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The Cambridge Companion to Wilkie Collins
Wilkie Collins was one of the most popular writers of the nineteenth century. He is best known for The Woman in White, which inaugurated the sensation novel in the 1860s, and The Moonstone, one of the first detective novels; but he wrote over 20 novels, plays and short stories during a career that spanned four decades. This Companion offers a fascinating overview of Collins's writing. In a wide range of essays by leading scholars, it traces the development of his career, his position as a writer and his complex relation to contemporary cultural movements and debates. Collins's exploration of the tensions which lay beneath Victorian society is analysed through a variety of critical approaches. A chronology and guide to further reading are provided, making this book an indispensable guide for all those interested in Wilkie Collins and his work.
eBook
Out of Time: Disabling Normative Time in Charlotte Brontë’s IJane Eyre/I and Wilkie Collins’s IThe Woman in White/I
Responding to ableist and regimented notions of time, disabled activists and disability studies scholars alike have embraced “crip time” as a modality that better accounts for the ways disability transforms chronology. By applying this critical disability framework to depictions of time in Victorian literature, my paper reveals the generative potential of nonnormative understandings of time in two foundational and widely studied texts: Charlotte Brontë’s Jane Eyre and Wilkie Collins’s The Woman in White. In each text, the presence of disability allows for the resistance to and subversion of hegemonic (and genre-based) modes of temporality.
Journal Article
Creating character
This book explores the ways in which the two leading sensation authors of the 1860s, Mary Elizabeth Braddon and Wilkie Collins, engaged with nineteenth-century ideas about personality formation and the extent to which it can be influenced either by the subject or by others. Innovative readings of seven sensation novels explore how they employ and challenge Victorian theories of heredity, degeneration, inherent constitution, education, upbringing and social circumstance. Far from presenting a reductive depiction of ‘nature’ versus ‘nurture’, Braddon and Collins show the creation of character to be a complex interplay of internal and external factors. Drawing on material ranging from medical textbooks, to sociological treatises, to popular periodicals, Creating character shows how sensation authors situated themselves at the intersections of established and developing, conservative and radical, learned and sensationalist thought about how identity could be made and modified.
eBook
From Silver-Store to “all over the world”
This essay situates Charles Dickens and Wilkie Collins’s “The Perils of Certain English Prisoners” (1857), which critics have traditionally read as a reaction to the so-called Indian Mutiny, in a wider imperial context by foregrounding its setting of the Mosquito Coast in 1744. Reading the silver trade, which connects the setting of 1744 to the publication date of 1857, and connecting Britain to South America and China, this essay argues that “The Perils” enacts transimperial entanglements, presenting the British Empire as imbued with an expanded temporality and terrestrial reach that extends beyond its formal political boundaries. In “The Perils,” Dickens and Collins locate 1857 and India in a genealogy of empire rather than treating the Mutiny as a significant but topical moment. In doing so, they forge connections with a fictional past of British ascendency in the silver trade, overlaying the historical mahogany and opium trades, to project a British-dominated imperial future, while simultaneously displacing and erasing Indigenous peoples in the transformation of the landscape for British benefit.
Journal Article
Out of Time: Disabling Normative Time in Charlotte Brontë’s Jane Eyre and Wilkie Collins’s The Woman in White
Responding to ableist and regimented notions of time, disabled activists and disability studies scholars alike have embraced “crip time” as a modality that better accounts for the ways disability transforms chronology. By applying this critical disability framework to depictions of time in Victorian literature, my paper reveals the generative potential of nonnormative understandings of time in two foundational and widely studied texts: Charlotte Brontë’s Jane Eyre and Wilkie Collins’s The Woman in White. In each text, the presence of disability allows for the resistance to and subversion of hegemonic (and genre-based) modes of temporality.
Journal Article
The Woman in White: Marian Halcombe, or Checkmate on Women’s Empowerment
Wilkie Collins’s fraudulent rhetoric of protest against patriarchal Victorian oppression is manifested through his manipulation of Marian Halcombe’s character: she does not represent an attainable example of women’s empowerment but rather of women’s subordination. Marian confronts Victorian patriarchal discourse through the doomed, symbolic games of chess she plays with Fosco and Collins, but she is inevitably disciplined, tamed, and transformed into the perfect “Angel in the House.” When the novel concludes, neither gender roles will have been changed nor equality attained, and feminine readers will have been lured into accepting that resignation, sacrifice and submission are the only alternatives.
Journal Article
Cousin Theory: Brown Kinship and the Nineteenth-Century Domestic Novel
This essay discusses kinship relations in Wilkie Collins's The Moonstone (England, 1868) and Jorge Isaacs's María (Colombia, 1867). We begin by differentiating between what we frame as white and brown cousin relationships. The former, we argue, solidify the capital accumulation made possible by the expansion of empire and colonial modernity, while the latter engage with forms of relationality that are expected within the limits of colonial respectability and exceed propriety as a form of corporeal resistance. Despite their writing in different national, cultural, and linguistic traditions, both Collins and Isaacs stage an opposition between white and brown cousins that inevitably positions whiteness as the macrostructure through which subjectivity comes to align with the colonial matrix of power. Even so, we conclude, they invite a resistant reading that foregrounds the local political possibilities of brown cousin kinship to frustrate colonial hegemony.
Journal Article