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"Courtesans Greece Athens."
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Reproducing Athens
2009,2004,2003
Reproducing Athens examines the role of romantic comedy, particularly the plays of Menander, in defending democratic culture and transnational polis culture against various threats during the initial and most fraught period of the Hellenistic Era. Menander's romantic comedies--which focus on ordinary citizens who marry for love--are most often thought of as entertainments devoid of political content. Against the view, Susan Lape argues that Menander's comedies are explicitly political. His nationalistic comedies regularly conclude by performing the laws of democratic citizen marriage, thereby promising the generation of new citizens. His transnational comedies, on the other hand, defend polis life against the impinging Hellenistic kingdoms, either by transforming their representatives into proper citizen-husbands or by rendering them ridiculous, romantic losers who pose no real threat to citizen or city.
Policing Athens: Social Control in the Attic Lawsuits, 420-320 B.C
2019
From household gossip to public beatings, this social history explores the many channels through which Athenian maintained public order. Virginia Hunter draws mostly on Attic court proceedings, which allowed for a wide range of evidence, including common rumors about a defendant's character and testimony, obtained under torture, of slaves against their masters. She describes Athenian \"policing\" as a form of social control that took place across a range of private and public levels. Not only does policing appear to have a collective enterprise, but its methods were embedded in a variety of social institutions, resulting in the blurring of the line between state and society.Hunter's inquiry into topics such as household authority, disputes among kin, the presence of slaves in the house, gossip in the home and neighborhood, and forms of public punishment reveals a continuum extending from self-regulation among kn and punititve actions enforced by the state. Recognizing the bias of legal documents toward the wealthy, Hunter concentrates on exposing the voices of the less powerful and less privileged members of society, including women and slaves. In so doing she is among the first to address systematically such important issues as the authority of women, self-help, and corporal punishment.Virginia J. Hunter is Professor of History at York University. She is author of Past and Process in Herodotus and Thucydides (Princeton) and Thucydides, the Artful Reporter (Toronto).Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Courtesans at Table
2003,2014
First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Laura K. McClure is Associate Professor of Classics and Chair of the Integrated Liberal Studies Program at the University of Wisconsin, Madison. She has edited two essay collections on women and sexuality in ancient Greece, and has written a book on speech and gender in Greek drama.