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Super black : American pop culture and black superheroes
Super Black places the appearance of black superheroes alongside broad and sweeping cultural trends in American politics and pop culture, which reveals how black superheroes are not disposable pop products, but rather a fascinating racial phenomenon through which futuristic expressions and fantastic visions of black racial identity and symbolic political meaning are presented. Adilifu Nama sees the value-and finds new avenues for exploring racial identity-in black superheroes who are often dismissed as sidekicks, imitators of established white heroes, or are accused of having no role outside of blaxploitation film contexts.Nama examines seminal black comic book superheroes such as Black Panther, Black Lightning, Storm, Luke Cage, Blade, the Falcon, Nubia, and others, some of whom also appear on the small and large screens, as well as how the imaginary black superhero has come to life in the image of President Barack Obama. Super Black explores how black superheroes are a powerful source of racial meaning, narrative, and imagination in American society that express a myriad of racial assumptions, political perspectives, and fantastic (re)imaginings of black identity. The book also demonstrates how these figures overtly represent or implicitly signify social discourse and accepted wisdom concerning notions of racial reciprocity, equality, forgiveness, and ultimately, racial justice.
eBook
Rescue party : a graphic anthology of COVID lockdown
\"Over a hundred page-long comics from around the world, documenting humanity's retreat into COVID-19 lockdown and imagining our eventual, boisterous reemergence, from the founder of the Brooklyn Comic Arts festival and owner of beloved indie comic shop Desert Island. On April 1, 2020, the Instagram account of Desert Island, Brooklyn's celebrated alternative comics shop, put out a call. By then, the shop had shuttered indefinitely, and the world's major cities had locked down as the first wave of the COVID-19 pandemic took hold: \"We all need something positive to think about, and a lot of us have time on our hands,\" the post read. \"Who wants to make something?\" Hundreds of short comics from over fifty countries poured into Desert Island's inbox. Some came from notable cartoonists. Most, astonishingly, came from amateur artists just looking for an outlet to create in the midst of tragedy--for a chance to join the rescue party that leads us out of isolation. Collected here are one hundred fifty notable entries from the Rescue Party project, capturing the loneliness and the surprising comforts of early lockdown; the mania of its middle days as the mind begins to fray; and the branching paths of humanity's future, as we re-enter a world wracked with injustice. Bracing, beautiful, and conspicuously optimistic, Rescue Party is part graphic diary, part time capsule, and part field guide: a grassroots project that tells the collective story of lockdown from a chorus of global voices, and charts a course to a more just future.\"-- Provided by publisher.
Book
Comics memory : archives and styles
Despite the boom in scholarship in both Comics Studies and Memory Studies, the two fields rarely interact--especially with issues beyond the representation of traumatic and autobiographical memories in comics. With a focus on the roles played by styles and archives--in their physical and metaphorical manifestations--this edited volume offers an original intervention, highlighting several novel ways of thinking about comics and memory as comics memory. Bringing together scholars as well as cultural actors, the contributions combine studies on European and North American comics and offer a representative overview of the main comics genres and forms, including superheroes, Westerns, newspaper comics, diary comics, comics reportage and alternative comics. In considering the many manifestations of memory in comics as well as the functioning and influence of institutions, public and private practices, the book exemplifies new possibilities for understanding the complex entanglements of memory and comics.
Book
Transnational perspectives on graphic narratives : comics at the crossroads
This book brings together an international group of scholars who chart and analyze the ways in which comic book history and new forms of graphic narrative have negotiated the aesthetic, social, political, economic, and cultural interactions that reach across national borders in an increasingly interconnected and globalizing world. Exploring the tendencies of graphic narratives - from popular comic book serials and graphic novels to manga - to cross national and cultural boundaries,Transnational Perspectives on Graphic Narrativesaddresses a previously marginalized area in comics studies. By placing graphic narratives in the global flow of cultural production and reception, the book investigates controversial representations of transnational politics, examines transnational adaptations of superhero characters, and maps many of the translations and transformations that have come to shape contemporary comics culture on a global scale.
eBook
Comic Book Women
The history of comics has centered almost exclusively on men.
Comics historians largely describe the medium as one built by men
telling tales about male protagonists, neglecting the many ways in
which women fought for legitimacy on the page and in publishers'
studios. Despite this male-dominated focus, women played vital
roles in the early history of comics. The story of how comic books
were born and how they evolved changes dramatically when women like
June Tarpé Mills and Lily Renée are placed at the center rather
than at the margins of this history, and when characters such as
the Black Cat, Patsy Walker, and Señorita Rio are analyzed.
Comic Book Women offers a feminist history of the
golden age of comics, revising our understanding of how numerous
genres emerged and upending narratives of how male auteurs built
their careers. Considering issues of race, gender, and sexuality,
the authors examine crime, horror, jungle, romance, science
fiction, superhero, and Western comics to unpack the cultural and
industrial consequences of how women were represented across a wide
range of titles by publishers like DC, Timely, Fiction House, and
others. This revisionist history reclaims the forgotten work done
by women in the comics industry and reinserts female creators and
characters into the canon of comics history.
eBook