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Generosity and the Limits of Authority
Generosity is an ambiguous quality, William Flesch observes; while receiving gifts is pleasant, gift-giving both displays the wealth and strength of the giver and places the receiver under an obligation. In provocative new readings of Shakespeare, Herbert, and Milton, Flesch illuminates the personal authority that is bound inextricably with acts of generosity.
Drawing on the work of such theorists as Mauss, Blanchot, Bourdieu, Wittgenstein, Bloom, Cavell, and Greenblatt, Flesch maintains that the literary power of Shakespeare, Herbert, and Milton is at its most intense when they are exploring the limits of generosity. He considers how in Herbert's Temple divine assurance of the possibility of redemption is put into question and how the poet approaches such a gift with the ambivalence of a beneficiary. In his readings of Shakespeare's Richard II, Henry IV, King Lear, Antony and Cleopatra, and the sonnets, Flesch examines the perspective of the benefactor—including Shakespeare himself—who confronts the decline of his capacity to give. Turning to Milton's Paradise Lost, Flesch identifies two opposing ways of understanding generosity—Satan's, on the one hand, and Adam and Eve's, on the other - and elaborates the different conceptions of poetry to which these understandings give rise.
Scholars of Shakespeare and of Renaissance culture, Miltonists, literary theorists, and others interested in the relationship between philosophy and literature will want to read this insightful and challenging book.
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A good book, in theory : making sense through inquiry
This highly original and compelling book offers an introduction to the art and science of social inquiry, including the theoretical and methodological frameworks that support that inquiry.
Book
Exploiting Erasmus
Exploiting Erasmusexamines the legacy of Erasmus in England from the mid-sixteenth century to the overthrow of James II in 1688 and studies the various ways in which his works were received, manipulated, and used in religious controversies that threatened both church and state.
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Menander : a rhetor in context
This book reassesses the late 3rd-century Greek rhetorician Menander of Laodicea (Menander Rhetor). Menander is generally regarded as a specialist in epideictic, as such, he is often considered an exemplary rhetorician of an age which saw the triumph of epideictic eloquence. But detailed examination of the fragments shows that he was an expert on judicial and deliberative oratory whose most influential work was a commentary on Demosthenes. Source-critical analysis of the Demosthenes scholia shows that his commentary can be partially reconstructed. The book presents its reassessment of Menander’s significance in the context of a new reconstruction of the history of later Greek rhetoric, ranging from the theoretical innovations of the 2nd century AD to the comparatively unknown sophists of 5th-century Alexandria. Particular attention is given to the evolving structure of the rhetorical curriculum and to the practices of the rhetorical education, with an emphasis on the practical orientation of training in rhetoric and its predominant focus on techniques of forensic and deliberative oratory. These characteristics of rhetorical teaching raise questions about the nature and functions of rhetoric in this period. It is argued that rhetoric was concerned fundamentally with teaching students how to devise arguments and articulate them in a persuasive way, and that these skills still had a direct application in the subsequent careers of the rhetoricians’ pupils.
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The Romance Epics of Boiardo, Ariosto, and Tasso
InThe Romance Epics of Boiardo, Ariosto, and Tasso, Jo Ann Cavallo attempts a new interpretation of the history of the renaissance romance epic in northern Italy, focusing on the period's three major chivalric poets. Cavallo challenges previous critical assumptions about the trajectory of the romance genre, especially regarding questions of creative imitation, allegory, ideology, and political engagement.
In tracing the development of the romance epic against the historical context of the Ferrarese court and the Italian peninsula, Cavallo moves from a politically engaged Boiardo, whose poem promotes the tenets of humanism, to an individualistic Tasso, who opposed the repressive aspects of the counter-reformation culture he is often thought to represent. Ariosto is read from the vantage of his predecessor Boiardo, and Cavallo describes his cynicism and later mellowing attitude toward the real-world relevance of his and Boiardo's fiction.The Romance Epics of Boiardo, Ariosto, and Tassois the first critical study to bring together the three poets in a coherent vision that maps changes while uncovering continuities.
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The Cinema of Attractions Reloaded
Twenty years ago, Tom Gunning and André Gaudreault introduced the concept of attraction to define the quintessence of the earliest films made between 1895 and 1906. As \"cinema of attractions\" this concept has be come widely adopted, even outside the field of early cinema. Ranging from the films of the Lumière brothers to The Matrix by Andy and Larry Wachowski, from trains rushing into the audience to bullet time effects, the \"cinema of attractions\" is a cinema that shocks, astonishes and directly addresses the film spectator.
This anthology traces the history of the \"cinema of attractions,\" reconstructs its conception and questions its attractiveness and usefulness for both pre-classical and post-clas sical cinema. With contributions by Christa Blümlinger, Warren Buckland, Scott Bukatman, Donald Crafton, Nicolas Dulac, Thomas Elsaes ser, André Gaudreault, Laurent Guido, Tom Gunning, Malte Hagener, Pierre-Emmanuel Jaques, Charlie Keil, Frank Kessler, Germain Lacasse, Alison McMahan, Charles Musser, Viva Paci, Eivind Røssaak, Vivian Sobchack, Wanda Strauven, Dick Tomasovic.
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