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Emphasizing on the one hand the reconstruction of the material culture of specific residences, and on the other, the way in which particular domestic objects reflect, shape, and mediate family values and relationships within the home, this volume offers a distinct contribution to research on the early modern Italian domestic interior. Though the essays mainly take an art historical approach, the book is interdisciplinary in that it considers the social implications of domestic objects for family members of different genders, age, and rank, as well as for visitors to the home. By adopting a broad chronological framework that encompasses both Renaissance and Baroque Italy, and by expanding the regional scope beyond Florence and Venice to include domestic interiors from less studied centers such as Urbino, Ferrara, and Bologna, this collection offers genuinely new perspectives on the home in early modern Italy.

This inspirational and practical guide to organizing and planning interior spaces is packed with photographs, diagrams, models, case studies, and step-by-step instructions. It provides useful information on finding ways to start the design process, analyzing existing buildings, using planning diagrams, developing three-dimensional spatial compositions, designing in section, how to communicate your design ideas, and much more.

Title Description: Designing the French Interior traces France’s central role in the development of the modern domestic interior, from the pre-revolutionary period to the 1970s, and addresses the importance of various media, including drawings, prints, pattern books, illustrated magazines, department store catalogs, photographs, guidebooks, and films, in representing and promoting French interior design to a wider audience. Contributors to this original volume identify and historicize the singularity of the modern French domestic interior as a generator of reproducible images, a site for display of both highly crafted and mass-produced objects, and the direct result of widely-circulated imagery in its own right. This important volume enables an invaluable new understanding of the relationship between architecture, interior spaces, material cultures, mass media and modernity.

This book explores the beginnings of the interior design profession in nineteenth-century France. Drawing on a wealth of visual sources, from collecting and advice manuals to pattern books and department store catalogues, it demonstrates how new forms of print media were used to 'sell' the idea of the unified interior as a total work of art, enabling the profession of interior designer to take shape. In observing the dependence of the trades on the artistic and public visual appeal of their work, the book establishes crucial links between the fields of art history, material and visual culture, and design history.

In the world of interior design, thousands of bits of crucial information are scattered across a wide array of sources. The Interior Design Reference & Specification Book collects the information essential to planning and executing interior projects of all shapes and sizes, and distills it in a format that is as easy to use as it is to carry.

Interior Finishes & Fittings for Historic Building Conservation complements Materials & Skills for Historic Building Conservation, combining the history and application of each material with current knowledge of maintenance and conservation techniques. Of direct practical application in the field, it takes the reader through the process of conserving historic interior finishes, covering everything from decorative plasterwork, joinery and paint colour; to chimneypieces, lighting and fire safety management. The series is particularly aimed at construction professionals – architects, decorative arts historians and specifiers, surveyors, engineers – as well as postgraduate building conservation students and undergraduate architects and surveyors as specialist or optional course reading. The series is also of value to other professional groups such as commissioning client bodies, managers and advisors, and interested individuals involved in house refurbishment or setting up a building preservation trust. While there is a focus on UK practice, most of the content is of relevance overseas (just as UK conservation courses attract many overseas students, for example from India, China, Australia and the USA). The chapters are written by leading conservators, historians, architects, and related professionals, who together reflect the interdisciplinary nature of conservation work. This volume on the historic interior is the fourth of a series on Historic Building Conservation that combine conservation philosophy in the built environment with knowledge of traditional materials and structural and constructional conservation techniques and technology: * Understanding Historic Building Conservation * Structures & Construction in Historic Building Conservation * Materials & Skills for Historic Building Conservation * Interior Finishes & Fittings for Historic Building Conservation While substantial publications exist on each of the subject areas - some by the authors of the Historic Building Conservation series - few individuals and practices have ready access to all of these or the time to read them in detail. The aim of the series is to introduce each aspect of conservation and to provide concise, basic and up-to-date knowledge within four volumes, sufficient for the professional to appreciate the subject better and to know where to seek further help.

\"With Leggett's guidance, these visits into farmhouse decorated homes provide the do-it-yourselfer with ideas for decorating their own abodes.\" -- Library Journal   Come along on the hunt to coveted country sources and the best secret antiquing spots, and learn how to create country farmhouse style in your city dwelling.

Italienische Innenarchitektur zeichnet sich seit Jahrzehnten durch eine besondere Innovationskraft und Risikobereitschaft aus, nicht nur auf der ästhetischen Ebene, sondern auch bei der Verwendung von neuen Materialien und deren Kombination. Bereitwilliger als anderswo werden hier Einflüsse von Kunst und Design aufgegriffen; die Entwerfenden lassen die Grenzen zwischen diesen Disziplinen mal provokativ, mal subtil verschwimmen. Nicht zuletzt deshalb sind ihre Kreationen für die Ausgestaltung von Restaurants und Geschäften, Privatwohnungen und Hotels, Büros und Museen weltweit gefragt und erweisen sich oftmals als Trendsetter. Das Buch zeigt eine Auswahl neuester Entwürfe, die von 2000 bis 2009 in Italien und anderen Ländern, darunter den USA, Frankreich, Großbritannien, Israel und Dubai, realisiert wurden. Unter den vertretenen Architekten und Gestaltern sind Altmeister wie Renzo Piano, Michele De Lucci und Giorgio Armani, aber auch Vertreter der jungen Generation. Zu den besonderen Merkmalen des Bandes gehört eine umfangreiche Dokumentation durch technische Zeichnungen und Detailfotos.

This book offers a comprehensive introduction to the planning and implementation of this special kind of garden, taking the concrete planning process as its guide. From design fundamentals and concept development with different typology variants all the way to the choice of materials, the various construction principles, and building services, all subjects relevant to planning are comprehensively presented.The planning information is illustrated with numerous international examples, with projects ranging from a \"green wall\" as interior design element and private house gardens in Australia, New Zealand, and Germany all the way to award - winning ecological office buildings in the USA and the Netherlands, an old - age home in Sweden, and an indoor park in Canada.

In interior design, the definition and popular perception of the interior has long been concerned with bounded spaces, and with the relationship between private and public realms. However, two issues have challenged traditional boundaries between interior and exterior, and private and public: first, the emergence of new technological practices, and second, a broader understanding of diverse cultures. Popular perceptions of public and private space are currently being revised, and the interior is increasingly unbound in various ways, as many of the contributors to this volume (and the colloquium which preceded it) show. Both technological and cultural practices challenge and disrupt the common-sense idea of an interior space as a contained enclosure with clearly defined boundaries. Instead, the blurriness and ambiguity between public and private, inside and outside, and interiority and exteriority are challenging understandings of the interior.This book provides additional perspectives on the shifting understanding of the interior and its recent transformations through case studies of both real and \"unreal\" places. These include writings about the interiority of rooms, buildings, streets and cities with diverse social, cultural and political contexts, such as the transformation of Soviet-style living spaces in Hanoi and Bishkek; the appropriation of everyday spaces in Tokyo; the uses of fengshui in corporate office towers in Shanghai and Hong Kong; the exploration of urban boundaries in Beirut; and the relationship between making domestic spaces and urban planning practices in Guatemalan communities in Florida. This volume also features chapters on virtual spaces, including one that examines human interaction with spaces of virtual reality in the Vitthala Temple in India, and another that analyses the representation and development of modern interiors through popular tapestries from the 1920s and 1930s.