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"Crime films Great Britain History and criticism."
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British crime film : subverting the social order
\"A comprehensive social history of British crime film by the UK's principal expert on crime film and fictionPresenting a stunning social history of Britain through classic crime film, Barry Forshaw, one of the UK's leading experts on crime fiction and fiction, focuses on how crime films have portrayed our changing attitudes towards class, politics, sex, delinquency, violence and censorship. Focusing on these key issues, British Crime Film examines strategies used by film makers in order to address more radical notions of society's decline. Spanning post-war crime cinema, from Green for Danger to Get Carter, from The Lady Killers to Layer Cake, from The Long Good Friday to Lock, Stock and Two Smoking Barrels, British Crime Film contextualizes the movies and identifies important and neglected works which will delight and intrigue film fans of this well-loved genre.\"--Publisher's website.
Book
British crime film : subverting the social order
Presenting a social history of British crime film, this book focuses on the strategies used in order to address more radical notions surrounding class, politics, sex, delinquency, violence and censorship. Spanning post-war crime cinema to present-day \"Mockney\" productions, it contextualizes the films and identifies important and neglected works.
eBook
Studying the British crime film
The Britain of British cinema is often written about in terms of national history, ethnic diversity, or cultural tradition, yet very rarely in terms of its criminal tendencies and dark underbelly. This volume assumes that, to know how British cinema truly works, it is necessary to pull back the veneer of the costume piece, the historical drama, and the rom-com and glimpse at what is underneath.
eBook
Crime Culture
By broadening the focus beyond classic English detective fiction, the American 'hard-boiled' crime novel and the gangster movie, Crime Culture breathes new life into staple themes of crime fiction and cinema. Leading international scholars from the fields of literary and cultural studies analyze a range of literature and film, from neglected examples of film noir and 'true crime', crime fiction by female African American writers, to reality TV, recent films such as Elephant, Collateral and The Departed, and contemporary fiction by J. G. Ballard, Kazuo Ishiguro, and Margaret Atwood. They offer groundbreaking interpretations of new elements such as the mythology of the hitman, technology and the image, and the cultural impact of 'senseless' murders and reveal why crime is a powerful way of making sense of the broader concerns shaping modern culture and society.
eBook
Justice Provocateur
Justice Provocateur focuses on Prime Suspect, a popular British television film series starring Oscar and Emmy award-winning actress Helen Mirren as fictional London policewoman Jane Tennison. Gray Cavender and Nancy C. Jurik examine the media constructions of justice, gender, and police work in the show, exploring its progressive treatment of contemporary social problems in which women are central protagonists. They argue that the show acts as a vehicle for progressive moral fiction--fiction that gives voice to victim experiences, locates those experiences within a larger social context, transcends traditional legal definitions of justice for victims, and offers insights into ways that individuals might challenge oppressive social and organizational arrangements. _x000B__x000B_Although Prime Suspect is often seen as a uniquely progressive, feminist-inspired example within the typically more conservative, male-dominated crime genre, Cavender and Jurik also address the complexity of the films' gender politics. Consistent with some significant criticisms of the films, they identify key moments in the series when Tennison's character appears to move from a successful woman who has it all to a post-feminist stereotype of a lonely, aging career woman with no strong family or friendship ties. Shrewdly interpreting the show as an illustration of the tensions and contradictions of women's experiences and their various relations to power, Justice Provocateur provides a framework for interrogating the meanings and implications of justice, gender, and social transformation both on and off the screen._x000B_
eBook
British Crime Cinema
This is the first substantial study of British cinema's most neglected genre. Bringing together original work from some of the leading writers on British popular film, this book includes interviews with key directors Mike Hodges ( Get Carter ) and Donald Cammel ( Performance ). It discusses an abundance of films including: * acclaimed recent crime films such as Shallow Grave , Shopping , and Face . * early classics like They Made Me A Fugitive * acknowledged classics such as Brighton Rock and The Long Good Friday * 50s seminal works including The Lavender Hill Mob and The Ladykillers .
Steve Chibnall is Senior Lecturer in Media Studies at de Montfort University, Leicester. Robert Murphy is senior Research Fellow at de Montfort University.
eBook
Language, Ideology and Identity in Serial Killer Narratives
In this book, Gregoriou explores the portrayal of the serial killer identity and its related ideology across a range of contemporary crime narratives, including detective fiction, the true crime genre and media journalism. How exactly is the serial killer consciousness portrayed, how is the killing linguistically justified, and how distinguishing is the language revolving around criminal ideology and identity across these narrative genres? By employing linguistic and content-related methods of analysis, her study aims to work toward the development of a stylistic framework on the representation of serial killer ideology across factual (i.e. media texts), factional (i.e. true crime books) and fictional (i.e. novels) murder narratives. ‘Schema’ is a term commonly used to refer to organised bundles of knowledge in our brains, which are activated once we come across situations we have previously experienced, a ‘group schema’ being one such inventory shared by many. By analysing serial murder narratives across various genres, Gregoriou uncovers a widely shared ‘group schema’ for these murderers, and questions the extent to which real criminal minds are in fact linguistically fictionalised. Gregoriou’s study of the mental functioning and representation of criminal personas can help illuminate our schematic understanding of actual criminal minds.
Christiana Gregoriou is a lecturer in English Stylistics at the University of Leeds. She has an interest in the linguistic make-up of literary texts, and crime narratives in particular. She's published on the criminal mind style, a book on English Literary Stylistics and a monograph on Deviance in Contemporary Crime Fiction .
1. Crime Scenes 2. Killer Headlines 3. True Crime! 4. Buying Crime 5. The Verdict
eBook
Wasteland
Harvey Miller, a young Englishman recently released from prison, reunites with his three best friends to rob and enact revenge on a local drug kingpin - all while trying to win back his ex-girlfriend.
Streaming Video
Images of Incarceration
Part of the Prison Film Project sponsored by the Esmee Fairbairn Foundation under its Rethinking Crime and Punishment initiative, this title compares fictional representations with 'actual existing reality' to provide insights into how screen images affect understanding of complex social and penal issues: 'Do viewers separate fact from fiction?'
eBook
Saints and avengers : British adventure series of the 1960s
Eccentric, ironic and fantastic series like The Avengers and Danger Man, with their professional secret agents, or The Saint and The Persuaders, featuring flamboyant crime-fighters, still inspire mainstream and cult followings. Saints and Avengers explores and celebrates this unique television genre for the first time. He uses case studies to look, for example, at the thrillers' representations of national identity and the world of the sixties and seventies. He also proves his central thesis: that this particular type of thriller was a historically and culturally defined generic type, with enduring appeal, as the current vogue for remaking them as big budget films attests.
eBook