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result(s) for
"Collectors and collecting Europe History 17th century."
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The origins of museums : the cabinet of curiosities in sixteenth- and seventeenth-century Europe
This is an account of the extraordinary phenomenon which developed in 16th- and 17th-century Europe - the 'cabinet of curiosities' - in which were to be found the beginnings of museums as we know them.
Book Trade Catalogues in Early Modern Europe
2021
This edited collection offers the latest scholarship on book catalogues in early modern Europe. Contributors discuss the role that these catalogues played in bookselling and book auctions, as well as in guiding the tastes of book collectors.
Documenting the Early Modern Book World
by
Walsby, Malcolm
,
Constantinidou, Natasha
in
Bibliography
,
Bibliography -- Europe -- History -- 16th century
,
Bibliography -- Europe -- History -- 17th century
2013
This volume examines a number of different book lists from a variety of European countries during the fifteenth, sixteenth and seventeenth centuries. It offers a wide-ranging re-evaluation of one of the most interesting and underused resources for early modern book history.
Art Market and Connoisseurship
by
Tummers, Anna
,
Jonckheere, Koenraad
in
Art & Art History
,
Art -- Collectors and collecting
,
Art -- Marketing
2008,2025
The question whether or not seventeenthcentury painters such as Rembrandt and Rubens created the paintings which were later sold under their names, has caused many a heated debate. Much is still unknown about the ways in which paintings were produced, assessed, priced, and marketed. For example, did contemporary connoisseurs expect masters such as Rembrandt to paint their works entirely by their own hand? Who was credited with the ability to assess paintings? How did a paintingâs price relate to its quality? And how did connoisseurship change as the art market became increasingly complex? The contributors to this essential volume trace the evolution of connoisseurship in the booming art market of the seventeenth- and eighteenth centuries. Among them are the renowned Golden Age scholars Eric Jan Sluijter, Hans Van Miegroet and Neil De Marchi. It is not to be missed by anyone with an interest in the Old Masters and the early modern art market.
Hybrid knowledge in the early East India Company world
by
Winterbottom, Anna
in
Authors and patrons -- History
,
Collectors and collecting -- History
,
East Asia -- Intellectual life
2016,2015
Hybrid Knowledge in the Early East India Company World presents a new reading of the English East India Company 1660-1720. It shows how innovative works covering natural history, ethnography, theology, linguistics, medicine, and agriculture - were created amid early modern struggles for supremacy in Asia, the Indian Ocean and the Atlantic.
Collection - Laboratory - Theater
by
Schramm, Helmar
,
Schwarte, Ludger
,
Lazardzig, Jan
in
17th century
,
Architecture and science
,
Architecture and science -- Europe -- History -- 17th century
2008,2005
This volume launches a new, eight-volume series entitled Theatrum Scientiarum on the history of science and the media which has arisen from the work of the Berlin special research project on \"Performative Cultures\" under the aegis of the Theatre Studies Department of the Free University. The volume examines the role of space in the constitution of knowledge in the early modern age. \"Kunstkammern\" (art and curiosities cabinets), laboratories and stages arose in the 17th century as instruments of research and representation. There is, however, still a lack of precise descriptions of the epistemic contribution made by material and immaterial space in the performance of knowledge. Therefore, the authors present a novel view of the conditions surrounding the creation of these spatial forms. Account is taken both of the institutional framework of these spaces and their placement within the history of ideas, the architectural models and the modular differentiations, and the scientific consequences of particular design decisions. Manifold paths are followed between the location of the observer in the representational space of science and the organization in time and space of sight, speech and action in the canon of European theatrical forms. Not only is an account given of the mutual architectural and intellectual influence of the spaces of knowledge and the performance spaces of art; they are also analyzed to ascertain what was possible in them and through them. This volume is the English translation of Kunstkammer, Laboratorium, Bühne (de Gruyter, Berlin, 2003).