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"Dance criticism Soviet Union History."
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Virtuosi Abroad
In the 1940s and 1950s, Soviet musicians and ensembles were acclaimed across the globe. They toured the world, wowing critics and audiences, projecting an image of the USSR as a sophisticated promoter of cultural and artistic excellence. InVirtuosi Abroad, Kiril Tomoff focuses on music and the Soviet Union's star musicians to explore the dynamics of the cultural Cold War. He views the competition in the cultural sphere as part of the ongoing U.S. and Soviet efforts to integrate the rest of the world into their respective imperial projects.
Tomoff argues that the spectacular Soviet successes in the system of international music competitions, taken together with the rapturous receptions accorded touring musicians, helped to persuade the Soviet leadership of the superiority of their system. This, combined with the historical triumphalism central to the Marxist-Leninist worldview, led to confidence that the USSR would be the inevitable winner in the global competition with the United States. Successes masked the fact that the very conditions that made them possible depended on a quiet process by which the USSR began to participate in an international legal and economic system dominated by the United States. Once the Soviet leadership transposed its talk of system superiority to the economic sphere, focusing in particular on consumer goods and popular culture, it had entered a competition that it could not win.
eBook
Dancing genius : the stardom of Vaslav Nijinsky
\"Dancing Genius is the first book-length critical study on Vaslav Nijinsky as a star dancer of the Ballets Russes company. Through looking into definitions of virtuosity, stardom and genius, Hanna Ja;rvinen contrasts contemporary materials from Russia, France, England and the United States with later, hegemonic interpretations. Nijinsky emerges as a celebrity figure whose dancing was attributed with genius in order to raise the prestige of the art form, but a figure also attributed with 'racial' characteristics in a thoroughly Orientalist manner. Tracing the historical figure in contemporary documents and later reminiscences, the book opens up questions about authorship in dance, about critical evaluation of performance practice, and the manner in which past events are turned into history\"-- Provided by publisher.
Book
The Modernist Masquerade
Masked and costume balls thrived in Russia in the late nineteenth and early twentieth centuries during a period of rich literary and theatrical experimentation. The first study of its kind, The Modernist Masquerade examines the cultural history of masquerades in Russia and their representations in influential literary works. The masquerade's widespread appearance as a literary motif in works by such writers as Anna Akhmatova, Leonid Andreev, Andrei Bely, Aleksandr Blok, and Fyodor Sologub mirrored its popularity as a leisure-time activity and illuminated its integral role in the Russian modernist creative consciousness. Colleen McQuillen charts how the political, cultural, and personal significance of lavish costumes and other forms of self-stylizing evolved in Russia over time. She shows how their representations in literature engaged in dialog with the diverse aesthetic trends of Decadence, Symbolism, and Futurism and with the era's artistic philosophies.
eBook
The sixth sense of the avant-garde : dance, kinaesthesia and the arts in revolutionary Russia
\"The touch and movement senses have a large place in the modern arts. This is widely discussed and celebrated, often enough as if it represents a breakthrough in a primarily visual age. This book turns to history to show just how significant movement and the sense of movement were to pioneers of modernism at the turn of the 20th century. It makes this history vivid through a picture of movement in the lives of an extraordinary generation of Russian artists, writers, theatre people and dancers bridging the last years of the tsars and the Revolution. Readers will gain a new perspective on the relation between art and life in the period 1890-1920 in great innovators like the poets Mayakovsky and Andrei Bely, the theatre director Meyerhold, the dancer Isadora Duncan and the young men and women in Russia inspired by her lead, and esoteric figures like Gurdjieff. Movement, and the turn to the body as a source of natural knowledge, was at the centre of idealistic creativity and hopes for a new age, for a 'new man', and this was true both for those who looked forward to the technology of the future and those who looked back to the harmony of Ancient Greece. The book weaves history and analysis into a colourful, thoughtful affirmation of movement in the expressive life.\"-- Provided by publisher.
Book
Music and Revolution
Music and Revolutionprovides a dynamic introduction to the most prominent artists and musical styles that have emerged in Cuba since 1959 and to the policies that have shaped artistic life. Robin D. Moore gives readers a chronological overview of the first decades after the Cuban Revolution, documenting the many ways performance has changed and emphasizing the close links between political and cultural activity. Offering a wealth of fascinating details about music and the milieu that engendered it, the author traces the development of dance styles,nueva trova,folkloric drumming, religious traditions, and other forms. He describes how the fall of the Soviet Union has affected Cuba in material, ideological, and musical terms and considers the effect of tense international relations on culture. Most importantly,Music and Revolutionchronicles how the arts have become a point of negotiation between individuals, with their unique backgrounds and interests, and official organizations. It uses music to explore how Cubans have responded to the priorities of the revolution and have created spaces for their individual concerns.Copub: Center for Black Music Research
eBook
Ohuokhai: Sakhas' Unique Integration of Social Meaning and Movement
This article explores the forms and functions of Sakhas' ohuokhai circle dance. Historically, Sakha are Turkic-speaking agropastoralists inhabiting the subarctic Sakha Republic of Russia. Originating as the opening communal prayer during Sakhas' yhyakh festival, ohuokhai has both maintained an original sacred function and, over time, assumed others. This article defines ohuokhai origins and its evolving functions through the pre-Soviet, Soviet, and post-Soviet times and reveals that, despite continuing post-Soviet threats, ohuokhai continues because of the commitment and initiative of Viliui Sakha inhabitants.
Journal Article
Cinepaternity
This wide-ranging collection investigates the father/son dynamic in
post-Stalinist Soviet cinema and its Russian successor. Contributors analyze complex
patterns of identification, disavowal, and displacement in films by such diverse
directors as Khutsiev, Motyl', Tarkovsky, Balabanov, Sokurov, Todorovskii, Mashkov,
and Bekmambetov. Several chapters focus on the difficulties of fulfilling the
paternal function, while others show how vertical and horizontal male bonds are
repeatedly strained by the pressure of redefining an embattled masculinity in a
shifting political landscape.
eBook