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258 result(s) for "Critics Great Britain."
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Samuel Butler, Victorian Against the Grain
Samuel Butler (1835-1902), Victorian satirist, critic, and visual artist, possessed one of the most original and inquiring imaginations of his age. The author of two satires,Erewhon(1872) andThe Way of All Flesh(1903), Butler's intellectually adventurous explorations along the cultural frontiers of his time appeared in volume after eccentric volume. Author of four works on evolution, he was one of the most prolific evolutionary speculators of his time. He was an innovative travel writer and art historian who used the creative insights of his own painting, photography, and local knowledge to invent, in works likeAlps and Sanctuaries(1881), a vibrant Italian culture that contrasted with the spiritually frigid experience of his High Church upbringing. Despite his range and achievement, there remains surprisingly little contemporary analytical commentary on Butler's work.Samuel Butler, Victorian against the Grainis an interdisciplinary collection of essays that provides a critical overview of Butler's career, one which places his multifaceted body of work within the cultural framework of the Victorian age. The essays, taken together, discuss the formation of Victorian England's ultimate polymath, an artistic and intellectual ventriloquist who assumed an extraordinary range of roles - as satirist, novelist, evolutionist, natural theologian, travel writer, art historian, biographer, classicist, painter, and photographer.
John Berger
With a career in literature and art spanning more than sixty years, John Berger is characterized by an independent and anti-institutional approach to creativity. Working in a range of media including novels, painting, essays and scriptwriting, Berger's voice has resounded through mainstream and alternative culture alike. He is perhaps best known for his seminal book of art criticism Ways of Seeing, published in 1972. Tied directly into a four-part BBC television series, the book presented a radical new interpretation of Western cultural aesthetics. In the same year, Berger's experimental novel G. was awarded the Man Booker Prize for Fiction, cementing his reputation as a boundary-pushing writer and thinker. In this concise yet detailed study of Berger's life and work, the first for decades, Andy Merrifield sheds light on Berger the man, the artist, and the concerned citizen. Merrifield shows Berger to be a figure who constantly strives to open up new horizons, and also reveals the depth of feeling that infuses even his most intellectual work. In this sense, Berger is a creator who feels reality like the irrationalist Rousseau, yet is also a meticulous realist, probing objects critically and rationally like Spinoza. John Berger stitches together art, literature, biography and politics into a lucid, coherent whole. The result is a reader-friendly, freewheeling narrative, which gives fascinating insight into one of the most influential thinkers of our times. The book is essential reading for students and scholars of art, literature and twentieth-century culture.
The Strengths of Shakespeare's Shrew
Passionate, controversial and illuminating - this collection contains Empson's best short pieces on Shakespeare, a sally on George Herbert, a defence of Coleridge, and an eager introduction to a French farce, a group of incomparably witty autobiographical articles, and the text to his extraordinary Inaugural Lecture as Professor of English.
Memoirs of a Leavisite
In the second half of the last century, the teaching of English literature was very much influenced and, in some places, entirely dominated by the ideas of F. R. Leavis. What was it like to be taught by this iconic figure? How and why did one become a Leavisite? In this unique book, part memoir, part study of Leavis, David Ellis takes himself as representative of that pool of lower middle class grammar school pupils from which Leavisites were largely recruited, and explores the beliefs of both the Leavises, their lasting impact on him and why ultimately they were doomed to failure. At the heart of this book are questions about what English should and can be that are by no means finally settled.
Understanding Richard Hoggart : a pedagogy of hope
Awarded 2013 PROSE Honorable Mention in Media & Cultural Studies With the resurgent interest in his work today, this is a timely reevaluation of this foundational figure in Cultural Studies, a critical but friendly review of both Hoggart's work and reputation. * Re-examines the reputation of one of the 'inventors' of Cultural Studies * Uses new archival sources to critically evaluate Hoggart's contribution and influence, set his work in context, and determine its current relevance * Addresses detractors and their positions of Hoggart, delineating long-term ideological battles within academia * Brings cultural studies, literary criticism, and social history to bear on this figure whose interests spread across disciplines, to create a text which blends many threads into a coherent whole