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"Culture -- History"
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Cultures in motion
\"In the wide-ranging and innovative essays of Cultures in Motion, a dozen distinguished historians offer new conceptual vocabularies for understanding how cultures have trespassed across geography and social space. From the transformations of the meanings and practices of charity during late antiquity and the transit of medical knowledge between early modern China and Europe, to the fusion of Irish and African dance forms in early nineteenth-century New York, these essays follow a wide array of cultural practices through the lens of motion, translation, itinerancy, and exchange, extending the insights of transnational and translocal history. Cultures in Motion challenges the premise of fixed, stable cultural systems by showing that cultural practices have always been moving, crossing borders and locations with often surprising effect. The essays offer striking examples from early to modern times of intrusion, translation, resistance, and adaptation. These are histories where nothing--dance rhythms, alchemical formulas, musical practices, feminist aspirations, sewing machines, streamlined metals, or labor networks--remains stationary.\" Publisher's website.
Performing place, practising memories
2012,2022
During the 1970s a wave of 'counter-culture' people moved into rural communities in many parts of Australia. This study focuses in particular on the town of Kuranda in North Queensland and the relationship between the settlers and the local Aboriginal population, concentrating on a number of linked social dramas that portrayed the use of both public and private space. Through their public performances and in their everyday spatial encounters, these people resisted the bureaucratic state but, in the process, they also contributed to the cultivation and propagation of state effects.
So much stuff : how humans discovered tools, invented meaning, and made more of everything
\"To be human means to need things. Even more human is to need more and more of them. In this engaging, charming book, archaeologist, curator, and writer Chip Colwell takes us around the world, covering topics as wide-ranging as the dawn of tool making, the earliest cave paintings, the complexities of clothing, the Industrial Revolution, the torrent of gizmos invented to bring us closer and supposedly make our lives easier, and, finally, the mountains of unwanted stuff in dumps. Along the way, he raises questions such as: Why is a treasured keepsake sacred to one person but meaningless to another? What do we go through when we clean out the belongings of the dearly departed? And what is the point of storing things in museums? The book is organized around three historical phases: (1) the invention of tools; (2) the dawn of the belief that things mean something beyond their immediate use (around 50,000 years ago); and (3) the Industrial Revolution and the age of mass consumption. Colwell takes us on a tour across millions of years to explain how humans have arrived at this moment-a world that both requires things and is suffering because of them\"-- Provided by publisher.
A tiny spot on the earth
2015,2025
In this survey of the Dutch political culture of the nineteenth and twentieth centuries, Piet de Rooij reveals that the \"polder model\" often used to describe economic and social policymaking based on consensus is a myth. Instead, modern political culture in the Dutch Low Countries began with a revolution and is rife with rivalries among political and ideological factions. He argues that because of its extremely open economy, the country is vulnerable to external political, cultural, and economic pressures, and Dutch politics is a balancing act between profiting from international developments and maintaining sovereignty. The sudden rise of populism and Euroscepticism at the turn of the millennium, then, indicated a loss of this balance. Shining new light on the political culture of the Netherlands, this book provides insights into the polder model and the principles of pillarization in Dutch society.
Re-Imagining the Museum
2003,2002
Re-Imagining the Museum presents new interpretations of museum history and contemporary museum practices.
Through a range of case studies from the UK, North America and Australia, Andrea Witcomb moves away from the idea that museums are always 'conservative' to suggest they have a long history of engaging with popular culture and addressing a variety of audiences. She argues that museums are key mediators between high and popular culture and between government, media practitioners, cultural policy-makers and museums professionals.
Analyzing links between museums and the media, looking at the role of museums in cities, and discussing the effects on museums of cultural policies, Re-Imagining the Museum presents a vital tool in the study of museum practice.
The invention of yesterday : a 50,000-year history of human culture, conflict, and connection
\"A sweeping global human history that describes the separate beginnings of the world's major civilizations and cultural movements--Confuscianism, Islam, Judeo-Christianity, Hinduism, Buddhism and Nomadism--and the dramatic, sometimes ruinous, sometimes transformative effects of their ever closer intertwinement that has brought us to where we are today\"-- Provided by publisher.
The Material Culture of the Jacobites
2013
The Jacobites, adherents of the exiled King James II of England and VII of Scotland and his descendants, continue to command attention long after the end of realistic Jacobite hopes down to the present. Extraordinarily, the promotion of the Jacobite cause and adherence to it were recorded in a rich and highly miscellaneous store of objects, including medals, portraits, pin-cushions, glassware and dice-boxes. Interdisciplinary and highly illustrated, this book combines legal and art history to survey the extensive material culture associated with Jacobites and Jacobitism. Neil Guthrie considers the attractions and the risks of making, distributing and possessing 'things of danger'; their imagery and inscriptions; and their place in a variety of contexts in the seventeenth and eighteenth centuries. Finally, he explores the many complex reasons underlying the long-lasting fascination with the Jacobites.
Pulp Surrealism
2023,2000
In addition to its more well known literary and artistic origins,
the French surrealist movement drew inspiration from currents of
psychological anxiety and rebellion running through a shadowy side
of mass culture, specifically in fantastic popular fiction and
sensationalistic journalism. The provocative nature of this
insolent mass culture resonated with the intellectual and political
preoccupations of the surrealists, as Robin Walz demonstrates in
this fascinating study. Pulp Surrealism weaves an
interpretative history of the intersection between mass print
culture and surrealism, re-evaluating both our understanding of
mass culture in early twentieth-century Paris and the revolutionary
aims of the surrealist movement. Pulp Surrealism presents
four case studies, each exploring the out-of the-way and
impertinent elements which inspired the surrealists. Walz discusses
Louis Aragon's Le paysan de Paris, one of the great
surrealist novels of Paris. He goes on to consider the popular
series of Fantômes crime novels; the Parisan press coverage of the
arrest, trial, and execution of mass-murderer Landru; and the
surrealist inquiry \"Is Suicide a Solution?\", which Walz juxtaposes
with reprints of actual suicide faits divers
(sensationalist newspaper blurbs). Although surrealist interest in
sensationalist popular culture eventually waned, this exploration
of mass print culture as one of the cultural milieux from which
surrealism emerged ultimately calls into question assumptions about
the avant-garde origins of modernism itself.