Search Results Heading

MBRLSearchResults

mbrl.module.common.modules.added.book.to.shelf
Title added to your shelf!
View what I already have on My Shelf.
Oops! Something went wrong.
Oops! Something went wrong.
While trying to add the title to your shelf something went wrong :( Kindly try again later!
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
    Done
    Filters
    Reset
  • Discipline
      Discipline
      Clear All
      Discipline
  • Is Peer Reviewed
      Is Peer Reviewed
      Clear All
      Is Peer Reviewed
  • Series Title
      Series Title
      Clear All
      Series Title
  • Reading Level
      Reading Level
      Clear All
      Reading Level
  • Year
      Year
      Clear All
      From:
      -
      To:
  • More Filters
      More Filters
      Clear All
      More Filters
      Content Type
    • Item Type
    • Is Full-Text Available
    • Subject
    • Country Of Publication
    • Publisher
    • Source
    • Target Audience
    • Donor
    • Language
    • Place of Publication
    • Contributors
    • Location
77 result(s) for "Computer viruses Fiction."
Sort by:
Rules of engagement
\"Rafiq Roshed is one of the most wanted men in the world. A terrorist with a virulent grudge against the West, he's disappeared into North Korea where he quietly launches cyber sneak attacks in service of Kim Jong-un. But now he's about to unleash his virtual masterpiece--a computer virus that, once inserted into the command systems of a military, not only takes over, but also learns the art of war.\"-- Publisher's description.
Time-travelling pathogens and their risk to ecological communities
Permafrost thawing and the potential ‘lab leak’ of ancient microorganisms generate risks of biological invasions for today’s ecological communities, including threats to human health via exposure to emergent pathogens. Whether and how such ‘time-travelling’ invaders could establish in modern communities is unclear, and existing data are too scarce to test hypotheses. To quantify the risks of time-travelling invasions, we isolated digital virus-like pathogens from the past records of coevolved artificial life communities and studied their simulated invasion into future states of the community. We then investigated how invasions affected diversity of the free-living bacteria-like organisms (i.e., hosts) in recipient communities compared to controls where no invasion occurred (and control invasions of contemporary pathogens). Invading pathogens could often survive and continue evolving, and in a few cases (3.1%) became exceptionally dominant in the invaded community. Even so, invaders often had negligible effects on the invaded community composition; however, in a few, highly unpredictable cases (1.1%), invaders precipitated either substantial losses (up to -32%) or gains (up to +12%) in the total richness of free-living species compared to controls. Given the sheer abundance of ancient microorganisms regularly released into modern communities, such a low probability of outbreak events still presents substantial risks. Our findings therefore suggest that unpredictable threats so far confined to science fiction and conjecture could in fact be powerful drivers of ecological change.
Phantom Wheel
\"A group of teenage hackers has been conned into creating the most devastating virus the world has ever seen, and now it's up to them to take down the shadowy corporation behind it before it's too late\"-- Provided by publisher.
Impact of Artificial Intelligence, Bio Terrorism and Corporate Culture in Society: A Post-Modernist Critique on ‘Windup Girl’
Bio Terrorism is a form of terrorism in which biological agents such as pathogens, fungi, viruses, and toxins are deliberately unleashed onto the world in order to kill a wide range of humans. Bio punk theory investigates the ramifications that are most commonly associative to the rapid advances made in the field of biotechnology, synthetic biology, and agricultural biotechnology. Bio Punk is the futuristic derivative of cyberpunk theory, subgenre of science fiction. Paolo Bacigalupi's \"Windup Girl\" depicts the impact of corporate culture and how an advance in biotechnology eventually leads to bioterrorism. This article delves into the topic of Artificial Intelligence, bioterrorism, corporate culture, and its impact on people and society.
“Works like Magic”: Metaphor, Meaning, and the GUI in Snow Crash
Computers might well be said to work “like magic.” Graphical User Interfaces (GUIs) allow computers to work predictably but inscrutably. Central to the design of GUIs are visual metaphors that help users understand the function of interface elements. In 1992, as GUIs were supplanting command-based interfaces, Snow Crash was published. In it, Neal Stephenson offers a new take on the SF/cyberpunk conceit of “cyberspace” with “the Metaverse,” a VR world Stephenson claims was inspired by real-world GUI design principles. Yet in Stephenson's 1999 essay “In the Beginning… was the Command Line,” the author rails against metaphor-based interfaces, claiming such software separates users from total control of their systems, control that can only be achieved by learning computer code. Similarly, in Snow Crash, programming code itself is cast as magical, an analog to a pre-Babelian speech that can control human minds as if they are computers. While Stephenson's novel does show that GUIs can constrain what users can do with their computers—as well as articulate ideas about what computers are for—it does something else. Despite its attack on GUIs, Snow Crash sees the appeal of cyberspace visions as rooted in a human desire to interact with computers in a human way. The real “magic” of making computers mean something on a human level occurs through metaphor-based mental operations which long predate computers.
The Joker virus
The Joker has created a virus that infects the latest videogame craze, and turns players into zombies--but in order to defeat him Batman must first discover where he is hiding with the kidnapped creator of the videogame.
The global financial crisis and its aftermath: a perspective from fiction
Purpose Since the global financial crisis of 2007-2009 academic research has paid considerable attention to understanding the nature of the crisis, its causes and consequences. This is not surprising given the scale and scope of the crisis. Much of this research has been undertaken within social science disciplines. At the same time, the crisis has also been the subject of fiction – novels, poetry and drama, and there is also a small body of academic scholarship on fiction relating to the crisis (and on finance in fiction more generally). The purpose of this paper is to suggest that fiction can offer a new perspective on the global financial crisis and thereby enhance our understanding of it. Design/methodology/approach This exploration draws upon three works of post-crisis fiction: the 2009 play by David Hare, The Power of Yes: A Dramatist Seeks to Understand the Financial Crisis (hereafter The Power of Yes); Other People’s Money, a novel by Justin Cartwright (2011); and Robert Harris’s novel The Fear Index also published in 2011. Its approach is based on close readings of the three texts in question. Findings Finance fiction stimulates a reconceptualization of the global financial crisis as a crisis of innovation and technological change. Originality/value This paper is a viewpoint article. The originality lies in the author’s interpretation of reading the global financial crisis through fiction.
Gameknight999 vs. Herobrine : an unofficial Minecrafter's adventure
When Herder volunteers to journey into the dangerous world of the Nether to destroy Herobrine's poisonous XP and is accidentally infected, Gameknight and his friends are forced to make a terrible choice.
Radio, the Genome, and Greg Bear's Biological Fiction
This essay explores the human genome as a form of media via Greg Bear's biological fiction. The genome is a network and a database; it is a product of biopower in the age of digital computers. I argue it is also a rich fantasy object, a conceptual and theoretical staging ground for thinking about the nature of technical media, the human, and the posthuman.