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The book is concerned with the effects of globalization on living space (I.e. the space of everyday life), focusing specifically on East Asian metropolises, such as Hong Kong, Tokyo, and Shanghai. Globalization has given rise to accessible catch-phrases s

The historical novels of Manuel Zapata Olivella and Ana Maria Gonçalves map black journeys from Africa to the Americas in a way that challenges the Black Atlantic paradigm that has become synonymous with cosmopolitan African diaspora studies. Unlike Paul Gilroy, who coined the term and based it on W.E.B. DuBois’s double consciousness, Zapata, in Changó el gran putas (1983), creates an empowering mythology that reframes black resistance in Colombia, Haiti, Mexico, Brazil, and the United States. In Um defeito de cor (2006), Gonçalves imagines the survival strategies of a legendary woman said to be the mother of black abolitionist poet Luís Gama and a conspirator in an African Muslim–⁠led revolt in Brazil’s “Black Rome.” These novels show differing visions of revolution, black community, femininity, sexuality, and captivity. They skillfully reveal how events preceding the UNESCO Decade of Afro-Descent (2015–2024) alter our understanding of Afro-⁠Latin America as it gains increased visibility.  Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Modern Orientalism is not a brainchild of nineteenth-century European imperialists and colonialists, but, as Urs App demonstrates, was born in the eighteenth century after a very long gestation period defined less by economic or political motives than by religious ideology. Based on sources from a dozen languages, many unavailable in English,The Birth of Orientalismpresents a completely new picture of this protracted genesis, its underlying dynamics, and the Western discovery of Asian religions from the sixteenth to the nineteenth century. App documents the immense influence of Japan and China and describes how the Near Eastern cradle of civilization moved toward mother India. Moreover, he shows that some of India's purportedly oldest texts were products of eighteenth-century European authors. Though Western engagement with non-Abrahamic Asian religions reaches back to antiquity and can without exaggeration be called the largest-scale religiocultural encounter in history, it has so far received surprisingly little attention-which is why some of its major features and their role in the birth of modern Orientalism are described here for the first time. The study of Asian documents had a profound impact on Europe's intellectual makeup. Suddenly the Bible had much older competitors from China and India, Sanskrit threatened to replace Hebrew as the world's oldest language, and Judeo-Christianity appeared as a local phenomenon on a dramatically expanded, worldwide canvas of religions and mythologies. Orientalists were called upon as arbiters in a clash that involved neither gold and spices nor colonialism and imperialism but, rather, such fundamental questions as where we come from and who we are: questions of identity that demanded new answers as biblical authority dramatically waned.

This interdisciplinary study explores how US Mexicana and Chicana authors and artists across different historical periods and regions use domestic space to actively claim their own histories. Through \"negotiation\"-a concept that accounts for artistic practices outside the duality of resistance/accommodation-and \"self-fashioning,\" Marci R. McMahon demonstrates how the very sites of domesticity are used to engage the many political and recurring debates about race, gender, and immigration affecting Mexicanas and Chicanas from the early twentieth century to today.Domestic Negotiationscovers a range of archival sources and cultural productions, including the self-fashioning of the \"chili queens\" of San Antonio, Texas, Jovita González's romance novelCaballero, the home economics career and cookbooks of Fabiola Cabeza de Baca, Sandra Cisneros's \"purple house controversy\" and her acclaimed textThe House on Mango Street, Patssi Valdez's self-fashioning and performance of domestic space in Asco and as a solo artist, Diane Rodríguez's performance of domesticity in Hollywood television and direction of domestic roles in theater, and Alma López's digital prints of domestic labor in Los Angeles. With intimate close readings, McMahon shows how Mexicanas and Chicanas shape domestic space to construct identities outside of gendered, racialized, and xenophobic rhetoric.

The concept of 'wilderness' as a foundational idea for environmentalist thought has become the subject of vigorous debates. Myths of Wilderness in Contemporary Narratives offers a taxonomy of the forms that wilderness writing has taken in Australian and Canadian literature, re-emphasizing both country's origins as colonies.

Ravaged by civil war throughout the 1980s and 1990s, El Salvador has now emerged as a study in contradictions. It is a country where urban call centers and shopping malls exist alongside rural poverty. It is a land now at peace but still grappling with a legacy of violence. It is a place marked by deep social divides, yet offering a surprising abundance of inclusive spaces. Above all, it is a nation without borders, as widespread emigration during the war has led Salvadorans to develop a truly transnational sense of identity. InSalvadoran Imaginaries, Cecilia M. Rivas takes us on a journey through twenty-first century El Salvador and to the diverse range of sites where the nation's postwar identity is being forged. Combining field ethnography with media research, Rivas deftly toggles between the physical spaces where the new El Salvador is starting to emerge and the virtual spaces where Salvadoran identity is being imagined, including newspapers, literature, and digital media. This interdisciplinary approach enables her to explore the multitude of ways that Salvadorans negotiate between reality and representation, between local neighborhoods and transnational imagined communities, between present conditions and dreams for the future. Everyday life in El Salvador may seem like a simple matter, but Rivas digs deeper, across many different layers of society, revealing a wealth of complex feelings that the nation's citizens have about power, opportunity, safety, migration, and community. Filled with first-hand interviews and unique archival research,Salvadoran Imaginariesoffers a fresh take on an emerging nation and its people.

Bjorn Hettne approaches New Regionalism by focusing on the key notion of Regionness and builds up a theoretically analytical framework characterized by its five-level categorization. This approach is highly significant in that it puts forth that the five-level module is not a chronologically replacing process, but a process with overlapping and complimentary characteristics. Proceeding from this approach, the present paper tries to solicit analytical framework from the five-level module and, by combing the notion of \" perspective \" in comparative literature and intersectionality theory in American gender studies, puts forth a theoretical framework for Area Studies under the vision of \"Cultural Comparative Perspective. \" Besides, China Studies in Europe is chosen as a case to further elaborate the theoretical framework from three dimensions : parallel comparison, influence comparison and cultural comparative perspective so as to shed some light on the perspective, target and realm of the contemporary China Stu