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"Cosmopolitanism -- England"
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Romantic cosmopolitanism
\"Romantic Cosmopolitanism shows how cosmopolitanism in the early nineteenth century offers a non-unified formulation of the nation that stands in contrast to more unified models such as Edmund Burke's which found nationality in, among other things, language, history, blood and geography\"--Provided by publisher.
Book
Visceral cosmopolitanism : gender, culture and the normalisation of difference
Cultural theorist Mica Nava makes an original and significant contribution to the study of cosmopolitanism by exploring everyday English urban cosmopolitanism and foregrounding the gendered, imaginative and empathetic aspects of positive engagement with cultural and racial difference. By looking at a wide range of texts, events and biographical narratives, she traces cosmopolitanism from its marginal status at the beginning of the 20th century to its relative normalisation today. Case studies include the promotion of cosmopolitanism by Selfridges before the first world war; relationships between white English women and 'other' men – Jews and black GIs – during the 1930s and 1940s; literary, cinematic and social science representations of migrants in postcolonial Britain; and Diana and Dodi's interracial romance in the 1990s. In the final chapter, the author draws on her own complex family history to illustrate the contemporary cosmopolitan London experience. Scholars have tended to ignore the oppositional cultures of antiracism and social inclusivity. This ground-breaking study redresses this imbalance and offers a sophisticated account of the uneven history of vernacular cosmopolitanism.
eBook
Global Citizenship: A Typology for Distinguishing its Multiple Conceptions
The promotion of 'Global Citizenship' (GC) has emerged as a goal of schooling in many countries, symbolising a shift away from national towards more global conceptions of citizenship. It currently incorporates a proliferation of approaches and terminologies, mirroring both the diverse conceptions of its nature and the socio-politico contexts within which it is appropriated. This paper seeks to clarify this ambiguity by constructing a typology to identify and distinguish the diverse conceptions of GC. The typology is based on two general forms of GC: cosmopolitan based and advocacy based. The former incorporates four distinct conceptions of GC - namely, the political, moral, economic and cultural; the latter incorporates four other conceptions - namely, the social, critical, environmental and spiritual. Subsequently, we briefly illustrate how the typology can be used to evaluate the critical features of a curriculum plan designed to promote GC in England. The typology provides a novel and powerful means to analyse the key features of the very diverse range of educational policies and programmes that promote GC.
Journal Article
Ethnicity estimation using family naming practices
This paper examines the association between given and family names and self-ascribed ethnicity as classified by the 2011 Census of Population for England and Wales. Using Census data in an innovative way under the new Office for National Statistics (ONS) Secure Research Service (SRS; previously the ONS Virtual Microdata Laboratory, VML), we investigate how bearers of a full range of given and family names assigned themselves to 2011 Census categories, using a names classification tool previously described in this journal. Based on these results, we develop a follow-up ethnicity estimation tool and describe how the tool may be used to observe changing relations between naming practices and ethnic identities as a facet of social integration and cosmopolitanism in an increasingly diverse society.
Journal Article
Transnational citizenship, dissent and the political geographies of youth
This paper brings a relational perspective to studies of citizenship beyond national borders. Analysing the responses of 16 to 19-year-old young people in Bradford (UK) to the wars in Afghanistan and Iraq, we demonstrate the complex entanglements of young people's lives with international politics and develop a relational conceptualisation of citizenship. Departing from the scalar logics and universalising assumptions upon which many definitions of cosmopolitan citizenship are based, we show that youth citizenship across and beyond national borders evolves from specific lines of connection and disconnection that are actualised and modified in performances of citizenship identities, giving rise to diverse political positions and dissent, both with the state and between young people. We conclude with some suggestions for translating these ideas into youth citizenship practices.
Journal Article
Cosmopolitanism beyond the Monolingual Vision
Abstract
This article examines how debates on language and democracy have been differently framed within multiculturalist and cosmopolitan frameworks, questioning some of their underlying assumptions and demonstrating a basic continuity with reference to what is approached as the monolingual vision. It then goes on to propose an alternative conception of the language of democracy based on plurilingualism, linguistic hospitality, and translation. Such a conception is not ignorant of the social role of language in the constitution of individual selves and of collective identities, nor does it avoid confronting the politics of language in a highly unequal global space. It recognizes that the grounds of a cosmopolitan democracy can only be built through generalized plurilingual exchanges and sees in the difficulties of understanding and the productive confrontation with the opacity of others and of ourselves the very substance of democracy amongst diversity. This approach also points in the direction of a cosmopolitan sociology that bridges political cosmopolitanism with forms of literary and artistic cosmopolitanism that have remained rather marginal in cosmopolitan thought.
Journal Article
Out of Oakland
InOut of Oakland, Sean L. Malloy explores the evolving internationalism of the Black Panther Party (BPP); the continuing exile of former members, including Assata Shakur, in Cuba is testament to the lasting nature of the international bonds that were forged during the party's heyday. Founded in Oakland, California, in October 1966 by Huey P. Newton and Bobby Seale, the BPP began with no more than a dozen members. Focused on local issues, most notably police brutality, the Panthers patrolled their West Oakland neighborhood armed with shotguns and law books. Within a few years, the BPP had expanded its operations into a global confrontation with what Minister of Information Eldridge Cleaver dubbed \"the international pig power structure.\"
p>Malloy traces the shifting intersections between the black freedom struggle in the United States, Third World anticolonialism, and the Cold War. By the early 1970s, the Panthers had chapters across the United States as well as an international section headquartered in Algeria and support groups and emulators as far afield as England, India, New Zealand, Israel, and Sweden. The international section served as an official embassy for the BPP and a beacon for American revolutionaries abroad, attracting figures ranging from Black Power skyjackers to fugitive LSD guru Timothy Leary. Engaging directly with the expanding Cold War, BPP representatives cultivated alliances with the governments of Cuba, North Korea, China, North Vietnam, and the People's Republic of the Congo as well as European and Japanese militant groups and the Palestinian Liberation Organization. In an epilogue, Malloy directly links the legacy of the BPP to contemporary questions raised by the Black Lives Matter movement.
eBook
Living with Difference? The 'Cosmopolitan City' and Urban Reimaging in Manchester, UK
This paper explores notions of cosmopolitanism and the 'cosmopolitan city' to interrogate how difference is constructed and treated in the contemporary entrepreneurial city. This is achieved through a grounded case study of the operationalising of notions of cosmopolitanism in Manchester, UK. This is examined in two ways. First, the construction of notions of the cosmopolitan city in the private-sector place marketing of a new 'cosmopolitan city-centre lifestyle' are analysed to reveal how urban reimaging creates a geography of difference in which certain forms of difference are valued or pathologised and fixed in space. Secondly, the analysis explores the contested ways in which the new city-centre 'cosmopolitan' residents understand and reproduce notions of cosmopolitanism and how this links to the treatment of difference in the city. The paper concludes by evaluating how interrogating notions of cosmopolitanism through a grounded urban case study, linking the textual analysis of urban imagery produced by the private sector to the political economy of the city, and investigating what actually happens in these new cosmopolitan city spaces contribute to the understanding of difference in the contemporary city.
Journal Article
“A Doll’s House Conquered Europe”: Ibsen, His English Parodists, and the Debate over World Drama
The London premieres of Henrik Ibsen’s plays in the late 1880s and 1890s sparked strong reactions both of admiration and disgust. This controversy, I suggest, was largely focused on national identity and artistic cosmopolitanism. While Ibsen’s English supporters viewed him as a leader of a new international theatrical movement, detractors dismissed him as an obscure writer from a primitive, marginal nation. This essay examines the ways in which these competing assessments were reflected in the English adaptations, parodies, and sequels of Ibsen’s plays that were written and published during the final decades of the nineteenth century, texts by Henry Herman and Henry Arthur Jones, Walter Besant, Bernard Shaw, Eleanor Marx and Israel Zangwill, and F. Anstey (Thomas Anstey Guthrie). These rewritings tended to respond to Ibsen’s foreignness in one of three ways: Either to assimilate the plays’ settings, characters, and values into normative Englishness; to exaggerate their exoticism (generally in combination with a suggestion of moral danger); or to keep their Norwegian settings and depict those settings (along with characters and ideas) as ordinary and familiar. Through their varying responses to Ibsen’s Norwegian origin, I suggest, these adaptations offered a uniquely practical and concrete medium for articulating ideas about the ways in which art shapes both national identity and the international community.
Journal Article