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42 result(s) for "Decoration and ornament Themes, motives"
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Wicked
A blood stained shower curtain, a lighter that shows an airplane aboutto collide with the Twin Towers, plush slippers shaped like penises: the world of commodities today is marked by stylistic diversity, irony, and trash - there are no limits on so-called bad taste.This book attempts to get to the bottom of the current fascination with the disgusting, the grotesque, and the provocative. Products from the most disparate realms are juxtaposed on facing pages. The result is confrontations that are sometimes surprising, with a fascination all their own. Introductoryessays by prominent authors shed additional light on wide-ranging aspects of design, morality, and irony. It is not just tasteless items that are placed under the microscope; politically incorrect ones have their place in this volume as well.
Tracing their tracks : identification of Nordic styles from the Early Middle Ages to the end of the Viking period
Understanding the relation of semiology to Western iconography is essential, as it is the element that, often unconsciously, influences perception in Western society. Scholars, such as Klaus Düwel with his outstanding knowledge of runic script, sometimes reach their limits if inscriptions are complemented with abstract images that may be accidental scratches or, on the other hand, a sign or signs indicating symbolic meaning. The detailed definition of the Medieval World by Margaret Clunies.
How to make repeat patterns : a guide for designers, architects and artists
\"This book explains, in simple steps and non-mathematical terminology, how to create repeat patterns in a line, on the plane, as tiles and as Escher-like repeats. The book also shows how to make 'wallpaper repeats', where the elements of the pattern merge into each other, apparently seamlessly. Using letters as the basic elements, the book demonstrates how all repeat pattern-making comes out of four simple operations: translation, rotation, reflection and glide reflection. It will provide the definitive one-stop pattern-making resource for professional designers and students across disciplines, from textiles and fashion to graphic design and architecture.\"--Provided by publisher.
European Women in Persian Houses
During the course of the 19th century, a relatively modern medium entered the private space of Iranian houses of the wealthy and became a popular feature of interior design in Persia. This was print media - lithographed images on paper and postcards - and their subject was European women. These idealised images adorned houses across the country throughout the Qajar period and this trend was particularly fashionable in Isfahan and mural decorations at the entrance gate of the Qaysarieh bazaar. The interest in images of Western women was an unusual bi-product of Iran's early political and cultural encounters with the West. In a world where women were rarely seen in public and, even then, were heavily veiled, the notion of European women dressed in - by Iranian standards - elegant and revealing clothing must have sparked much curiosity and some titillation among well-to-do merchants and aristocrats who felt the need to create some association, however remote, with these alien creatures. The introduction of such images began during the Safavid era in the 17th century with frescoes in royal palaces. This spread to other manifestations in the form of tile work and porcelain in the Qajar era, which became a testament to the popularity of this visual phenomenon among Iran's urban elite in the 19th and early 20th century. Parviz Tanavoli, the prominent Iranian artist and sculptor, here brings together the definitive collection of these unique images. European Women in Persian Houses will be essential for collectors and enthusiasts interested in Iranian art, culture and social history.
L' Oblique Dans le Monde Grec
Explores the ancient Greeks' apprehension (or lack thereof) of the concept of oblique. The study of written and figurative languages each bring a different and complementary perspective.
Pious memories : the wall-mounted memorial in the Burgundian Netherlands
In Pious Memories Douglas Brine examines the context, function, and meaning of early Netherlandish memorials (in the form of sculptures, paintings, and brasses), and the role they played in commemorating the dead in the Low Countries during the fifteenth century.