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88 result(s) for "Counterculture Fiction."
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Castles made of sand
Ax Preston, Sage Pender and Fiorinda, charismatic leaders of the Rock-n-Roll Reich, have beaten the cascade of disasters that followed the collapse of the former United Kingdom. Now they have to find some resolution to the impossible dynamics of their own relationship, while the world keeps falling apart. There are fearsome things going on in England's rural hinterland, and in Continental Europe the green nazis are planning a final solution to desperate environmental damage. But there's nothing the Triumvirate can't handle -- until Fiorinda's father, a monster of the kind the world has never before known, reaches out to reclaim his magical child, the flower-bride. And that's when darkness falls over Ax's England...
Eat Everything Before You Die
In this vibrant and original novel, Christopher Columbus Wong, orphan son of a Chinatown bachelor community, is trying to invent a family for himself while all around him American popular culture is reinventing itself with sex, drugs, and rock n roll. Christopher finds himself on a wild journey with his gay older brother, Peter, a pan-Pacific TV chef; the defrocked, deranged, and eroding ex-director of a Chinatown settlement house, Reverend Ted Candlewick; the sharp-eyed, conspiring matriarch Auntie Mary, the bridge between the conflicting values that make up this cultural stew; and Uncle Lincoln, a bachelor, short order cook, and, quite possibly, Christopher and Peter s father. Further complicating Christopher s voyage are his ex-wives: Winnie, a Hong Kong immigrant looking for a green card, and Melba, an American orphan of the counterculture. Set against the backdrop of America s wars in Asia and the assimilation of that experience the refugees, the stereotypes, the food Eat Everything Before You Die is an ironic commentary on the identities the children of Chinese American immigrants concoct from their questionable histories, cultural practices, and survival strategies. Chan s riotous story will appeal to general readers, particularly those interested in the Asian American experience, and will be of strong, enduring interest to students and scholars in Asian American Studies.
Revolutionaries
In his second novel, the author of The Sabotage Cafâe leads us on a long, strange trip through the heart of the sixties and beyond, as seen through the eyes of the revolution's poster child.
Eat Everything Before You Die
In this vibrant and original novel, Christopher Columbus Wong, orphan son of a Chinatown bachelor community, is trying to invent a family for himself while all around him American popular culture is reinventing itself with sex, drugs, and rock ’n’ roll. Christopher finds himself on a wild journey with his gay older brother, Peter, a pan-Pacific TV chef; the defrocked, deranged, and eroding ex-director of a Chinatown settlement house, Reverend Ted Candlewick; the sharp-eyed, conspiring matriarch Auntie Mary, the bridge between the conflicting values that make up this cultural stew; and Uncle Lincoln, a bachelor, short order cook, and, quite possibly, Christopher and Peter’s father. Further complicating Christopher’s voyage are his ex-wives: Winnie, a Hong Kong immigrant looking for a green card, and Melba, an American orphan of the counterculture.Set against the backdrop of America’s wars in Asia and the assimilation of that experience—the refugees, the stereotypes, the food—Eat Everything Before You Die is an ironic commentary on the identities the children of Chinese American immigrants concoct from their questionable histories, cultural practices, and survival strategies.Chan’s riotous story will appeal to general readers, particularly those interested in the Asian American experience, and will be of strong, enduring interest to students and scholars in Asian American Studies.
Review Essay
The Transition Revisited: From Compression to Cuidado MANUEL ARTIME. España: en busca de un relato. Dykinson, 2016, 344 pp.PATRICIA M. KELLER. Ghostly Landscapes: Film, Photography, and the Aesthetics of Haunting in Contemporary Spanish Culture. U of Toronto P, 2016, 259 pp.GERMAN LABRADOR MENDEZ. Culpables por la literatura: imaginación política y contracultura en la transición española (1968-1986). Akal, 2017, 670 pp.SANTIAGO MORALES RIVERA. Anatomía del desencanto: humor, ficción y melancolía en España 1976-1998. Purdue UP, 2017, 231 pp.LUIS MORENO-CABALLUD. Cultures of Anyone: Studies on Cultural Democratization in the Spanish Neoliberal Crisis. Liverpool UP, 2015, 288 pp.-. Culturas de cualquiera: estudios sobre democratización cultural en la crisis del neoliberalismo español. Madrid, Acuarela, 2017, 299 pp.H. ROSI SONG. Lost in Transition: Constructing Memory in Contemporary Spain. Liverpool UP, 2016, 212 pp.
Radio free Vermont : a fable of resistance
\"As the host of Radio Free Vermont--'underground, underpowered, and underfoot'--seventy-two-year-old Vern Barclay is currently broadcasting from an 'undisclosed and double-secret location.' With the help of a young computer prodigy named Perry Alterson, Vern uses his radio show to advocate for a simple yet radical idea: an independent Vermont, one where the state secedes from the United States and operates under a free local economy. But for now, he and his radio show must remain untraceable, because in addition to being a lifelong Vermonter and concerned citizen, Vern Barclay is also a fugitive from the law\"-- Provided by publisher.
Travelers, Transcultural Identities and Identitarian Reconstruction in Mircea Nedelciu’s Fiction
Having as a theoretical premise the idea that “essential personal identities” do not always synchronise with the essential identity of the group they are supposed to belong to, and that this de-synchronisation can have an ethical opposition at its core, the paper focuses on the way in which Mircea Nedelciu’s typical protagonists – nomads, socially marginal individuals with confusing, “unaccomplished identities” – attempt to (culturally and morally) reconstruct their damaged personal identities by disengaging from their social and spatial appurtenance to the national macrogroup (dominated by the moral values, identity models and cultural stereotypes imposed by Ceauşescu’s regime) and phantasmatically “relocating” their identities in the Western Counterculture of “the Sixties”. This implicit refusal to belong can ultimately be read as an “ethics of reconnaissance”, an anti-totalitarian counter-politics or negative politics of identity led by persons or small groups that thus become a (fictionally) “significant minority”.
The Elite Class Background of Wang Shuo and His Hooligan Characters
The Cultural Revolution provided a unique environment for children of the political elite to develop a new kind of hooliganism and a youth counterculture that contradicted Mao's aim to empower them for making revolution. The author challenges a view commonly held by Western commentators and scholars that Wang Shuo is a writer of \"common man\" fiction by highlighting the aristocratic background of his Cultural Revolution-era hooligan characters. In the post-Mao era, these former aristocratic youth hooligans tried to adapt to the new environment of growing commercialism and materialism. Some successfully joined the new elite through legal or illegal means, while those who failed to do so became marginalized and even impoverished. The author argues that it was the latter who felt the need to develop to perfection the skill of fast talk and an irreverent, knowing, and playful attitude, which helped them to maintain a sense of superiority. Glorified by Wang Shuo in his stories and commentary, the hooligan characters captured the imagination of many Chinese, especially the younger generations who feel marginalized and alienated, by legitimizing their desires and frustrations and by subverting the dominant ideology and culture.