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16 result(s) for "Composers Italy Biography."
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Orpheus in the marketplace : Jacopo Peri and the economy of late Renaissance Florence
This record of Florentine musician Jacopo Peri's wide-ranging investments and activities in the marketplace enables the first detailed account of the Florentine economy in the late sixteenth and early seventeenth centuries, and opens a completely new perspective on one of Europe's principal centers of capitalism.
Verdi : the man revealed
Giuseppe Verdi remains the greatest operatic composer that Italy, the home of opera, has ever produced. Yet throughout his lifetime he claimed to detest composing and repeatedly rejected it. He was a landowner, a farmer, a politician and symbol of Italian independence; but his music tells a different story. An obsessive perfectionist, Verdi drove collaborators to despair but his works lauded from the start as dazzling feats of composition and characterization. From Rigoletto to Otello, La Traviatato to Aida, Verdi's canon encompassed the full range of human emotion. His private life was no less complex: he suffered great loss, and went out of his way to antagonize supporters and his own family. An outspoken advocate of Italian independence and a sharp critic of the church, he was often at odds with nineteenth-century society.
Verdi
In this third edition of the classic Verdi, renowned authority Julian Budden offers a comprehensive overview of Verdi the man and the artist, tracing his ascent from humble beginnings to the status of a cultural patriarch of the new Italy, whose cause he had done much to promote, and demonstrating the gradual enlargement over the years of his artistic vision. This concise study is an accessible, insightful, and engaging summation of Verdi scholarship, acquainting the non-specialist with the personal details Verdi's life, with the operatic world in which he worked, and with his political ideas, his intellectual vision, and his powerful means of communicating them through his music. In his survey of the music itself, Budden emphasizes the unique character of each work as well as the developing sophistication of Verdi's style. He covers all of the operas, the late religious works, the songs, and the string quartet. A glossary explains even the most obscure operatic terms current in Verdi's time.
Verdi
In this third edition of the classic Verdi, renowned authority Julian Budden offers a comprehensive overview of Verdi the man and the artist, tracing his ascent from humble beginnings to the status of a cultural patriarch of the new Italy, whose cause he had done much to promote, and demonstrating the gradual enlargement over the years of his artistic vision.
The Cambridge Companion to Verdi
This 2004 Companion provides a biographical, theatrical and social-cultural background for Verdi's music, examines in detail important general aspects of its style and method of composing, and synthesizes stylistic themes in discussions of representative works. Aspects of Verdi's milieu, style, creative process and critical reception are explored in essays by highly reputed specialists. Individual chapters address themes in Verdi's life, his role in transforming the theater business, and his relationship to Italian Romanticism and the Risorgimento. Chapters on four operas representative of the different stages of Verdi's career, Ernani, Rigoletto, Don Carlos and Otello synthesize analytical themes introduced in the more general chapters and illustrate the richness of Verdi's creativity. The Companion also includes chapters on Verdi's non-operatic songs and other music, his creative process, and scholarly writing about Verdi from the nineteenth-century to the present day.
The Many Meanings of Mina
Mina (Anna Maria Mazzini, born Lombardy, 1940) is an Italian popular music icon who throughout her sixty-year-long career has come to represent a range of diverse meanings. She is one of the best-loved popular music stars in Italy and abroad, with a large fan base across Europe, Asia, and South America. Her career began in the late 1950s and reached its peak in the 1960s and 1970s. Despite having retired from public appearances at the end of the 1970s, Mina remains popular and successful today, and continues to release new albums that consistently debut in the number one spot of the Italian charts. As an Italian popular music star, she is exemplary of the way in which stardom is constructed by different media and has come to represent different local and global identities, values, ideologies, and ways of behaving. This is because whilst Mina is first and foremost a popular music star, she has also been a film star and a television personality during different phases of her career. She has advertised successful Italian brands on television, and she has been a magazine writer and agony aunt. Her star persona is the product of her work in many different areas, as well as of the promotional materials and commentaries that are produced in response to her work. This book explores these different 'mediums' that Mina has been involved in and which have shaped her career and significance. It traces the process by which she has come to embody a diverse range of meanings that reveal something of the values and ideals at work within contemporary Italian society. Rachel Haworth is a researcher of Italian popular music and culture of the twentieth century, and Senior Lecturer in Italian at the University of Hull, UK. The primary market for this book is students and academics in the following subject areas: Italian Studies; Popular Music Studies; Stardom and Celebrity Studies; Media Studies; Cultural History. Also scholars and researchers working on music divas. The book is suitable for use on courses and modules at all undergraduate and postgraduate levels, which deal with Italian cultural studies, Italy's post-war history, and the role of women in Italy, as well as the wider study of popular music and the construction of stardom and celebrity. The secondary audience for this book will be fans of Mina around the world, accessibly written, this will appeal to fans in Italy who are able to read in English.
Waiting for Verdi
The name Giuseppe Verdi conjures images of Italians singing opera in the streets and bursting into song at political protests or when facing the firing squad. While many of the accompanying stories were exaggerated, or even invented, by later generations, Verdi's operas-along with those by Rossini, Donizetti, and Mercadante-did inspire Italians to imagine Italy as an independent and unified nation. Capturing what it was like to attend the opera or to join in the music at an aristocratic salon,Waiting for Verdishows that the moral dilemmas, emotional reactions, and journalistic polemics sparked by these performances set new horizons for what Italians could think, feel, say, and write. Among the lessons taught by this music were that rules enforced by artistic tradition could be broken, that opera could jolt spectators into intense feeling even as it educated them, and that Italy could be in the vanguard of stylistic and technical innovation rather than clinging to the glories of centuries past. More practically, theatrical performances showed audiences that political change really was possible, making the newly engaged spectator in the opera house into an actor on the political stage.