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64,664 result(s) for "Cultural industries"
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Curators of cultural enterprise : a critical analysis of a creative business intermediary
This study is based on the authors' fieldwork inside Cultural Enterprise Office, a small Scottish agency that supports creative businesses. It discusses UK policy on the creative economy, the rise of intermediaries between policy-making and the marketplace, and the playing out in the delivery of business advice services to creative microbusinesses.
Culture Works
Culture Works addresses and critiques an important dimension of the work of culture, an argument made by enthusiasts of creative economies that culture contributes to the GDP, employment, social cohesion, and other forms of neoliberal development. While culture does make important contributions to national and urban economies, the incentives and benefits of participating in this economy are not distributed equally, due to restructuring that neoliberal policies have wrought from the 1980s on, as well as long-standing social structures, such as racism and classism, that breed inequality. The cultural economy promises to make life better, particularly in cities, but not everyone can take advantage of it for decent jobs. Exposing and challenging the taken-for-granted assumptions around questions of space, value and mobility that are sustained by neoliberal treatments of culture, Culture Works explores some of the hierarchies of cultural workers that these engender, as they play out in a variety of settings, from shopping malls in Puerto Rico and art galleries in New York to tango tourism in Buenos Aires. Noted scholar Arlene Davila brilliantly reveals how similar dynamics of space, value and mobility come to bear in each location, inspiring particular cultural politics that have repercussions that are both geographically specific, but also ultimately global in scope.
The economics of cultural policy
\"Cultural policy is changing. Traditionally, cultural policies have been concerned with providing financial support for the arts, for cultural heritage and for institutions such as museums and galleries. In recent years, around the world, interest has grown in the creative industries as a source of innovation and economic dynamism. This book argues that an understanding of the nature of both the economic and the cultural value created by the cultural sector is essential to good policy-making. The book is the first comprehensive account of the application of economic theory and analysis to the broad field of cultural policy. It deals with general principles of policy-making in the cultural arena as seen from an economic point of view, and goes on to examine a range of specific cultural policy areas, including the arts, heritage, the cultural industries, urban development, tourism, education, trade, cultural diversity, economic development, intellectual property and cultural statistics\"--Provided by publisher.
Soft innovation : economics, product aesthetics, and the creative industries
At its heart this book is about innovation and the innovation process. On the way, it considers culture and the cultural industries, aesthetics, creativity and the creative industries, and a number of other similar areas of study, but the common point of interest is innovation. One main purpose of the book is to argue that there is a type of innovation, here labelled soft innovation, primarily concerned with changes in products (and perhaps processes) of an aesthetic or intellectual nature, that has largely been ignored in the study of innovation prevalent in economics. Examples of innovations that, as a result of this refocusing, are here placed at the centre of the analysis, include the writing and publishing of a new book; the writing, production, and launching of a new movie/film; the development and launch of a new advertising promotion; the design and production of a new range of furniture; and architectural activity in the generation of new-built form designs. The realisation of the existence of soft innovation means that not only is innovation more widespread than previously thought, but may also take a different form than commonly considered. The book has three parts. Part 1 is concerned with attempts to define and measure the extent and nature of soft innovation, with Chapter 1 introducing and overviewing the whole. Part 2 of the book is directed towards the economic analysis of soft innovation. Part 3 of the book is concerned with impacts and implications.
Cultural Studies and Cultural Industries in Northeast Asia
What difference does a region make? Are the new regional cultures of Northeast Asia the product of individuals fighting to overcome national trade barriers, or are they driven by governments promoting national interests in new ways? Are they the result of
Case Study on Cultural Industry Empowerment in Urban Renewal: A Focus on Guangzhou, China
In recent years, the strategic development and utilization of historical and cultural resources in historic urban areas to foster advanced cultural industries has become a pivotal approach for promoting urban renewal. However, there are significant differences between the urban development models of Western countries and the unique context of China, rendering it challenging to directly apply Western theories to explain China’s urban development. As one of the leading cities in both cultural industry growth and urban renewal in China, Guangzhou offers a valuable case for examining how cultural industries can effectively empower urban renewal. This paper aims to explore and analyze the mechanisms through which cultural industry development influences urban renewal in China, using Guangzhou as a case to illustrate the dynamic interactions between cultural industries and urban transformation. Furthermore, it proposes a contextualized model and strategy for the role of cultural industries in driving urban renewal, thereby providing evidence-based insights and practical recommendations for enhancing the contribution of cultural industries to urban development. This study suggests that Guangzhou should further advance this goal by strengthening policy support, promoting the digital cultural industry, strengthening infrastructure for cultural industry spaces, and developing distinctive cultural industry projects, thus facilitating sustainable and high-quality urban development.