989, transnational European cinema has risen, not only in terms of production but also in terms of a growing focus on multiethnic themes within the European context. This shift from national to trans-European filmmaking has been profoundly influenced by such historical developments as the collapse of the Iron Curtain and the subsequent ongoing enlargement of the European Union. In European Cinema after the Wall: Screening East–West Mobility, Leen Engelen and Kris Van Heuckelom have brought together essays that critically examine representations of post-1989 migration from the former Eastern Bloc to Western Europe, uncovering an array of common tropes and narrative devices that characterize the influences and portrayals of immigration. Featuring essays by contributors from backgrounds as divergent as film studies, Slavic and Russian studies, comparative literature, sociology, contemporary history, and communication and media studies, this volume will appeal to scholars of film, European history, and those interested in the impact of migration, diaspora, and the global flow of cinematic culture.
eBook
Why Minor Powers Risk Wars with Major Powers
Through a range of case studies spanning the post-Cold War period in Iraq, Moldova and Serbia, this innovative book breaks new ground in its study of asymmetric conflicts where warring sides exhibit vast power differentials. It uses multiple theories to examine the different pathways that encourage minor powers to engage in both offensive and defensive wars that they are likely to lose, analysing domestic crisis as a key catalyst and considering ways to mitigate conditions that drive conflict. The author provides an important framework that can be applied to contemporary conflicts elsewhere.
eBook
Technologies for intuition : Cold War circles and telegraphic rays
\"Cold War paranoia can only partly describe or explain the 20th century dreams of telepathy. The nightmare shades of mind control and crowd frenzy have long alternated with the pastels of love and collective effervescence. Both extremes materialized over time, along tangled circuits of wars, events and interactions staged across borders since at least the 19th century. The Cold War and its fences fed fascination with the workings and the failures of contact and communication. Opposed sides accused each other of jamming media and spinning propaganda even while they mirrored fantasies of connection. This book contrasts and connects Russian and American channels and means to check channels, with special attention to intersections of the telepathic with the theatrical. It theorizes links between historically layered struggles over technologies for intuition and dominant models of communication, commonsense or theoretical. It demonstrates that theories resting on models of individual sincerity and of dyadic communication warp understandings of the USSR and Russia--and thus of the USA, as well. It proposes that attention to the means of making and checking contact, that is, to the phatic functions in language, offers a way out of the impasses and paradoxes of paranoia\"--Provided by publisher.
Book
Upstaging the Cold War : American dissent and cultural diplomacy, 1940-1960
Traditional interpretations of the 1950s have emphasized how American anti-communists deployed censorship and the blacklist to silence dissent, particularly in the realm of foreign policy. Yet those efforts at
repression did not always succeed. Throughout the early years of the Cold War, a significant number of writers and performers continued to express controversial views about international relations in Hollywood films, through the new medium of televi-sion,
on the Broadway stage, and from behind the scenes.
By promoting superpower cooperation, decolonization, nuclear disarmament, and other taboo causes, dissident artists such as Lillian Hellman, Arthur Miller, Rod Serling, Dalton Trumbo, Reginald Rose, and Paddy Chayefsky managed both to stretch the boundaries of Cold War ideology and to undermine some of its basic assumptions. Working at times under assumed names and in some cases outside the United States, they took on the role of informal diplomats who competed with Washington in repre-senting America to the world.
Ironically, the dissidents’ international appeal eventually persuaded the U.S. foreign policy establishment that their unconventional views could be an asset in the Cold War contest for “hearts and minds,” and their artistic work an effective means to sell Ameri-can values and culture abroad. By the end of the 1950s, the Eisenhower administration not only appropriated the work of these talented artists but enlisted some of them to serve as official voices of Cold War cultural diplomacy.
eBook