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Sunday : Pierre Droulers choreographer
Pierre Droulers, a pioneer of contemporary dance and choreographer of more than 30 works, celebrates 40 years of creation. Since the 1970s Droulers has contributed to the rise and flourishing of contemporary dance. As one of the first students to graduate from the Mudra School, he soon became a key player in the French and Belgian world of dance. Always in tune with the zeitgeist, he has right from his earliest days collaborated with emblematic artists such as jazz musician Steve Lacy, members of the underground scene including Winston Tong and Minimal Compact and the Beat poet Brion Gysin. Subsequently, Droulers has developed exchanges with visual artists, among others Michel Franًcois and Ann Veronica Janssens. This publication is an implicit portrait of the artist, but also of an era in which contemporary dance emerged. Based on quotes, archives, images, notes and artistic encounters, the monograph presents a delicate three-dimensional journey. With its collisions and entanglements of faces, landscapes, words, recurrences of obsessions and fantasies, it reveals zones of light and shade in Droulers's artistic world.
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Anna Halprin : experience as dance
Anna Halprin pioneered what became known as \"postmodern dance,\" creating work that was key to unlocking the door to experimentation in theater, music, Happenings, and performance art. This first comprehensive biography examines Halprin's fascinating life in the context of American culture--in particular popular culture and the West Coast as a center of artistic experimentation from the Beats through the Hippies. Janice Ross chronicles Halprin's long, remarkable career, beginning with the dancer's grandparents--who escaped Eastern European pogroms and came to the United States at the turn of the last century--and ending with the present day, when Halprin continues to defy boundaries between artistic genres as well as between participants and observers. As she follows Halprin's development from youth into old age, Ross describes in engrossing detail the artist's roles as dancer, choreographer, performance theorist, community leader, cancer survivor, healer, wife, and mother. Halprin's friends and acquaintances include a number of artists who charted the course of postmodern performance. Among her students were Trisha Brown, Simone Forti, Yvonne Rainer, Meredith Monk, and Robert Morris. Ross brings to life the vital sense of experimentation during this period. She also illuminates the work of Anna Halprin's husband, the important landscape architect Lawrence Halprin, in the context of his wife's environmental dance work. Using Halprin's dance practices and works as her focus, Ross explores the effects of danced stories on the bodies who perform them. The result is an innovative consideration of how experience becomes performance as well as a masterful account of an extraordinary life.
eBook
Misty Copeland
\"Misty Copeland had always dreamed of becoming a dancer, but she had many obstacles to overcome before she could reach her dream. Although she was always challenged by the things that set her apart from other dancers, with a lot of hard work, dedication, and exceptional talent, Misty has become one of the most well-known dancers in America. On June 30, 2015 Misty stepped on stage as the first female African-American principal dancer for the American Ballet Theater and made history\"-- Provided by publisher.
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The showman and the Ukrainian cause : folk dance, film, and the life of Vasile Avramenko
A quixotic figure, Vasile Avramenko (1895-1981) used folk culture and modern media in a life-long crusade to promote Ukraine's struggle for independence to North American audiences. From his base in New York City, he built a network of folk dance schools and produced musical spectacles to help Ukrainian immigrants sustain their identity. His feature-length Ukrainian language films made in the 1930s with Hollywood director Edgar G. Ulmer, the \"king of ethnic and B movies, \" were shown throughout North America. Orest T. Martynowych's The Showman and the Ukrainian Cause is a fascinating portrait how culture can become a political tool in a diaspora community.
eBook
A girl named Faithful Plum : the true story of a dancer from China and how she achieved her dream
Tells the true story of Zhongmei Lei, an eleven-year-old girl in 1977 who won one of twelve spots at the prestigious Beijing Dance Academy, and whose determination to remain in the school impressed teachers and students alike; and discusses how Zhongmei, whose name means Faithful Plum, went on to form her own dance company which debuted in New York when she was in her late twenties.
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The Dance Claimed Me
Pearl Primus (1919-1994) blazed onto the dance scene in 1943 with stunning works that incorporated social and racial protest into their dance aesthetic. InThe Dance Claimed Me, Peggy and Murray Schwartz, friends and colleagues of Primus, offer an intimate perspective on her life and explore her influences on American culture, dance, and education. They trace Primus's path from her childhood in Port of Spain, Trinidad, through her rise as an influential international dancer, an early member of the New Dance Group (whose motto was \"Dance is a weapon\"), and a pioneer in dance anthropology.
Primus traveled extensively in the United States, Europe, Israel, the Caribbean, and Africa, and she played an important role in presenting authentic African dance to American audiences. She engendered controversy in both her private and professional lives, marrying a white Jewish man during a time of segregation and challenging black intellectuals who opposed the \"primitive\" in her choreography. Her political protests and mixed-race tours in the South triggered an FBI investigation, even as she was celebrated by dance critics and by contemporaries like Langston Hughes.
ForThe Dance Claimed Me, the Schwartzes interviewed more than a hundred of Primus's family members, friends, and fellow artists, as well as other individuals to create a vivid portrayal of a life filled with passion, drama, determination, fearlessness, and brilliance.
eBook
Looking at contemporary dance : a guide for the internet age
With a focus on dance innovation from the late 19th century to the present, this history provides dance students with accessible information on the major contributors to the art. Organized chronologically by the decades in which innovators were born or dance organizations were founded, the study shows the similarities and generational character that arise from shared influence. Rather than illustrations or photographs, this modern guide offers links to YouTube videos and other internet references to view examples of the work discussed. The scope is international, with coverage of German, Swedish, Belgian, Dutch, Taiwanese, Russian, Finnish, and Spanish pioneers of the avant-garde to illustrate that dance is a global language that continues to break boundaries and explore new ideas. Just a few of the 120 artists and performers featured include Martha Graham, Doris Humphrey, George Balanchine, Mark Morris, Twyla Tharp, Merce Cunningham, Paul Taylor, Jose Limon, Katherine Dunham, Chunky Move, and Trey McIntyre.
eBook
Like a Bomb Going Off: Leonid Yakobson and Ballet as Resistance in Soviet Russia
Everyone has heard of George Balanchine, but few outside Russia know of Leonid Yakobson, Balanchine’s contemporary and arguably his equal, who remained in Lenin’s Russia and survived censorship during the darkest days of Stalin. Like Shostakovich, Yakobson suffered for his art and yet managed to create a singular body of revolutionary work that spoke to the Soviet condition. His ballets were considered so explosive that their impact was described as “like a bomb going off.” Challenged rather than intimidated by the restrictions imposed by Soviet censors on his ballets, Yakobson offered dancers and audiences an experience quite different from the prevailing Soviet aesthetic. He was unwilling to bow completely to the state’s limitations on his artistic opportunities, so despite his fraught relations with his political overseers, his ballets retained early-twentieth-century movement innovations such as turned-in and parallel-foot positions, oddly angled lifts, and eroticized content, all of which were anathema to prevailing Soviet ballet orthodoxy. For Yakobson, ballet was a form of political discourse, and he was particularly alive to the suppressed identity of Soviet Jews and officially sanctioned anti-Semitism. He used dance to celebrate reinvention and self-authorship—the freedom of the individual voice as subject and medium. His ballets challenged the role of the dancing body during some of the most repressive decades of totalitarian rule. Yakobson’s work unfolded in a totalitarian state, and there was little official effort to preserve his choreographic archive or export knowledge of him to the West—gaps that dance historian Janice Ross seeks to redress in this book. Based on untapped archival collections of photographs, films, and writings about Yakobson’s work in Moscow and St. Petersburg for the Bolshoi and Kirov ballets, as well as interviews with former dancers, family, and audience members, this illuminating and beautifully written study brings to life a hidden history of artistic resistance in the Soviet Union through the story of a brave artist who struggled his entire life against political repression yet continued to offer a vista of hope.
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