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"Demonology Fiction."
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Arabic Folklore The Termite of Prophet Sulayman (Solomon) & The Jinn Race (Demon)
2024
Then when We decreed death for him, nothing informed them (Jinn) of his death except a termite, which kept gnawing away at his stick, so when he fell, the Jinn saw that if they had known the Ghayb (unseen), they would not have stayed in the torment.
The demon lover : a novel
Callie has a demon lover--an incubus--and he will seduce her, pleasure her, and eventually suck the very life from her. Then she makes another startling discovery. As the tenured witches of the college and the resident fairies in the surrounding woods prepare to cast out the incubus, Callie must accomplish something infinitely more difficult--banishing this demon lover from her heart.
Of Sea and Sand
2018
Gabriel Sherlock arrives in Oman in 1982, fleeing shame and disaster back home in Ireland, and begins an intense affair with a woman whom no one else has seen. Locals insist she must be one of the jinn-a supernatural being-but Gabriel refuses to buy into the folklore, despite her sudden, unexplained disappearance. Twenty-six years later, Irishwoman Thea Kerrigan lands in Muscat, chasing her own ghosts from the past, and is approached by Gabriel, who believes she is his lost lover. Certain that they have never met before, Thea is nonetheless drawn to this deluded, and perhaps dangerous, stranger and the rumors that surround him.
Target rich environment. Volume 1
\"Fourteen action-packed tales of demons, monsters, vampires, and cosmic horrors too terrible to name--and the men and women who take them all down. Oh, and toss in an interdimensional insurance salesman. Here you will find an elven princess on a mission to redeem her people. A samurai pirate with a blood vendetta against an extremely large sea beast. A magic wielding P.I. who walks the mean streets of Detroit. And find out how much damage a vampire can do when he was a Green Beret before he became one of the undead\"-- Provided by publisher.
Threads and traces
by
Tedeschi, Anne C
,
Tedeschi, John
,
Ginzburg, Carlo
in
Collective memory
,
Errors, inventions, etc
,
Historiography
2012,2011
Carlo Ginzburg's brilliant and timely new essay collection takes a bold stand against naive positivism and allegedly sophisticated neo-skepticism. It looks deeply into questions raised by decades of post-structuralism: What constitutes historical truth? How do we draw a boundary between truth and fiction? What is the relationship between history and memory? How do we grapple with the historical conventions that inform, in different ways, all written documents? In his answers, Ginzburg peels away layers of subsequent readings and interpretations that envelop every text to make a larger argument about history and fiction. Interwoven with compelling autobiographical references, Threads and Traces bears moving witness to Ginzburg's life as a European Jew, the abiding strength of his scholarship, and his deep engagement with the historian's craft.
Dreams of gods and monsters
When a brutal angel army trespasses into the human world, Karou and Akiva must ally their enemy armies against the threat -- and against larger dangers that loom on the horizon in this thrilling conclusion to the Daughter of Smoke & Bone trilogy.
The Exorcist: The Mystical Storytelling of Isaac Bashevis Singer
2020
Isaac Bashevis Singer's work has often been identified with demons, but his use of the Yeytser-hore as narrator may be more than a simple preoccupation with the realm of evil. Rather than merely portraying evil in literature, Singer was working within a mystical tradition that harnessed what it saw as the powers of evil to do good in the world. This aspect of Singer's work has been largely under discussed and underresearched. A fuller consideration involves delving into the sources of his inspiration—especially religious and kabbalistic works—to grasp not only the images or motifs he was pulling from but also the spiritual understandings that he found and applied to his literary practice. This article explores Singer's spiritual framework, discussing his use of demons in light of a handwritten note found in the Singer Papers in Austin, Texas. This note prompts an investigation into some of the ways in which his spiritual understandings influenced the themes, strategies, and images found in his stories.
Journal Article
Ascendance
When the Horde invades the seaside town where his sons live, monster-slayer Dave Hooper, with a female Russian assassin at his side, has to decide if he is going to continue to fight to save the major cities of the country or save his family.
Russian tales of demonic possession
2014
Russian Tales of Demonic Possession: Translations of Savva Grudtsyn and Solomonia is a translation from the Russian of two stories of demonic possession, of innocence lost and regained. The original versions of both tales date back to the seventeenth century, but the feats of suffering and triumph described in them are timeless. Aleksei Remizov, one of Russia’s premiere modernists, recognized the relevance of the late-medieval material for his own mid-twentieth-century readers and rewrote both tales, publishing them in 1951 under the title The Demoniacs. The volume offers a new translation of the original Tale of Savva Grudtsyn as well as first-ever translations of The Tale of The Demoniac Solomonia and Remizov’s Demoniacs. Russian Tales of Demonic Possession opens with an introduction that interprets and contextualizes both the late-medieval and the twentieth-century tales. By providing new critical interpretations of all four tales as well as a short discussion of the history of demons in Russia, this introduction makes an eerily exotic world accessible to today’s English-speaking audiences. Savva Grudtsyn and Solomonia, the protagonists of the two tales, are young people poised on the threshold of adulthood. When demons suddenly appear to confront and overmaster them, each of them teeters on the brink of despair in a world filled with chaos and temptation. The Tale of Savva Grudtsyn and The Tale of the Demoniac Solomonia propel us forcibly into the realm of good and evil and pose hard questions: Why does evil afflict us? How does it manifest itself? How can it be overcome? Aleksey Remizov’s modernist re-castings of the two stories offer compelling evidence that these same questions are very much with us today and are still in need of answers.