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You're the one that I want
\"In this charming and exciting women's fiction novel, Giovanna Fletcher explores the complicated relationship between three friends--Maddy, her fiancâe Rob, and their best friend Ben. Maddy, dressed in white, stands at the back of the church. At the end of the aisle is Rob--the man she's about to marry. Next to Rob is Ben--best man and the best friend anyone could ever have. And that's the problem. Because if it wasn't Rob waiting for her at the altar, there's a strong chance it would be Ben. Loyal and sensitive, Ben has always kept his feelings to himself, but if he told Maddy she was making a mistake, would she listen? And would he be right? Best friends since childhood, Maddy, Ben, and Rob thought their bond was unbreakable. But love changes everything. Maddy has a choice to make, but will she choose wisely? Her heart, and the hearts of the two best men she knows, depend on it... Romantic, suspenseful, and a whole lot of fun, You're the One That I Want is a great read about friendship, love, and the decisions that we make \"-- Provided by publisher.
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No Sympathy for the Devil
In this cultural history of evangelical Christianity and popular music, David Stowe demonstrates how mainstream rock of the 1960s and 1970s has influenced conservative evangelical Christianity through the development of Christian pop music. For an earlier generation, the idea of combining conservative Christianity with rock--and its connotations of nonreligious, if not antireligious, attitudes--may have seemed impossible. Today, however, Christian rock and pop comprises the music of worship for millions of Christians in the United States, with recordings outselling classical, jazz, and New Age music combined.Shining a light on many of the artists and businesspeople key to the development of Christian rock, Stowe shows how evangelicals adapted rock and pop in ways that have significantly affected their religion's identity and practices. The chart-topping, spiritually inflected music created a space in popular culture for talk of Jesus, God, and Christianity, thus lessening for baby boomers and their children the stigma associated with religion while helping to fill churches and create new modes of worship. Stowe argues that, in the four decades since the Rolling Stones first unleashed their hit song \"Sympathy for the Devil,\" the increasing acceptance of Christian pop music by evangelicals ultimately has reinforced a variety of conservative cultural, economic, theological, and political messages.
eBook
Kurt Kaiser
Profiles the life, career, influence, and legacy of Contemporary Christian Music artist and composer Kurt Kaiser.
eBook
The future she left behind
\"One woman's journey home gets derailed by her soon-to-be ex-mother-in-law in a novel filled with humor, small-town charm, rekindled love, and the resilient ties of family. Cast aside by her cheating husband, Katelyn Chandler is ready to pack it all in and drive home to Little Springs, Texas. She wants a chance to regroup, reconnect with her mother, and get back to her art. But Shirley Pratt--master manipulator, elitist snob, and Katelyn's terror of a live-in monster-in-law--has other ideas. Shirley insists on joining Katelyn's trip after her son tries to pack her off to a retirement community. Katelyn has no choice but to play peacekeeper between the ornery old woman and the proud matrons of Little Springs. Yet the small town seems to be changing Shirley. And as Katelyn weighs the wisdom of picking up where she left off with Jackson Mendoza, the town bad boy and her high school sweetheart, she must find a way to believe in the strength of her dreams\"-- Provided by publisher.
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Landscape into Eco Art
Dedicated to an articulation of the earth from broadly ecological perspectives, eco art is a vibrant subset of contemporary art that addresses the widespread public concern with rapid climate change and related environmental issues. In Landscape into Eco Art, Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader art-historical context. He considers a wide range of media—from painting, sculpture, and photography to artists' films, video, sound work, animation, and installation—and analyzes the work of internationally prominent artists such as Olafur Eliasson, Nancy Holt, Mark Dion, and Robert Smithson. In doing so, Cheetham reveals eco art to be a dynamic extension of a long tradition of landscape depiction in the West that boldly enters into today's debates on climate science, government policy, and our collective and individual responsibility to the planet. An ambitious intervention into eco-criticism and the environmental humanities, this volume provides original ways to understand the issues and practices of eco art in the Anthropocene. Art historians, humanities scholars, and lay readers interested in contemporary art and the environment will find Cheetham's work valuable and invigorating.
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Looking inside
\"The New York Times bestselling author who brought you Glow, Glimmer, and The Affair is back with a new novel that will have you leaving the curtains open. Are you just going to stand there and watch? -- Eleanor Briggs just can't help herself. The sight of the man in the high-rise across the street is driving her wild. She longs to feel his touch up close and personal. To win him over, she'll need to shake off her wallflower sensibilities and become the seductress she never imagined she could be. The only trouble will be finding the perfect way to meet him...Or are you going to join in? -- Sex is easy for millionaire entrepreneur Trey Riordan. Finding something of substance, however, seems impossible. That is until a simple night of reading at a local coffee shop becomes something far steamier when a beautiful brunette comes by and leaves a note telling him to look out his bedroom window at eleven o'clock. But when the time comes, neither of them will be truly ready for what follows...\"-- Provided by publisher.
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Almost nothing
This book proposes a new reading of contemporary art between 1958 and 2009 by sketching out a trajectory of ‘precarious’ art practices. Such practices risk being dismissed as ‘almost nothing’ because they look like trash about to be thrown out, because they present objects and events that are so commonplace as to be confused with our ordinary surroundings, or because they are fleeting gestures that vanish into the fabric of everyday life. What is the status of such fragile, nearly invisible, artworks? In what ways do they engage with the precarious modes of existence that have emerged and evolved in the socio-economic context of an increasingly globalised capitalism?Works discussed in this study range from Allan Kaprow’s assemblages and happenings, Fluxus event scores and Hélio Oiticica’s wearable Parangolé capes in the 1960s, to Thomas Hirschhorn’s sprawling environments and participatory projects, Francis Alÿs’s filmed performances and Gabriel Orozco’s objects and photographs in the 1990s. Significant similarities among these different practices will be drawn out, while crucial shifts will be outlined in the evolution of this trajectory from the early 1960s to the turn of the twenty-first century.This book will give students and amateurs of contemporary art and culture new insights into the radical specificities of these practices, by situating them within an original set of historical and critical issues. In particular, this study addresses essential questions such as the art object’s ‘dematerialisation’, relations between art and everyday life, including the three fields of work, labour and action first outlined by Hannah Arendt in 1958.
eBook
Make me
\"Available for the first time as a complete novel--the serial from the New York Times bestselling author of When I'm With You that explores hidden pasts, dangerous obsessions, and uncontrollable passion... Harper McFaddan established herself as an investigative journalist by being both compassionate and fearless. After tragedy strikes her family, she moves to the shores of Lake Tahoe to find some peace. But when mysterious software mogul Jacob Latimer enters her life, her thoughts turn from her own healing to an insatiable desire to get closer to him... No one knows what secrets lurk in the past of Jacob Latimer. He built his corporation from nothing, but rumors abound about his mysterious rise to power. Harper is the last person he should let into his life. She could expose the truth about his origins. But Jacob knows things about Harper's past that draw him in. He wants nothing more than to make her his--and Jacob is a man who always gets what he wants..\"-- Provided by publisher.
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God Rock, Inc
Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets' boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular music? In God Rock, Inc., Andrew Mall considers the aesthetic, commercial, ethical, and social boundaries of Christian popular music, from the late 1960s, when it emerged, through the 2010s. Drawing on ethnographic research, historical archives, interviews with music industry executives, and critical analyses of recordings, concerts, and music festival performances, Mall explores the tensions that have shaped this evolving market and frames broader questions about commerce, ethics, resistance, and crossover in music that defines itself as outside the mainstream.
eBook