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"Delisle, Guy Comic books, strips, etc."
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Factory summers
\"For three summers beginning when he was 16, cartoonist Guy Delisle worked at a pulp and paper factory in Quebec City. Factory Summers chronicles the daily rhythms of life in the mill, and the twelve-hour shifts he spent in a hot, noisy building filled with arcane machinery. Delisle takes his noted outsider perspective and applies it domestically, this time as a boy amongst men through the universal rite of passage of the summer job. Even as a teenager, Delisle's keen eye for hypocrisy highlights the tensions of class and the rampant sexism an all-male workplace permits... Guy and his dad aren't close, and Guy's witnessing of the workplace politics and toxic masculinity leaves him reconciling whether the job was the reason for his dad's unhappiness. On his days off, Guy found refuge in art, a world far beyond the factory floor. Delisle shows himself rediscovering comics at the public library, and preparing for animation school--only to be told on the first day, 'There are no jobs in animation.' Eager to pursue a job he enjoys and to avoid a career of unhappiness, Guy throws caution to the wind.\"-- Provided by publisher.
BOOK
Spanish books for youth
Delisle, Guy. Pyongyang (Pyongyang: A Journey in North Korea). Tr. by Laureano Domínguez. 2006. 176p. illus. Astiberri, paper $29.95 (1-59497-296-6).
Magazine Article
Jerusalem : chronicles from the Holy City
Guy Delisle expertly lays the groundwork for a cultural road map of contemporary Jerusalem, utilizing the classic stranger-in-a-strange-land point of view that made his other books, Pyongyang, Shenzhen, and Burma Chronicles, required reading for understanding what daily life is like in cities few are able to travel to. In Jerusalem: Chronicles from the Holy City, Delisle explores the complexities of a city that represents so much to so many. He eloquently examines the impact of the conflict on the lives of people on both sides of the wall while drolly recounting the quotidian: checkpoints, traffic jams, and holidays. When observing the Christian, Jewish, and Muslim populations that call Jerusalem home, Delisle's drawn line is both sensitive and fair, assuming nothing and drawing everything. Jerusalem showcases once more Delisle's mastery of the travelogue.
BOOK